Short Attention Span Review: The Avenging Eagle (1978)

Short Attention Span Review: The Avenging Eagle (1978)

Sheng Fu and Lung Ti headline this Shaw Brothers gem from the year of my birth.  A revenge yarn with a bit more depth than one might expect, The Avenging Eagle doesn't skimp out on the studio's trademark choreagraphy and visual splendor.  Littered with well-staged battles featuring an array of combatants (each armed with a different weapon, none of which could be described as run-of-the-mill) and host to several striking sets and a smorgasboard of colorful costumes, this is kung fu cinema at its very best.  While inferior to hallmark films from the studio like The Five Deadly Venoms or Five Shaolin Masters, it is still a great outing that provides viewers with 90 minutes of top-notch kung fu treachery.  Of particular note is the relationship between the two leads and the way The Avenging Eagle avoids familiar tropes in an effort to strike a balance between revenge and redemption.  Make no mistake, this character development doesn't come at the expense of high-flying kicks and epic battles, for the story allows such meditation while remaining a bloody good time for fans of the genre.

Final Grade: B

Cool weapons and great choreagraphy make this fast-paced and surprisingly emotional quest for vengeance well worth a look.

Short Attention Span Review: The Five Deadly Venoms (1978)

Short Attention Span Review: The Five Deadly Venoms (1978)

Two utterly magnificent things happened in 1978: I was born and Chang Cheh gave us The Five Deadly Venoms, which may just be the coolest martial arts film of all time.  Bruce Lee's catalog aside, this is undoubtedly the definitive karate flick, and it will also appeal to fans of the horror genre--and perhaps even fans of superhero movies.  The Shaw Brothers gave us an abundance of kung fu gems marked by great sets and even better choreography, and I think most fans will agree that The Five Deadly Venoms was their best offering.  Additionally, no one was better suited to helm these bodacious flicks than Chang Cheh, and this is surely his finest hour.  This is also the film that gave us the Venom Mob (Shen Chiang, Chien Sun, Phillip Chung-Fung Kwok, Meng Lo, Pai Wei, and Feng Lu), and while each of these considerable talents would shine in other pictures, the whole gang would never join forces again in a single picture--and I think this one may represent each performer's best work with the exception of Shen Chiang.  He is the lead here and he's absolutely terrific, but I rank his work in Crippled Avengers a little higher.  The groovy plot revolves around a master who has trained the fearsome Venoms of the title in five distinct styles, each of which comes equipped with something akin to a super power.  These warriors are the Toad, the Lizard, the Centipede, the Scorpion, and the Snake.  They train under this master (Dick Wei) in masks, and thus their identities are kept a secret.  Later, the master trains a new student, Yang Tieh (Shen Chiang), and while he is not a master of any of the five styles, he understands a little of each.  As the master nears his end, he begins to fear that his five original pupils may be too dangerous for this world, so he sends young Yang Tieh to try and figure out who the Venoms are, determine if they are good men or bad men, and eliminate any who are using their skills for nefarious purposes.  This sets the stage for a supremely badass film brimming with secret identities, desperate alliances, epic brawls, and a nifty twist or two to keep everyone on their toes.  Of course, the highlights of the movie are the bloody showdowns, but there's also an abundance of gore on display and I love the sinister mood that permeates the piece.  Finally, The Five Deadly Venoms concludes with a five star showdown where all bets are off, and this amazing setpiece showcasing all of the characters who have yet to perish is easily the most stupendous final reel in the history of martial arts cinema outside of Enter the Dragon.

Final Grade: A+

Bruce Lee's catalog aside, The Five Deadly Venoms is the ultimate karate flick.  As such, it is the best offering from the Shaw Brothers, who gave us a wealth of kung fu treachery to enjoy.

