The Walking Dead: Season 3, Episode 16 (Welcome to the Tombs)

Warning: this is as much of a recap as it is a review, so here there be SPOILERS.

The third season of The Walking Dead is a wrap.  In recent weeks, the show had been on fire, and the momentum and hype this strong run generated served to create lofty expectations for the last episode.  Yes, the big finale sought to place an exclamation point on the season, and in many ways it succeeded.  Yet it must be noted that in many ways it was also very disappointing.  Now, I felt that "Welcome to the Tombs" was a solid episode, and were this week 14 or 15, I think I would be more lenient.  However, I think most everyone was expecting much more from the season finale, and despite several important deaths and some extremely intense material, this one failed to close out Season 3 with a bang.  It didn't really come close, truth be told.

Now, the beginning was great.  In fact, I thought this might have been one of The Walking Dead's strongest opening reels.  The Governor worked Milton over and gave him an ultimatum: kill Andrea or die.  I knew Milton was a goner back in Week 14--and, as I recall, in addition to noting that I didn't see him making it to Season 4, I also noted that I couldn't decide if I liked his odds of seeing Season 4 more than those of that sucker who was traveling with Tyreese--but I didn't expect to see Woodbury's resident scientist/idiot make such a ballsy exit.  Anyway, instead of offing Andrea, Milt made a lunge at The Governor and got stabbed for his efforts.  To make matters worse, The Governor coolly advised Milton that he was going to turn and kill Andrea in spite of his heroics.  This was also some of the best stuff we've seen yet courtesy of David Morrissey as The Governor, and the "Kill or die . . . or . . . die and kill" line was sweet. 

Yes, we were off and running, and I was thinking that we were in for quite a show.  Now, so far as Andrea, Milton, and The Governor were concerned, I was right.  Most everything else seemed to be a bit lacking, especially when you consider that this was the end of the road for what has thus far proven to be a damn good season of a terrific program.  Unfortunately, while a killer episode may have established this as the finest season thus far, the end result was a decisive third-place finish for Season 3.  No doubt about it.

Back at the prison, our merry band of survivors were getting ready to bolt.  Carl was ticked off, Glenn was concerned, and Rick and Michonne had a bizarre "I almost handed you to The Governor on a silver platter, but you're one of us" talk that was more than a little odd.  To their credit, Andrew Lincoln and Danai Guriri somehow managed to get the job done, but it was just a strange little chat that I didn't really dig.

In Woodbury, The Governor rallied his troops and led the charge toward the prison, minus Tyreese.  The big dude who can't shoot for shit spoke up during The Governor's Patton impersonation and declared that he wasn't there to fight other people.  After stating that he was going to sit this one out, he offered to stay behind to protect the women and children.    I liked this development, but I thought this scene was also a bit clumsy.  Much of the finale seemed rushed to me, as though AMC was hastily advancing the plot.  At this point, the episode was clearly losing steam, but a worthy finale was still within reach.  After all, the inevitable confrontation we've been waiting for was on the horizon.  Or was it?

Let's talk about what happened at the prison.  Why?  I guess I have to, that's why.  This review/recap wouldn't be complete without it.  Basically, The Governor's troops (I should probably put an asterisk beside troops, but more on that later) hit the scene and blasted the shit out of the prison and all the walkers gathered around the entrance.  In truth, this assault was fairly badass, aside from the fact that Rick and his people were nowhere to be seen.  Growing more and more agitated with every second that passed, The Governor led his troops deeper and deeper into the prison, chasing shadows and rushing toward the distant moans of the undead.  This is probably the point where most of his troops started to realize that The Governor didn't really know what the fuck he was doing.

