What is it?
The Best of Times is
a 1986 comedy starring Robin Williams and Kurt Russell. In the film, the two reside in the small town
of Taft, where lovable loser Jack Dundee (Williams) is still haunted by the
pass from local hero Reno Hightower (Russell) that he dropped in the big
football game 13 years ago. Dundee
decides to stage the game once again in the hopes of atoning for his biggest
mistake, but first he has to sell this ridiculous idea to both the town and his
former teammates. Once he manages to do
that, it will be a miracle if he can get his old team in shape, and speaking of
miracles, do you think Jack can actually catch the ball this time out?
Why don’t I know
about it?
The film didn’t win over many critics or audiences when it
debuted, and despite being televised routinely after its release and gaining a
meager following,
The Best of Times never
really evolved into a true sleeper either.
What makes it unique?
Before Ron Shelton (
Bull
Durham, White Men Can’t Jump, Blue Chips, Cobb, The Great White Hype, Tin Cup,
Play it to the Bone) gained notoriety for creating some of the
best-received sports films ever made, he wrote this little gem for Kings Road
Entertainment.
Shelton got the idea for
the film when the high school he attended in Santa Barbara actually re-staged
several big games against rival San Marcos in the early 80s as part of a
fund-raising effort.
The first such game
was a huge success, selling out, and according to Shelton sub-sequent games
were also successful until the practice was discontinued due to injuries.
 |
| Ron Shelton |
Shelton has some issues with the piece, most notably his
displeasure in regards to an epilogue left unfilmed. He also doesn’t like some of director Roger
Spottiswoode’s choices, though he claims that the studio gave the director a
tough time. Shelton wasn’t pleased with
the publicity the film received either, and as far as business relationships
are concerned, he writes the whole thing off as a very bad experience.
Kurt Russell was already a budding star when this picture
was made, but Williams was just a zany comic with some success in television
and a few mediocre films under his belt who would hit the big time with Good Morning, Vietnam a year later in
1987. They have great chemistry here,
and the film works best when it is centered squarely on their shoulders, yet
they have never shared the screen again.
When I was composing this piece I couldn’t find any
commentary from the stars themselves.
That leads me to believe that this film probably doesn’t rank among
their personal favorites, though it is entirely possible that they have made
comments to the contrary that aren’t currently available.
For the most part, this is a truly a forgotten film within
the industry. Despite the star power and
the creativity at work behind-the-scenes, there isn’t a lot of fanfare for this
one to be found. In fact, while I was
putting this piece together, I didn’t find any retrospectives or features devoted
to The Best of Times, though I should
not that there are a wealth of forums and reviews where fans express their
strong feelings for the film.
Is it any good?
I have loved this picture for a long time. I have loved this movie for at least as long
as I have loved football, and that’s a very long time indeed. It is a bit clumsy in places and I know the
stars of this piece have certainly offered up better performances, but this
will always be a personal favorite of mine for a variety of reasons.
First off, Kurt was at a point here where he could no wrong,
and his Reno Hightower is a joy to watch.
Kurt doesn’t miss a beat throughout this irreverent and ultimately
heart-warming little oddity. Williams is
often a bit much for yours truly, but here he is subdued enough (and trust me,
a subdued Robin Williams is still a lot like you or I on crack) to amuse me
without annoying me. His Jack Dundee is
a wounded man, but seldom has another man’s misery been so incredibly funny to
behold. The scene where he goes to a
massage parlor and pays someone to listen to his agonizing self-dissection, all
of which is based upon dropping the football in the big game, is one of his
funniest bits ever, and he is consistently amusing throughout.
While clearly the stars of the piece, Russell and Williams
receive a lot of help from a great cast.
M. Emmet Walsh, R.G. Armstrong, Pamela Reed, Holly Palance, and Donald
Moffat are all game for this quirky comedy, and everyone brings some humor to
the mix. Everyone fares well unless they
happen to be involved in a poorly-staged song and dance routine that is
positively embarrassing to behold and nearly drags the whole affair into
oblivion. Yet the film survives and
offers up several far more entertaining and memorable setpieces along the
way.
Williams and Russell are both at the top of their game
throughout, and their reliable performances are a model of consistency. This is my favorite film featuring Robin
Williams, and in truth I like Russell’s Reno Hightower almost as much as I like
Snake Plissken, Jack Burton, and R.J. MacReady.
That’s high praise indeed coming from yours truly.
Additionally, the home stretch is definitely a
crowd-pleaser. The film that stumbles occasionally
in the first and second acts really nails the big game in the third act. Russell is truly magnificent, and the fire
and determination he shows in this muddy battle makes you want to go out and
block for him. The film becomes
surprisingly dramatic as the contest unfolds, and it’s hard not to get all mushy inside when
fate is kind enough to offer Jack a shot at redemption in the closing
seconds.
The verdict:
The Best of Times isn’t
a great picture, yet it still works.
Don’t be surprised if there are a few scenes in the mix that are so bad
you can’t comprehend why they weren’t cut altogether, and yet don’t be
surprised if you do find yourself incredibly moved by the silly happenings of
this fun little film. It’s whimsical,
it’s absurd, it’s a little sloppy here and there, and it is anchored by two
terrific performers in great roles who make us care about this imperfect movie
that slipped through the cracks. In the
end, The Best of Times succeeds
because it is fueled by warmth and a premise we can all identify with—after all, who wouldn’t like a shot to make
up for at least one grievous error from the past—and even if it is a bit
rough around the edges, it remains a lovable winner with a lot of heart.
