Showing posts with label Trailer Park Trash and Vampires. Show all posts
Showing posts with label Trailer Park Trash and Vampires. Show all posts

Wednesday, February 27, 2013

Trailer Park Trash & Vampires Excerpt: Gunnie and Gash

Greetings, peeps.

I wanted to give you a look inside my book, but I wanted to do something a little different.  Typically, when I share an excerpt, it focuses on some of the primary characters, and I usually try to provide something with a little action to hold your attention.  This time I'm going to shift the focus to two of my favorite secondary characters from the book, a pair of wannabe rockstars named Gunnie Chesterbaugh and Gash Wright.  I would say that these knuckleheads represent the comic relief in my novel, and that is probably their ultimate purpose.  Having said that, I will note that there is a lot of comedy in TPT&V, so Gunnie and Gash get a lot of help on the comic relief front, and they may even kick a little ass once the shit hits the fan.  Regardless, they're lovable losers I like to laugh at, and hopefully you will too.

The following scene takes place at the nursing home where they work as custodians, and this sequence is taken from the third part of the book, a section titled Omens.  A few hours after this scene unfolds, all hell will break loose in the small town of Little Drop as war erupts between the living and the dead.  Gunnie and Gash are safe for the moment, however, and they're actually on break at the moment.  Let's join them.

TPT&V Excerpt: Gunnie and Gash


Gash and Gunnie were sitting outside with their backs against the brick exterior of the nursing home so that they could enjoy the warmth of the day.  Fortunately, the sun was still low in the sky and they were blessed with the shade the building provided.
“Remember that time you were shit-faced and you climbed out the window at Shawn Fallon’s place in Manchester,” Gash snorted, trying to hold back his laughter long enough to tell the tale.  “You were standing on the fucking roof, doing Gary Sinise’s lines from Forrest Gump, challenging God and all that shit.”
“I remember,” Gunnie said meekly, hoping to derail his friend’s account of the incident.
Gash ignored him.  “All of a sudden, your foot slipped, and you started pinwheeling your arms and screaming like a woman.”
“I wasn’t screaming like any woman.”
“Oh yes you were, you were a banshee right before you fell off that roof, Chesterbaugh.”
“I broke my fucking arm.”  The singer’s nostrils were flaring.
“Yeah, but that part kills humor in the story, so I usually leave it out.”
“Fuck you.”
“Oh, you don’t mean that.”
The two aspiring musicians were on break.  They worked as custodians at a nursing home on the outskirts of Bisby.  It was a nasty job and the hours sucked, but they never worked evenings and they were off every weekend.  That gave the band plenty of time and nothing mattered more to either of them.  They might bitch about it a lot, but no one had ever said that they weren’t dedicated.
As usual, Gash’s dad, who had been working at the home since June of 1973, had picked them up at the crack of dawn.  The old man liked to get to work at least thirty minutes early.  That gave him time to suck down four coffees every morning and pick through the newspaper.  Neither of the bandmates was all that crazy about the extra half-hour at work, but riding with Mr. Wright saved them gas money.  Besides, they still hadn’t driven the truck home from the bar.
Gunnie was getting worked up, which wasn’t much of a surprise.  Gash had yet to meet anyone else half as excitable.  “I don’t talk about that time you were jamming out with no shoes on in Tommy’s basement and you wound up getting shocked and you shit in your pants, do I?”
“Yes!  Every chance you get you tell that fucking story!  And I didn’t shit my pants, I just squirted a little.”
“Yeah, squirted a little shit, and that’s the same difference, hoss.”
“Hoss?  Goddamn man, you been listening to Bocephus again?”
“Yeah, change the subject, you son of a bitch.  I would too, only I ain’t shit in my pants since grade-school, so I don’t have to worry about it.”
“You’ve done plenty worse,” Gash sneered.
“Like what?”
“Like Ruby DeLoache.”
“I thought we weren’t going to talk about that.”
“Hurricane Ruby,” Gash laughed.
“As I remember, I wasn’t the only one to feel the effects of that storm.”
Gash laughed again.  “Hey, I stopped after a smoothie, but you took the bus all the way home.”
“I like to think of it as an act of drunken bravery, if such a thing is possible.”
As they talked, an old man wearing thin pajama pants and yellow flip-flops peeked around the corner.
“Hi there,” Gunnie said warmly.  “Quite a day, isn’t it?”
“I know that the devil is watching us,” the thin man whispered.  What little hair he had left was ghastly white in color.  His thinning mane fluttered in the gentle breeze.
“Is that right?”  Gash asked.
“The devil is in Technicolor, always in Technicolor,” the old man continued, stepping around the corner.  His skin was leathery in appearance and sagged beneath his narrow chest.  “He can see us all.  His people are among us.”
“Could be us he’s talking about,” Gash said, nudging Gunnie with his elbow.
“I don’t know about this one here,” Gunnie responded.  “He’s starting to freak me out.”
“The fire is coming.  The fire is coming to burn this place clean again.  I can smell it in the wind.”  The old man cocked his head to one side and studied the afternoon sky, his eyes wide with fear.  “The storm is almost upon us now.  I can hear his children laughing at our expense.”
“Right,” Gash said at last, standing and looking to his lead singer.  “I think it’s time we got back to work, huh buddy?”
“Yeah,” Gunnie readily agreed, rising to join his co-worker.  “You enjoy yourself today, sir.” 
“Hell wasn’t made with enjoyment in mind,” the old man said to no one in particular as they made their way back inside.  “But you’re going to figure that out.”  The old man smiled, an awful smile that gave his angular face the appearance of a leering skull.  “We’re all going to hell.  The storm is coming.  The storm is coming to wash this place clean.”