This fool's army came across a trap, setting off a couple of flash-bombs and attracting walkers.  They escaped the prison and came under fire from Glenn and Maggie, who were clad in body armor.  They sprayed a hell of a lot of lead, but I'm not sure that they hit anyone.  Regardless, The Governor's troops took off, running toward their vehicles.  It was as if the commanding arsenal that they had attacked the prison with mere moments ago was utterly forgotten, and it was patently obvious that The Governor's attempt to play general was bound to end in failure.  Yes, AMC butchered the big confrontation, totally marring both the finale and the season itself in the process.  The bad guys blew a bunch of walkers up, two of Rick's people took a few shots at them, and the bad guys jumped in their vehicles and drove off.  It was a lesson in how NOT to present a thrilling conclusion to a story.

Rick and the rest of the gang emerged and celebrated.  Yay for them.  Oh, and Carl iced some kid who was trying to surrender, much to Hershel's dismay, and then told his dad he killed a soldier who "drew" on him.  Hershel told Rick otherwise and now we have some drama to carry over into Season 4.  Meanwhile, The Governor made his people stop in the middle of the road.  They tell him it's over, they're not soldiers, and he loses it.  This was a very effective scene, and both the music and Morrissey were excellent here.  He gunned all of the troops down aside from Martinez and that one guy that some people thought was Tyreese back at the beginning of the season.  Oh, and the victims here included that sucker who was traveling with Tyreese.  Milton, we'll miss.  That sucker?  Well, we didn't really give a damn about him, now did we?

The Governor and his remaining troops, both of whom were doing an admirable job of playing it cool, got in a truck and drove off.  I bet no one was telling jokes during that ride.  Where did they go?  Well, I thought they were going back to Woodbury, but either I was wrong or they got lost.  What's next for The Governor?  Who knows?  I don't.  Nor does anyone who was relying on the big season finale for information.  That was the last we would see of David Morrissey in Season 3.

Finally, we made our way back to Andrea and Milton.  He had dropped a pair of pliers behind her when The Governor made him gather up all the instruments of torture just lying around earlier in the show.  Milton told Andrea about the pliers, and told her to hurry.  She told him she was going to get out of the chair and save them both, and he told her she was going to get out of the chair and finish him off.  He knew he wasn't going to make it, and he kept telling Andrea to hurry.  She didn't do a great job of listening to him, and by the time she was finally making some progress, Milton was dead.  Soon he turned and began to make his way toward her.  The camera cut away and we heard Andrea scream.

Rick, Michonne, and Daryl decided to go to Woodbury.  I don't know what they were thinking.  I think the writers of the show were thinking for them at that point, and they had loose ends to tie off and the clock was ticking.  Anyway, they picked up this one chick who survived The Governor's massacre so she could join the crew and tell them what happened.   Later, they reached Woodbury and found Andrea.  We thought she was in the clear, because we weren't going to be fooled by that scream after the cutaway, right?  But we were wrong.  She had freed herself and finished Milton off, but not before he took a little bite out of her chest.  Next, we got some emotional stuff that felt rushed on Rick's behalf, but genuine coming from Michonne.  Andrea shot herself and our trio wound up taking Tyreese and all of Woodbury's remaining residents, namely the women and children, back to the prison.

How do I feel about Andrea's exit?  I'm pretty sure I hate it.  This season now stands as a complete and total waste of one of the better performers on the show and one of the comic's most beloved characters.  Andrea was a solid component of AMC's The Walking Dead in the first two seasons, but Season 3 served as a tremendous disappointment in regards to her character.  Maybe the show will find a way to make this up to me, but that's a tall order.

I guess that just about sums it up.  In truth, this episode probably wasn't as bad as it sounds, and I do believe that it would have been perfectly acceptable if it wasn't the season finale.  Yet there was so much to accomplish and the audience's hopes were so high that it's really hard to give this show a good grade in light of the circumstances.  This season warranted a gripping finale with a big showdown, and in truth it needed such an outcome to warrant all the hype and drama that brought us here.  Yet it was a letdown and it cheapened much of what transpired in Season 3.  As bizarre as it sounds, I would have to close this blog out by saying that I enjoyed the episode, particularly the stuff with Andrea, Milton, and The Governor, but I was very disappointed at the same time.  This was a solid episode, but it wasn't a worthy season finale.  Not by a long shot.