Short Attention Span Review - Five Shaolin Masters (1974)

A simplified version of the story for Five Shaolin Masters would read something like this: Five righteous dudes get their asses whipped by five heinous dudes.  The five righteous dudes go train together, developing their skills and formulating plans for the upcoming rematches.  At the end, all that hard work and training really pays off as the five righteous dudes kick the shit out of the five heinous dudes.  That's about the sum of it, yet with a film like this, it doesn't really matter.  It's the delivery that counts, and kung fu flick maestro Chang Cheh is calling the shots.  No director was better suited to helm one of these pictures, and no one was better suited to produce the movie than the Shaw Brothers.  This is another colorful epic that surely ranks among their best offerings.  It's not quite on the same level as the studio's crown jewel, The Five Deadly Venoms (also directed by Chang Cheh), but one could certainly make a great argument for putting Five Shaolin Masters next on the list.  This is one of the few Cheh Chang films that isn't highlighted by stars from the fabled Venom Mob, but the cast is legit.  My main man David Chiang is on point, and his Blood Brothers co-star Lung Ti also does a tremendous job.  There are several extremely effective fight scenes and there is some top-notch weapons choreography on display.  The action is great, the characters are bold, and the end result is an entertaining kung fu romp that concludes with a monumental showdown.

Final Grade: A

These five righteous dudes bond over a series of good beatings and come
together to train as they prepare to turn the tables on five heinous dudes.

Short Attention Span Review: Crippled Avengers (1978)

Often referred to as a sequel to the baddest kung fu flick of them all, Five Deadly Venoms, Crippled Avengers is actually a totally different feature from the Shaw Brothers.  It does reunite most of the cast from that martial arts masterpiece with gifted director Chang Cheh, and though I can't say that Crippled Avengers is as good as Five Deadly Venoms, it's definitely close.  The plot is an epic exercise in kung fu treachery: a sadistic master of tiger style kung fu and his equally vicious son (who have a tragic backstory that almost justifies their dastardly behavior) take great pleasure in crippling anyone who offends them.  Four of these victims (one who is rendered deaf and mute, one who is blinded, one who loses his legs from the knees down, and one who winds up with brain damage) join together and learn how to defend themselves in spite of their disabilities.  Once their training is complete, they return to seek vengeance against the evil master and his son in one of Chang Cheh's signature battles boasting numerous opponents and various styles.  No one could stage such a duel like Cheh, who excelled at presenting grueling showdowns that were ripe with talented performers (he made numerous films with the same stars) and showcased some of the best fight choreography ever captured on film.  In addition to the stellar fight scenes, this movie also benefits from the glorious sets and the bold color schemes that are typical of the motion pictures produced by the Shaw Brothers.  It also succeeds because it tells a good story (even if it is a bit far-fetched) and it is well-acted.  If you are looking for kung fu treachery and you have yet to experience the Shaw Brothers and Chang Cheh's work in particular, you're doing it all wrong.  Crippled Avengers is definitely in my top ten so far as martial arts movies are concerned, and it may even be in my top five. I also have to give some major props to Sheng Chiang, for while I love all the Venom Mob guys in the cast, his performance here as the brain-damaged warrior is a splendid treat.

Final Grade: A

Let the training begin!

Short Attention Span Review: Blood Brothers (1973)

 

No one has time for kung fu treachery in this life, unless it's part of your kung fu cinema regimen.  If you're like me, you know that the greatest kung fu flicks of all time fall under one of two categories: 1) films starring Bruce Lee, and 2) films from the Shaw Brothers.  Yeah, I'm thinking that Gareth Evans and Iko Uwais are working on creating a third category for me, but we're not there just yet.  Regardless, I watched Blood Brothers in Shaw Scope this weekend and had a great time with it.  It was rather grim and the ending was a major bummer, but it was pretty obvious we were heading in that direction from the opening frame.  The usual grand sets, colorful costumes, and incredible choreography were all on display, but if you know the Shaw Brothers, you knew that already.  The story was compelling and the three leads (David Chiang, Lung Ti, and Kuan Ti Chen) all did a remarkable job with both the acting and the chops and kicks that Blood Brothers required of them.  There was a strange emphasis on dudes rolling down hills in slow-motion (this didn't happen once or twice--it was more like five to ten times) that I didn't completely understand, but it was still a quality kung fu flick.  I loved David Chiang's work with the triple staff and Lung Ti really stole the show as the "brother" whose lust for power (and Kuan Ti Chen's lovely wife) eventually turned the three men against one another.  It wasn't in the upper echelon of movies c/o of the Shaw Brothers (Five Deadly Venoms, Crippled Avengers, Five Shaolin Masters), but it was definitely worthwhile.

