Top 20 Horror Novels - #15) Son of the Endless Night by John Farris (from 1985)

Not only am I ranking my Top 20 Horror Movies for you this October, but I'm doing likewise with the scary books that I hold near and dear.  As with the movies that I'm discussing in that Top 20, I'm not attempting to rank these novels based on their place in pop culture, but rather their place in my heart.  Isn't that sweet?  Seriously, there are some fine books that didn't make the cut here because there just wasn't room, and there are definitely some well-regarded books that didn't make the cut because I don't really like them.  That also means there are some personal favorites of mine on this list that you may not have heard of.  If that's the case, I promise that I'll reward your trust with a gnarly tale if you give one of them a spin.  Finally, I may have shortchanged some of the titans in the genre (hey there, Stephen King) as I didn't want to overload this list with titles by the same author, though Uncle Stevie did manage to score three direct hits on my list.

The list thus far:

#20) Amok by George Fox (from 1980) 
#19) Manstopper by Douglas Borton (from 1988)
#18) Intensity by Dean Koontz (from 1995)
#17) The Terror by Dan Simmons (from 2007) 
#16) The Snake by John Godey (from 1978)

Top 20 Horror Novels - #15) Son of the Endless Night by John Farris (from 1985)

This is the first novel from John Farris to make my list, but it won't be the last.  Farris is one of three authors who will have more than one entry in this Top 20, and truth be told, he's my favorite.  Now, I think that Stephen King is probably a better writer, but no one is able to manipulate me quite the way that this impressive southern author with a diminutive public persona does.  Farris has hit me with twists that were so hard that I spent several minutes reading the same paragraph over and over again and trying to figure out if my copy of the book was fucked up before I finally got it.  He has written tales where the guy you believe to be the protagonist for the first third of the book turns out to be the antagonist.  He is an amazing talent, and it's a shame that many who love the horror genre as much as I do are unfamiliar with his work.  Son of the Endless Night is one of his biggest and boldest tales, and it features several of this author's trademarks, to include at least one major twist and several perverse and terrifying sequences.  The characters are robust and extremely entertaining, yet Farris doesn't deal in caricatures, so these vibrant figures are well-defined and believable.  There have been several horror yarns that deal with possession over the years, but there is only one (yes, that one, and it will be featured much higher on my list) that I consider to be superior to Son of the Endless Night.  This book is overflowing with intriguing figures, haunting themes, and shocking moments.  It contains one of my favorite characters ever, one Conor Devon, a failed priest who decided to become a professional wrestler.  There is a part where he decides to find out if a primary character is truly possessed (Conor couldn't cut it as a priest because he doesn't really believe in such things) by touching that character with a Catholic wafer, and this has to be one of my favorite sequences ever put on paper.   One particular subplot involving a pair of bible-thumpers who drive a big rig that is totally pimped out for Jesus is maybe a bit too much, but I enjoyed it.  In the end, Son of the Endless Night may not be the best possession tale out there, but it is a terrifying odyssey into demonic terror courtesy of a true master who deserves a much higher standing in the literary world.

Baby Moll by John Farris

I just finished Baby Moll by John Farris, an old novel that has been reprinted as part of the Hard Case Crime imprint.  This wasn't the first offering from Hard Case that I read, and thus far I would give the line mixed reviews.  Having said that, Baby Moll was another fine novel courtesy of one of the most gifted writers of all.  Obviously I'm a huge fan of Farris, and I don't think anyone is able to get my blood pumping quite the way he does.  I could go on and on about his ability to craft a compelling yarn ripe with twists and turns that take the reader by surprise.  Farris is a true master and the fact that there isn't more awareness of his work is puzzling. 

Baby Moll was a bit tame compared to most of his books, but that didn't prevent it from being incredibly suspenseful and increasingly grim.  I saw the big twist coming from a mile away, and that's unusual for Farris, but the book didn't depend on the big twist and it still managed to dish out a few surprises here and there.

Peter Mallory is the main character in Baby Moll, and our story begins six years after he made a fast break from the Florida mob.  Seems his old boss is losing his grip as a vicious killer stalks him, and the old man thinks Peter's the only one who can save him.  Peter doesn't want to return to the life, but the boss doesn't really give him much of a choice.  Later, the old man gives him an easy out, but by then things have reached a point where there's no turning back for Peter Mallory.  Throughout the novel, Peter is surrounded by bloodthirsty thugs and beautiful women, and he's constantly giving chase or being chased.  Everyone wants a piece of this guy, and he can't trust anyone.

This was typical thriller fare, a nice piece of writing that hit all the necessary beats and delivered a tense  climax on the heels of a riveting ride that seldom lingered.  It was certainly one of John's lesser novels, but it was still a worthy book and I would place it at the top of the list so far as Hard Case Crime is concerned.  I would recommend one of his masterpieces like Son of the Endless Night or Fiends for anyone new to Farris, but Baby Moll is a neat find that will work wonders for those of us who are in the know when it comes to one of this country's finest authors.