Am I being too hard on "Welcome to the Tombs"?

Am I being too hard on Season 3?

When will Rick and The Governor finally come to blows?

Is Carl fucked up?
I'll answer that one for you: Yes, but it's to be expected.

If I'm right, can AMC's The Walking Dead redeem itself in Season 4?

The Walking Dead: Season 3, Episode 15 (This Sorrowful Life)

Warning: this is as much of a recap as it is a review, so here there be SPOILERS.

With only a pair of episodes remaining in what is shaping up to be an epic season, The Walking Dead put Merle at the center of another solid hour of nerve-wracking horror.  I think last week's episode was a little leaner and the narrow focus produced one of the best entries to date.  "This Sorrowful Life" wasn't quite as polished and it didn't shine quite as brightly as a result, but it was a very good episode that continued to build momentum heading toward this week's big finale.

First off, let's start with the bad, since that's how the show kicked off.  Rick decided to hand Michonne over, and I don't think this worked for anyone.  This felt like a plot device from the very start, and it was a lazy attempt to advance a fine show.  I'm not sure how they could have set this entry up without that development, but leading off on a false note definitely cheapened the episode.  To make matters worse, Rick then approached Merle and told him about his decision while keeping everyone else aside from Hershel and Daryl in the dark. 

Merle knew Rick wouldn't be able to go through with delivering Michonne to The Governor, and he told Rick as much.  Though the scene painted Rick as a buffoon, it was compelling stuff, and little did I know that Michael Rooker was just getting started.  In truth, if you have a guy like him in your cast, you should definitely use him, and "This Sorrowful Life" gave Rooker a wealth of material to play with.  He excelled, which is no surprise to those of us who love his work.  Whenever he was on the screen last night, The Walking Dead was absolutely riveting, and he was the centerpiece of this episode.  If not for Rick's baffling decision at the onset and the latest installment of the Glenn and Maggie soap opera, this would have been an instant classic.

Anyway, recognizing that Rick didn't have the stomach for the job at hand, Merle put his own plan in motion.  He subsequently captured a surprisingly gullible Michonne and set off for the rendezvous with The Governor without Rick or his brother.  Things really picked up from there.  A fantastic scene found Merle trying to boost a ride while Michonne was tethered to a nearby column.  Merle accidentally set the car alarm off, attracting a mob of walkers, and Michonne showed that she doesn't need her hands free to kick some serious ass.  Merle also showed his mettle, and this setpiece continued a recent streak of rousing action scenes.

There has always been a lot of violence on The Walking Dead, and the execution is typically sound, but I feel like the makers of the show are at the top of their game this season.  They've given us a wealth of bloody mayhem that rivals anything you're apt to see on the big screen, and they should be applauded.  It should come as no surprise that horror heavyweight Greg Nicotero was in the director's chair when "This Sorrowful Life" was filmed. 

Back at the prison, Rick (thanks in part to another sighting of Lori's ghost) realized he could no longer stomach the notion of giving Michonne up.  He came clean with the rest of the group and demanded that they become a democracy so he no longer bears the burden of making all of the decisions for them.  Of course, he soon realized that neither Merle or Michonne were on the scene, and it wasn't hard to put two and two together.  He was going to go after them, but Daryl took responsibility and reminded Rick that he needed to be at the prison just in case The Governor moved on them and the shit really hit the fan.  He also noted that Rick had little chance of tracking Merle and Michonne, and we all know that tracking is one of the zombie-killing badass known as Daryl Dixon's specialties. 

Meanwhile, Michonne appeared to be biding her time.  I got the feeling that she was so confident of her ability to turn the tables on Merle that she elected to devote herself to talking him down first, earmarking a struggle for freedom as Plan B.  Maybe that's just me being entirely too enamored with her character, who is one of the best heroines out there in 2013.  I thought it very unlikely that Merle would release her, but the dialogue between these two outsiders was enthralling.  As good as Michael Rooker was in this episode, and he was utterly fantastic, Danai Guriri was nearly his equal despite playing a smaller role.  In the end, Merle shocked me by stopping the car and setting Michonne free.  He made it clear that he wanted to see the group at the prison survive because that's where his brother wanted to be, but he didn't see any way that he could ever become one of them. 