Bonus points: whoever did the subtitles on the version I watched certainly played it fast and loose.  There were numerous scenes where the subtitles didn't make a damn bit of sense.  Also, (and this shouldn't have been funny but it was) the female lead was frequently referred to as "bitch" or "the bitch" and I'm pretty sure these references weren't actual translations of what was being said. 

Final Grade: C+

Dude in the middle (Lung Ti) looks like an asshole, doesn't he? 
This isn't one of those examples of how looks can be deceiving.

Short Attention Span Review: Falcon Rising (2014)

There was a time when people used to go rent movies at places like Blockbuster and various other rental chains, places where the walls were lined with titles and you could buy candy at absurd prices.  The heyday for this particular era may have been the 90s, and during that time there were entire sections devoted to martial arts movies.  Here, roughly a dozen gifted warriors of the cinema were vying for kung fu supremacy.  You could chose from legit stars like Jean-Claude or Segal, or you could go for the talent hanging out on the lower shelves, people like Don "The Dragon" Wilson, Cynthia Rothrock, or my personal favorite, Gary Daniels.  It was like Billy Bob's Kung-Fu Theatre for my generation.  Now, VHS tapes are fossils, the rental industry is all but dead (Redbox is an entirely different animal), and the martial arts sub-genre isn't exactly flourishing--but we have Michael Jai White!  Yes, good people, Black Dynamite is here to save the day.  You'll have to understand if I can't help but give Black Dynamite lots of props here--it's one of my favorite movies and if you haven't seen it, please stop reading this blog and go watch it RIGHT THIS VERY MINUTE.  I typed that in all caps because I mean it.  Those of you who have seen Black Dynamite and are therefore still enjoying this review can go ahead and lower your expectations, but you already knew that Falcon Rising would be no Black Dynamite.  Honestly, it's a far cry from Blood and Bone, but it's still worth watching--particularly if you miss that old school kung-fu glory as much as I do.  Of course Michael Jai White delivers the goods, he's an absolute beast.  I think he's a good actor and his martial arts prowess is second to none in this day and age.  The plot for Falcon Rising is a simple exercise in the time-honored "noble hero encounters kung fu treachery and kicks a lot of ass" vein, but I thought Ernie Barbarash's direction was exciting and the score from Charlie Lin was pretty nifty too.  There were decent opponents for Michael Jai White to combat and underrated vet Neil McDonough showed up just long enough to earn a paycheck.  Bonus points: I had never seen Thiago Santo in a movie before and he caught my attention as crooked cop with a bit of a conscience.  All things concerned, this was an entertaining little romp that probably deserves a C, but I'm going to give it a C+.  Why?  Black Dynamite, that's why!

Final Grade: C+

Michael Jai White doing what he does: kicking ass.

Haven't seen Black Dynamite?  Go watch it.  I'm serious.  Scram, you jive turkeys!

Short Attention Span Review: Merantau (2009)

As a huge of fan of both The Raid (awesome movie) and The Raid 2 (just fucking incredible), I'm surprised it took me so long to get to Merantau.  For those who aren't familiar with Gareth Evans and Iko Uwais, the director and the star of a pair of the finest action films ever (that would be The Raid and The Raid 2 for anyone who's having a hard time keeping up), this potent team first hit the scene with Merantau back in 2009.  Knowing that this was the film that launched this ultra-talented tandem, I was expecting something vastly inferior, but that wasn't the case.  I think that with The Raid and its powerhouse sequel, Evans and Uwais greatly advanced their game in terms of plot and effects/gore, but Merantau is no amateur debut.  It's a highly-polished martial arts film with a decent story and an abundance of riveting fight choreography.  It's a bit more traditional than those later efforts, with The Raid taking a John Carpenter-esque approach to the genre and The Raid 2 deftly combining kung fu treachery (I never miss a chance to give Black Dynamite his due) and a plot that was on par with The Departed.  Yet Merantau is still highly-effective, and if I had happened upon this before viewing either Raid picture, I would have been almost as keen on Evans and Uwais.

Final Grade: B