Showing posts with label adaptation. Show all posts
Showing posts with label adaptation. Show all posts

Saturday, March 7, 2015

Short Attention Span Review: Silver Bullet (1985)

By now, you guys should recognize that I love the horror genre.  I do consider myself a bit of an authority when it comes to things that go bump in the night, and I'm certain that many will agree with me when I say that there haven't been a lot of good werewolf movies or stellar horror movies based on literary icon Stephen King's work.  Now, there have been a couple of classic werewolf movies (here's looking at you, An American Werewolf in London and The Howling), but there have been a lot of terrible were-movies.  And while some of King's books or stories have resulted in top-notch films, most seem to be inspired by his more dramatic offerings and not the scare-fare that made him famous.  Now, Silver Bullet is no classic, and it isn't one of the best adaptations of King's prose. but it is a fun movie and it surely counts as one of King's solid adaptations.  The story is ripe with the kind of nostalgia that King mastered long, long ago, and it has a worthy cast highlighted by Gary Busey in what I consider to be his best role.  The effects are frequently maligned, but I think they're serviceable at the very least, and despite its age Silver Bullet still provides viewers with a few quality jolts.  The score is one of the highlights, and as is so often the case with King's work, the setting itself (a small town named Tarker's Mills) is also extremely memorable.  It lends itself well to the horror genre; often, the further removed we feel from a picture like this, the harder it is to dig in and enjoy the thrill ride.  That isn't a problem this time out, as most of us have probably lived in or visited a quaint little place like Tarker's Mills at some point in our lives.  All this aside, perhaps the greatest strength of this cool fright flick is the fact that the real hero is a paralytic boy.  This is the type of unique development that takes standard genre fare and elevates it, creating suspense and tension that can't be generated with a typical main character.  Corey Haim was really good as Marty Coslaw, the handicapped youth in question, and his relationship with his sister (Megan Follows as Jane Coslaw) and his crazy uncle (the Busey) ground the picture.  The underrated Everett McGill shines as the cursed Reverend Lowe, bringing his trademark menace to a rich part.  Yes, all the usual King trappings are there: the intriguing characters, the cozy setting, and a nifty plot woven around a terrifying force of evil that must be stopped.  As is often the case, the story that ensues works like a charm.  In closing, Silver Bullet may not hit the bullseye, but it's a far cry from a misfire.  In other words, "Hey Man, Nice Shot." 

Final Grade: B
Let's face it, everyone needs an Uncle Red.

Monday, February 23, 2015

Short Attention Span Review: Graveyard Shift (1990)

True story: I'm a big fan of Stephen King's work.  Honestly, if you dig books, what is there to dislike about the catalog produced by this literary titan?  He's an author who deftly weaves gruesome thrills and Americana together in intricate tales highlighted by memorable characters and sound writing.  Despite a few big wins (most of which aren't the horror yarns he's best-known for), I don't think the movies have been very kind to this maestro's work.  For whatever reason, many of the horror films his imagination has spawned that I do enjoy are based on his short stories.  Graveyard Shift is no exception, and this one takes its title and premise from one my personal favorites.  The story is a cynical and incredibly dark ode to the working man that certainly packs a mean punch.  The ending is absolutely masterful and despite its meager length, it conjures up some truly terrifying imagery.  Though it received little fanfare and far less in the way of acclaim, this 1990 film is one that I really like.  Taking the basic premise of King's story (mutant rats turn an attempt to clean out the basement of a decrepit mill into a gruesome nightmare) and running wild with it, the filmmakers are able to wring a decent picture out of a brief tale.  While this isn't a stellar movie, it offers little in the way of shortcomings.  The cast is game and includes Brad Dourif in a wonderful part as a doomed exterminator with a healthy dose of swagger, the effects are nifty, and the grimy atmosphere is perfect.  Ralph S. Singleton does a decent job with the direction and the end credits are a stellar mash-up of some of the film's most memorable soundbytes.  Clearly, no one involved planned on winning an Oscar; rather, they were simply aiming to produce an entertaining scary movie that would deliver a few jolts and a good time to those who chose to work the shift.  I think it succeeds--it's no classic, but it's a pretty damn good show for those of us who like things that go bump in the night.  Graveyard Shift surely earns a few bonus points with viewers who can get behind the plight of the working man.  If you've ever fantasized about feeding some dickhead foreman to a mutant rat, you may wind up thinking that this is the best movie ever made.

Final Grade: B-
"Spread the word, fuckers." -Tucker Cleveland