I think he was wrong about Rick and our merry band of survivors; I believe there was a place for Merle at their table.  That's why I'm also willing to recognize that maybe Merle felt that they didn't stand a chance unless someone did something to try and put a dent in the numbers game working against them before all hell broke loose.  Merle did just that, leading a pack of walkers to the rendezvous and unloading on The Governor's troops while they tried to contend with a zombie horde.  I think Merle had a good idea, though getting drunk beforehand wasn't his finest moment, and he did rush things a bit.  Regardless, he took several of The Governor's fighting men out before the bloodthirsty villain Merle once hailed as leader took him down in a vicious fight. 

This was a big moment for The Governor, and it was damn impressive, but I'll admit that it also hit a sour chord with me.  I mean, I know that this character is now a far more frightening rendition of the comic book villain I know and love, and I know that Merle was drunk and winded, but I still think the one-armed man would have won the fight.  I guess that while I'm truly enamored with the direction David Morrissey has taken, particularly in recent weeks, I'm still not completely on board with AMC's version of the character.  Again, I know this was necessary to keep the plot moving, and it was a great way to make The Governor look strong, but I just can't wrap my head around seeing him take Merle out with relative ease.  I think that Merle wins that fight at least seven times out of ten.

Now, to be fair, I was dreading Merle's inevitable exit from The Walking Dead, and I've made my affection for Michael Rooker clear, so maybe that last sentence is just the homer in me talking.  Either way, I'm sad to see Merle go, though I do think the show benefited greatly from bringing him back in Season 3 and devoting so much screen-time to the rowdy rascal.  Merle Dixon, you were an asshole, but you will be missed.  The conclusion of "This Sorrowful Life" found Daryl catching up with his big brother, and we were witness to a gut-wrenching display of emotion as zombie Merle advanced on fan favorite Norman Reedus, forcing Daryl to kill him.  That was almost as powerful as anything we've seen on The Walking Dead, and it was a great way to cap off a nice entry in one of television's most compelling shows.

Yes, there was a fumble on the first snap, and whether you dig the Glenn and Maggie stuff or not, it seemed out of place here, but this was another winner.  Season 3 has produced a lot of those, and as we head toward the finale, many questions loom large, though it is fair to wonder how many of them will be answered.  I think most everyone who follows the program is eager for the big finish, but I also think we all realize that we're approaching a massive cliff-hanger.  I have a feeling the wait for Season 4 is going to be nothing short of agonizing.  I'll be sure to share my thoughts in seven days, but until Episode 16 airs we'll just have to wait and wonder. 

Who will live?

Who will die?

Will the season finale be able to capitalize on all the momentum the show has gained in recent weeks, or will AMC drop the ball?

Will people really riot if Daryl dies?

The Walking Dead: Season 3, Episode 12 (Clear)

Warning:
This is as much of a recap as it is a review.  Here there be SPOILERS . . .

In a bit of a surprise move, AMC made the decision to step away from the larger storyline at work just as Season 3 was gaining serious momentum.  "Clear" is a harrowing episode that narrows the focus to Rick, Michonne, and Carl.  Initially, I was skeptical of this decision, though I was excited to see the show zero in on three of the program's strongest assets.  In the end, we finally found out what happened to Morgan, and The Walking Dead delivered another top-notch episode.

We didn't spend any time at the prison.  We didn't spend any time in Woodbury.  We didn't see The Governor, Andrea, and the only members of our merry band of survivors at the prison that we got to hang with were those mentioned in the first paragraph.  This was a major departure and while the timing was a bit suspect, it didn't take long for me to realize that this was a solid decision.

