Showing posts with label man with no name. Show all posts
Showing posts with label man with no name. Show all posts

Thursday, May 21, 2015

Short Attention Span Review: Slow West (2015)

Some of the best movies ever made are westerns, yet that's a genre that doesn't yield many motion pictures in this day and age.  Given the short supply, the odds of landing upon a quality western has greatly decreased, but then along comes a movie like Slow West.  While both the pace and the brooding nature of this movie are staples of the genre, the humor and the keen wit that permeate the piece make it unconventional enough to emerge as a distinct creation.  It doesn't really feel like modern fare and yet it is a far cry from the type of picture that Clint Eastwood or John Wayne would have starred in despite some potent similarities.  Director John Maclean takes his time with the tale and it's hard to believe that the sometimes leisurely and wildly unpredictable journey that we're treated to is confined to a mere 84 minutes.  At the forefront of the picture are Kodi Smit-McPhee as Jay Cavendish, a curious lad who is traversing foreign soil in search of his beloved, and Michael Fassbender as the wily bounty hunter who decides to chaperone this lost cause of a human being.  The film belongs to these two actors and they both offer up stirring performances.  Even as a series of flashbacks clearly display Jay's affection for Rose Ross (Caren Pistorious), those same glimpses of his former life lead us to believe that his heart is leading him astray.  Fassbender's Silas Selleck has his reasons for leading the lovestruck young man across the country, and it becomes obvious that what he decides to do when Jay and Rose are reunited will define him as a man.  Jay and Silas cover a lot of dangerous ground and meet some interesting people, all while a band of outlaws that Silas once rode with lurk in the background.  In the bloody finale, Maclean manages to deliver several surprises, a couple of delightful sight gags, a bit of meditation on the meaning of life, and a worthy conclusion to an intriguing western that I greatly enjoyed.

Final Grade: B+
Fassbender oozes cool as a gritty survivor type who could easily be confused
with Eastwood's "Man with No Name" if he wasn't so talkative.
Well, it would also help if he could hold his liquor.  That too.

Monday, February 16, 2015

A Fistful of Satchels

I just had a chance encounter with a gritty old man who was carrying a satchel.  It was a minor incident that occurred during an otherwise mundane trip to the grocery store to get bread and milk.  No, this wasn't one of those "Oh no, it's cold outside and there may be bad weather" freakouts, this was business as usual.  We're a family of six.  We always need bread and milk.

Anyway, as I was walking through the parking lot, I passed an old man with a satchel.  He was wearing a leather jacket and he had his hair slicked back. The presence of his satchel required him to thrust his chest out and throw his shoulders back.  Sometimes you can read another person's thoughts.  This old guy was challenging the world, daring someone to say something about his satchel.  Yes, satchels have a bit of a stigma, and this dude was well aware of that, and he wasn't going to take any shit about it.  He paused long enough to regard me with a steely gaze.  Okay, that last bit was an example of poetic license--he did pause, but he had on mirrored sunglasses.  Honestly though, I'm willing to bet that there was a steely gaze beneath those sunglasses, and aren't mirrored sunglasses the eyewear equivalent of a steely gaze anyhow?  But I digress.  He studied me, his satchel at his side and his teeth clenched together.  He was going for that expression that Clint Eastwood used to make whenever he had a chance encounter with a bad guy in the saloon.  Typically, this was followed by a confrontation that ended with Clint pulling his six-shooter and shooting three or four goons in the blink of an eye.  Honestly, the old guy was doing a pretty good job with the expression, but if I'm going to be completely transparent here, the satchel did keep him from nailing it.

Regardless, he looked at me, wanting me to say something about the satchel.  "Dude, I'm wearing slippers.  Your beef's with them, not me," I wanted to say, but I didn't.  I probably should have.  It could have been the start of a truly unique conversation.  Of course, it also could have been the catalyst for a beating at the hands of a tough old man with a satchel, and you can't walk away from something like that with your pride intact.  In closing, all of this begs the question: if you get beat up by an old man, do you save face or lose face if he had a satchel that he used as a weapon?  I'm thinking that you probably lose face.  Even if he had a brick in there and he thumped you with it, it's still a satchel.