Short Attention Span Review: Drag Me to Hell (2009)

Short Attention Span Review: Drag Me to Hell (2009)

Only Sam Raimi could make a picture like Drag Me to Hell.  This bold and fast-paced horror movie boasts several great scares, some truly terrifying content, and the sort of gore that Lucio Fulci was famous for--and yet it is also brimming with big laughs and excitement.  Despite the utterly horrifying concept and several totally disgusting sequences, this isn't the type of horror flick that viewers should earn a merit badge for enduring.  Rather, it's incredibly fun, with a cartoonish tone and several winning performances that somehow complement all the disturbing elements.  It represents Raimi at his very best, and all of his staples are in play, most notably the fluid camera work that makes his films so invigorating and the physical and emotional turmoil that his main characters are subjected to.  Alison Lohman is terrific in the lead role, and proves just as capable of taking a beating, screaming, and getting her hands dirty as Raimi's leading man of choice, Bruce Campbell.  Justin Long does a nice job with a decent part that isn't as integral to the proceedings as one might wish until the haunting last frame, which solidifies Drag Me to Hell as one of the most daring big budget horror films to come down the pipeline.  I guarantee you that there were studio execs who desperately wanted to see a different conclusion, but this is Raimi's vision through and through.  While it may not be quite as fun as his Evil Dead trilogy and the gut-wrenching conclusion is telegraphed, it is hard to find fault with this outrageous shocker that packs a serious punch.

Final Grade: A-

Drag Me to Hell is a true smorgasbord--it offers thrills, chills, chuckles, and a wealth of excitement.

Short Attention Span Review: High Plains Drifter (1973)

High Plains Drifter may be a difficult picture to describe, but it isn't hard to enjoy.  Eastwood stars in and directs this twisted vision of vengeance from beyond the grave.  Laced with supernatural overtones and an ominous vibe, this unholy tale is a revisionist take on the western genre.  It is surreal enough to make the viewer uneasy, ambiguous enough to present more than a few bizarre questions as the tale unfolds, yet grounded enough and tight enough to keep the audience hooked from the very start.  The score is strange, the color palette is striking, and the main character is a gunslinger whose cold gaze and colder demeanor barely conceal his burning desire for death and destruction.  Yet while his motivations and in fact the very nature of his character may be unclear, his actions are seldom subtle and his lethal skills and his reckless abandon quickly pave the way for the demise of the town of Lago.  High Plains Drifter is grim, crude, sexist, and quite violent, and in many ways it is the polar opposite of what we expect from such a film, particularly in terms of morality.  Eastwood's presence and the fact that this is a tale of justice at its core (albeit a far less sanitized view of the "eye for an eye" mentality that permeates the genre) are likely the only factors that keep the many fans of the picture from finding it as incendiary as beloved western icon John Wayne reportedly did.  Eastwood is perfectly at ease in the title role and the entire cast does a nice job with the material.  Eastwood also did a fine job as director, and the tombstones in the Lago cemetery bearing the names of Sergio Leone and Don Siegel aren't the only nods to his former directors in the mix.  High Plains Drifter is a curious western that works well but may seem overly vulgar or quixotic to some.  Personally, I think it's one of Clint's most striking features--even if it didn't crack my Top 5 Clint Eastwood Movies.

Final Grade: B+

This eerie revenge yarn with supernatural overtones stars Eastwood as a
nameless stranger who slowly but surely turns the town of Lago into a living hell.