Stepping away from the looming battle between Woodbury and the prison served many purposes, but none was as meaningful as finally bringing Rick and Michonne together.  No, I don't mean that in a romantic way, but in the comics Rick and Michonne are a dangerous unit.  They both have issues, but they trust one another and their relationship is one of The Walking Dead's biggest strengths.  By the time "Clear" came to a close, I really felt that Rick had accepted Michonne as part of the team.  Maybe I should say part of the family.

Either way, Carl was the biggest reason for this, and Chandler Riggs remains one of the show's biggest finds.  I thought he did a fine job last night, and I do think he's one of the strongest performers on the program.  I like the way his character is evolving, and while there are many areas where the show and the comics vary greatly, the relationship between Rick and his son is one of the key plot points that is totally consistent with the source material. 

I did have issues with the geography, as I didn't think the group was anywhere near Rick's old stomping grounds, and I don't know precisely how far we were to assume that our trio had traveled.  Regardless, a homecoming was in order, and we finally got to catch up with Morgan and see how he was holding up.  Of course, this is The Walking Dead we're talking about, and Morgan wasn't doing so well.  His story was a tragic one, and his interactions with Rick were as emotionally-charged as anything you're apt to see on television.  Fantastic stuff c/o Lennie James.  It was fitting to see Rick pitted against the man who saved him in the pilot, setting everything that has followed into motion.  It was wise to encourage the audience to think upon just how much Rick has been through and how much all of it has changed him.

Equally rewarding was the side-mission Carl and Michonne went on, and the bonding that occurred in that brief window of time.  This was a major episode for one of fandom's finest heroines, and Danai Gurira was incredible.  She is working really hard to nail this part, and there is tremendous depth to the character.  The role requires a lot on an emotional level, but that's not all.  There's also the physicality and the ferocity that Michonne demands, and I think Danai has been game every step of the way.

The episode concluded with our little trio heading back to the prison with more guns, ammo, and a nifty new crossbow, all while Morgan continued with the life that he has chosen for himself.  I wonder if we may see him again, for Rick surely gave him a lot to consider.  Maybe it will sink in over time, and since distance apparently isn't an issue (and given the character's presence in the comics) I don't think that we've seen the last of Morgan.  Rick seemed to have a better grip on things, and in spite of everything happening around him, he was downright normal at times.  Maybe seeing how far Morgan has gone was a tonic of sorts for him.

The bookend bits with the backpacker were priceless.  Grim, utterly depressing, and a perfect way to set the proper tone for the show.  That close was classic The Walking Dead.

Yes, we're speeding along, zipping toward an imposing battle, and I'm not sure that The Walking Dead has ever been better.  I was a huge fan of Jon Bernthal's work as Shane, and I was really worried that this season would suffer from his absence.  There's still work to be done, and I have aired a few grievances, but AMC is working to provide us with something spectacular this season and I like their chances.

The Walking Dead: Season 3, Episode 7 (When the Dead Come Knocking)

Last night was another solid outing for The Walking Dead, and as we head toward this week's mid-season finale, the tension is incredibly high.  This show always leaves me wanting more, and there have been several fine cliff-hangers to close out episodes, but I'm particularly anxious for next week's show.  This season has featured an abundance of action, but the plot has been gaining steam slowly, setting up a looming conflict between Rick and the band of survivors he has led to the prison and The Governor and his people in Woodbury.  Next week these communities will finally clash, and the stakes are incredibly high.

I continue to marvel at Andrew Lincoln and his masterful portrayal of Rick, which has certainly proven to be an incredibly demanding role.  He is the heart and soul of this show, and he excels at giving the audience a compelling character to cement this epic program.  Having said that, the rest of the cast is incredibly gifted as well, and with every episode fan-favorites like Daryl and Michonne become even more important to The Walking Dead's success.  As with many of my favorite shows, this is a true ensemble piece, and if one were to ask me to name my favorite character, I'm not entirely sure that I could.  Even if I did, if you asked me the same question a week later it's entirely possible that my answer would change.