Trailer Park Trash & Vampires is currently available in a revised and illustrated edition.  You can get a hard copy for only $9.99 here.  You can also snag a copy for your Kindle for only $3.99 here.

Tuesday, February 26, 2013

Why I Don't Like Discussing Current Projects

So, I want to try and explain something today.  There are a few questions that writers are accustomed to, and one of the most common questions is a polite inquiry about whatever it is that we're working on at present.  Now, I always appreciate anyone taking interest in my work, but this is a question I always try to avoid, and I'm sure my answers are seldom rewarding.  My hope is that in explaining my thought process here, those of you who may have been miffed (or may one day be miffed) by my generic responses to this all-too-common query will understand.

First off, I have no problems discussing anything that has been completed.  Typically, I'm more than willing to spill the beans once my first draft is finished, so you don't even have to wait for revisions and rewrites and such.  Yet I'm reluctant to discuss anything I'm currently working on, or any brilliant ideas I have yet to launch.  Many assume I'm not willing to talk about these projects because I'm afraid my ideas will be stolen, and I can see why they might perceive that as an insult.  Relax, I trust you, and I'm not worried that you're going to take my next big idea and run with it.  There are no new stories to tell anyway, it's all about the storytelling in this day and age, and I happen to like my flavor.

No, the truth is that I believe that any storyteller, whether they're a writer, a filmmaker, or even a musician, has a certain amount of juice to devote to their craft.  I guess I think we're sort of like batteries.  I also think that far too many storytellers use up too much juice talking about projects they should be working on and never produce the artwork they should.  Think about it: how many people do you know who have told you about a book they were going to write over and over again without writing a single sentence?  How many aspiring filmmakers constantly explain their big idea to people without ever buckling down and working to make it a reality?  How many musicians are constantly talking about the type of band they would like to be in and the material they would like to produce without bringing any other musicians into the fold or playing any chords?

I think a lot of aspiring storytellers fall into the trap of talking about what they intend to do, and either they use up all the enthusiasm and energy they have for the material in question describing it, or perhaps talking about it somehow becomes an acceptable substitute for production.

Now, maybe it's just me, maybe I'm the only artist wired like this, but that's why I'm so reluctant to open up and really lay out whatever I'm currently working on.  Hell, if you get a working title out of me, you should be impressed.  I like to devote myself to the work, and when I'm done I'm very eager to share the final product.  I just don't like talking about something I'm working on until I'm done.