Steven Yeun

One standout had been under-utilized this season until last night's offering, but Glenn (Steven Yeun) definitely had a full plate in Episode 7.  "When the Dead Come Knocking" found he and Maggie (the gorgeous Lauren Cohan) imprisoned in Woodbury.  Merle (Michael Rooker) wants to know where his brother is, and The Governor wants the scoop on the other group's location, so Merle spent much of this episode working Glenn over.  Glenn's a tough nut, and he didn't crack, but The Governor managed to get Maggie to spill the beans. 

Meanwhile, Michonne found her way to the prison and met up with Rick and the gang, and they formed an uneasy alliance that should become stronger as time passes.  Michonne was struggling with a gunshot wound, but that didn't stop Danai Guriri from kicking a lot of ass.  Aside from Andrew Lincoln, I thought Jon Bernthal was the show's big find in the first two seasons, and now Guriri and David Morrissey (The Governor) are proving to be just as critical to the show's success in Season 3.  I think that there can be no doubt that Guriri is a stellar representation of the character fans of the comic just can't get enough of, and last night's episode only added to her appeal.  Morrissey is also doing a terrific job, but I'm still a bit on the fence in regards to the way AMC has chosen to depict the character.

Now, anyone who has read the comic series knows that the show has made a lot of changes.  Many of them have been relatively minor, slight alterations that serve to keep those who read the comic on their toes without really disrupting the plot.  Some have been major alterations, to include shocking deaths for characters who survived far longer in the comics, or the addition of stellar characters like Daryl and Merle.  The people behind the show are using the comic series as the basis for their efforts, but they aren't painting by the numbers.  Yet in spite of the liberties they have taken, some of the choices they have made with The Governor's character are particularly intriguing. 

Robert Kirkman, the mastermind behind The Walking Dead, has gone on record as saying that the show intends to show a more seductive side of the character and that they wanted to make him more political.  Yet in many ways, some feel that in giving us a more nuanced version of this character, The Governor has essentially been defanged.  Now, we're not even halfway through the season yet, and The Governor is proving to be a solid villain, but I do think that there is some merit to those claims.   

In the comics, Rick and Michonne (not Glenn and Maggie) wind up in The Governor's clutches, and since there is no Merle, it's The Governor who works them both over.  He promptly cuts Rick's hand off, and Michonne is beaten and raped repeatedly by this despicable menace.  He is utterly deplorable and his actions set him up as the finest villain the comic series has yet to produce.  The show is giving us a sound villain, that much is true, but I do believe The Governor that comic fans know and despise would eat the television version of his character alive.  To a certain extent I'm okay with that; television is a different medium with different requirements.  However, as much as I like this show, last night's scene with The Governor and Maggie hit me the wrong way.

Maybe I'm thinking about this too much, but I didn't like the way they arranged that scene.  I think I would have preferred if they had gone all the way with the material and allowed The Governor to beat and rape Maggie, though I think they should have found a way to do it off-screen.  Simply allowing The Governor to force Maggie to disrobe was a bizarre choice.  Was it an attempt to hint at the way the scene unfolded in the comic or was it a shameless attempt to titillate the audience?  Seriously, why have her disrobe to begin with given the way things played out?  Anyone who has read my work knows that (much like Kirkman) I don't believe in pulling punches, so I think they should have taken things to the limit, but in lieu of that, I would have abandoned the disrobing aspect altogether.  It was totally unnecessary given the direction they took, and that moment did serve as a compelling example of how the show's version of The Governor isn't nearly as demented or ruthless as his comic counterpart. 

The comic book version of The Governor

Now, this was still a terrific episode, and it really set the stage for the mid-season finale.  The Walking Dead remains the best thing going on television (at least until Justified starts up again) and the show is only getting better.  In truth, I firmly believe that whether you prefer the show or the comic, The Walking Dead is the best thing happening in horror in 2012, to include television, motion pictures, comics, and novels.  That's lofty praise, but Robert Kirkman and his bloodthirsty creation deserve it.  Next week's episode should be explosive.

Will Rick and The Governor square off?

Will Daryl and Merle have a reunion?   

Will Glen and Maggie be rescued? 

Will the show find a way to set their version of The Governor up as a figure who is just as terrifying and monstrous as the comic book's superior villain? 

Will there be another shocking death before the second half of the season gets underway? 

I don't know, but I do know this: I'll be watching. 

The Walking Dead: Season 3, Episode 6 (Hounded)

Season 3 continues to pack a wealth of excitement and terror into every episode, and last night's entry, entitled "Hounded", was no different.  We spent a lot of time with Rick and the gang at the prison, and we also spent a lot of time with The Governor and his underlings in their community.  There was action, there was gore, there was even a little sex, and there were some major developments that will eventually (I'm thinking sooner rather than later) bring our two bands of survivors into direct conflict.  This was a very effective episode and it spotlighted some of the newest additions to the The Walking Dead while also paying close attention to the regulars we've been following from the very start.

Michonne continues to impress, and with every episode she becomes more valuable to the show.  Should her character continue to progress, we may reach a point where (as in the comics) she is just as valuable to the story as Rick.  She is a strong presence who is equally adept at sniffing out a rat (The Governor has charmed Andrea into his bed, but he couldn't get Michonne to believe anything he said) and dismembering anyone living or dead who dares to threaten her.  I think that Danai Guriri has done a terrific job thus far, and I hope the show makes the best use of both her ability and the character's appeal as the series continues to evolve.

The Governor himself (or "Phillip" if he's looking to get into your underpants) continues to evolve, and I am more impressed with David Morrisey's nuanced performance with every week that passes.  I think the day is coming when he will be just as despicable as he was in the comics, but he's still walking a fine line between survivor and villain.  We know he isn't trustworthy, we know he can be heartless, and we know he's up to some really bad shit, but he's so charming and perhaps even fatherly that Andrea's willingness to stand by him doesn't feel contrived.  Perhaps the slow burn Morrissey has treated us to thus far will become positively incendiary now that Maggie and Glenn are in town.

Michael Rooker is always a joy to watch, and "Hounded" gave Merle plenty to do as well.  I think that bringing this character back was a fantastic idea, and like most of you, I can't wait to see what happens when the Dixon brothers are finally reunited. 

In the prison, Rick continued to struggle with his sanity, which is completely understandable given what he has been through.  After receiving some phantom phone calls (I thought this was handled well, but I also hope that he isn't finished with the phone just yet--I don't know why, but the telephone was one of my favorite subplots in the comics) it appeared that he was starting to find his way back, and the warmest moment of the show was easily the scene where he held his baby.  Andrew Lincoln did a great job with that bit, and he remains a stellar performer.  I don't know what's next for this guy after The Walking Dead, but I have to believe that the dude is going places.

While there wasn't a lot of time reserved for the rest of the gang at the prison, they continued to shine.  I'm as big a fan of Daryl Dixon as anyone, and while I prefer badass Daryl, the depth the last two weeks have added to his character is certainly appreciated.  Dude proved to be a natural with the babe last week, and this week he found time to be there for Carl while Rick was doing his best to get a grip.  Additionally, I really enjoyed seeing Daryl find Carol toward the end of the episode.  This season has been hard on our regulars, and I think that Carol and Daryl have some interesting chemistry.  Norman Reedus is on everyone's radar, but I think Melissa McBride has been a nice asset to this show from the very beginning as well. 

In my opinion, this has to be one of the best ensembles in the history of television.  I can't think of another show where there were so many people I enjoyed rooting for or against, and the talent involved here is truly exceptional.  Any of these players is capable of doing bigger and better things, and the way they play off one another is a huge part of what makes The Walking Dead so successful.  This is a big show, and it continues to impress both the members of the audience it is geared toward and those who may not typically line up for genre fare alike.  I thought this was another strong episode in what remains the strongest season thus far.