So, I hope that helps.  For the record, I'm currently working on a sequel to Trailer Park Trash & Vampires.  The working title for that project is "Raining Blood" and I hope to use that title upon publication.  Since so many have asked, I have gone as far as to explain that the primary threat the survivors of TPT&V face in the sequel is NOT a vampire, but that's all you get.  I'm also working on an unnamed thriller that may or may not benefit from a small dose of the supernatural.  I'm not trying to be cryptic about the supernatural element either, I'm still undecided on that front.

Anyway, sharing is caring, and that's what I like to do here in the Land of Way.  I am looking to publish another novel this summer (it's called Dirty Southside Jam, it's finished, and you can ask me anything you like about it) and I'll keep you informed about that book and those that follow here.  I'll also continue to tell you all about the movies and shows I'm watching, the sports I treasure, the music I'm listening to, and the real good stuff, the various books and comics I'm scoping out.

Saturday, November 3, 2012

Movie Town's 28th Birthday Party!


I am definitely looking forward to this.  This is a great opportunity for the people of Martinsville and Henry County to support local artists, and the setting is a place that I'm incredibly fond of.  Night of the Vampires at one of my favorite places?  Oh yeah.  This is going to be a blast!
Come meet the cast of Young Blood and see a local film on the big screen.  Mat and Myron have put a lot of effort and ingenuity into their movie. 
Sink your fangs into a personalized copy of Trailer Park Trash & Vampires.  I will be on hand with the illustrated edition, so you can enjoy a bloodthirsty romp complete with the incredible artwork Chris Visions created just for this volume. 
Celebrate 28 years of Movie Town in grand fashion. 

For more on Young Blood, check this out: Young Blood facebook page

For more on the phenom known as Chris Visions and his amazing artwork, scope this out: Chris Visions

To learn more about Trailer Park Trash & Vampires, go here: Trailer Park Trash & Vampires on shelfari

And, of course, last but not least, if you want to learn more about Movie Town, visit their website: Movie Town "About Us"

Wednesday, October 31, 2012

10/31

Halloween is here.  I can't wait to transform my ladies into a vampire princess and a rainbow fairy princess* later today.  Young James Asher will be the cutest elephant on the planet.  I'll be sure to share some photos with you.  We've got another jack-o-lantern to show off as well, so I'll definitely do a big Halloween post later today. 
Until then, I'm hard at work in the man cave.  How often do you get to submit your vampire novel to publishers on Halloween?  Of course, all work and no play makes for a dull master of the macabre, so I'm also taking another dip in Alan Moore's swamp today.


Seriously, his run on Swamp Thing is massive.  Now, to be fair, it isn't quite on the same level as Moore's masterpeice, the graphic novel that towers above all others, Watchmen.


Yes, Watchmen is the best of them all, a graphic novel that belongs on any fan of literature's bookshelf, but Moore did some rather gruesome and incredibly inventive stuff with Swamp Thing.  Seriously, I have always loved horror comics, but most of them are frequently fun and only faintly frightening.  Swamp Thing gave me nightmares as a child, and Alan Moore was the guy writing the book.  The first issue he scripted, The Anatomy Lesson, which is where the vintage graphic novel (circa 1987, peeps) I'm currently enjoying kicks off, is a stellar example of just what the comic book format is capable of delivering.
I think Watchmen and his work on Swamp Thing represent the finest work of Moore's illustrious career, but I would be intrigued by virtually anything that features his name in the credits.

Alan Moore
 I'm currently scripting some material based on my book for my incredible illustrator, the one and only Chris Visions, and I'm hoping we can mine some disturbing themes of our own in panels in the near future.  He's a phenom.  Seriously, check out the marvelous cover he crafted for my book sans title:

The cover Chris Visions prepared for TPT&V
See more of the fantastic work of the maestro I call "Master Visions" at: http://chrisvisions.com/

Regardless, I'm working, reading, carving pumpkins with the fam, and gearing up for a stellar Halloween night.  I hope you're ready for October 31st, because, well, if you're not, you've run out of time.  Let's do this right, people.  We need jack-o-lanterns, costumes, tricks, treats, scary movies, and Halloween parties to wake the dead.  

*Some kids want to be witches or super heroes.  You ask little Taryn Grace what she wants to dress up as and she thinks about it for a moment and then declares that she wants to be a rainbow fairy princess.  Fortunately, we found just the costume for her.