Can AMC sustain this momentum?  They have done a great job so far, and I can't help but think that the cast and crew are determined to continue to raise the bar.  I'm certainly quite eager to see what they come up with next week.

The Walking Dead: Season 3, Episode 5 (Say the Word)

The Governor

 So, here are a few things we learned during last night's episode of the walking dead:
Darryl has a way with babies.
Rick has gone insane.
Michonne is the badass she should be.
Oh, and surprise, surprise, The Governor is one sick dude. 
Though it may have seemed somewhat tame given the ferocity of Episode 4, this was a huge entry in terms of plot, and there was still plenty of action and gore to enjoy.  A lot went down and several key moments from "Say the Word" will undoubtedly shape the season as we move forward.
In a show this big, it's hard to give everyone their due, and I wanted more Glenn in last night's episode, and I would have preferred it if they had devoted a little more time to Carl as he reacts to last week's grim outcome.  Yet we got to spend  far more time with Michonne, and I'm really starting to like the direction they're taking her in.  She is different from her comic book counterpart in some ways, but she's still the fearless survivor fans know and love.  She had a couple of big scenes last night, and despite her impressive disposal of several walkers in one of them, I thought the strongest part of the episode was her tense standoff with The Governor. 

 Speaking of The Governor, let me be the first to acknowledge that I wasn't all that thrilled about the casting of David Morrissey in the role.  It wasn't that I thought it was a bad call, it just didn't grab me right off because I wasn't familiar with Morrissey and he doesn't resemble the comic version at all.  When they started releasing stills and I saw just how different the show's depiction would be, the jury was still out.  I mean, I figured they would at least give the dude long hair or a goatee or something.  Nope.  Now, the jury is still out, as this character is slowly being revealed to us, but David is really starting to pull me in.  He is doing a nice job of melding a lot of different elements together.  He seems likable at times, and strong, trustworthy even--and yet we see beyond that.  There is also a dark soul behind his rugged charm.  There's a mean streak lurking beneath the surface, and despite his effective facade, we know that he is a madman who cannot be trusted.

Right now, I think the cast and crew are on pace to deliver the most entertaining season of The Walking Dead yet, though I did see some chinks in the armor last night.  Generally, one of the most impressive aspects of this show is the presentation; I'm fond of saying that it's the best thing that's happened to zombies in quite a while, and it has been superior to anything existing within this sub-genre to hit the big screen in recent memory.  Having said that, there were some big moments in Episode 5, and whereas the program is typically on par with a feature, it definitely looked like a TV Show at times.  I thought I saw glimpses of the budget in both Rick's gruesome descent into despair and The Governor's party.  Now, don't get me wrong, everything is top-notch when it comes to The Walking Dead, and it is as great example of what the format is capable of, but I think there were a few moments that didn't shine as brightly as they should have during last night's show.
Still, it was a wicked ride, and I can't wait for next week's episode.  There are so many burning questions to contemplate right now.

Danai Guriri as Michonne

 What's next for Michonne?  I know there's more to come so far as she and The Governor are concerned, and that could wind up being the strongest aspect of this season. 

Andrew Lincoln as Rick Grimes

How's Rick?  It's okay to lose your shit every once in a while so long as you come back. 
Come back, dude.

Laurie Holden as Andrea

 What will Andrea do next?  I absolutely loved the way Laurie Holden played her character's reaction to the big party.  We've all ignored good advice and made dumb decisions, and we've all had those moments where we realized it and made that face Andrea was making when we saw her last.

 What's next for our precious babe?  I am very curious to see how they'll handle this aspect of the program.  Comic readers have to be wondering how closely they will adhere to the source material for this particular subplot, though it as already quite clear that the writers of the show are mixing it up.  If handled well, this could be a tremendous asset to The Walking Dead.  If handled poorly, it could be a show-killer. 

That's all I've got; I'm eager for next week's episode and I'll share my thoughts again next Monday. Until then, stay scared, peeps, and beware gated communities and one-armed men!