Showing posts with label cops and robbers. Show all posts
Showing posts with label cops and robbers. Show all posts

Tuesday, February 25, 2020

Short Attention Span Review - 21 Bridges (2019)


Short Attention Span Review - 21 Bridges (2019)

21 Bridges is a slick thriller that spends a few minutes introducing us to our main character and then plunges us into a violent manhunt that will run the course of the film.  Many have complained that it tips its hat too soon in some regards, but I think they may have missed the point.  21 Bridges is no mystery, even if it does have a few tricks up its sleeve.  No, this is a deft exercise in action cinema with a solid character study unfolding just beneath the surface.  In many ways, it reminded of a classic western--those pictures were seldom unpredictable, but they brought us joy by introducing us to tough heroes forced to grapple with tough choices when they weren't dodging bullets or gunning villains down.  Often, the most despicable villains did their best to steer clear of these showdowns, manipulating desperate men from the shadows.  21 Bridges offers Chadwick Bosman (who most of us know as Marvel's Black Panther) the chance to take the helm for such an affair, and he proves that he is a genuine star.  He is just as convincing when the script requires him to use his wits or search his soul as he is when the time comes to let the lead fly or engage in a top-shelf foot chase.  Bosman simply excels as Andre Davis, a good man trying very hard to do the right thing on one very difficult night.  Bosman is not the only superlative performer taking the stage in this crisp thrill ride--he is quite literally surrounded by gifted thespians like Sienna Miller and J.K. Simmons, and all of his co-stars strive to match his intensity.  Taylor Kitsch looms large as one extremely dangerous fugitive, but I am comfortable stating that there isn't anything that even remotely resembles a bad showing from anyone involved.  The production values are exceptional, and as such, 21 Bridges looks and sounds phenomenal.  I won't label it a modern masterpiece, but it is most assuredly a Grade A thriller buoyed by a stellar cast.

Final Grade: A

Director Brian Kirk makes good use of a well-rounded cast, but wisely centers the action on Chadwick Bosman, who is simply marvelous throughout.

Sunday, May 19, 2019

Short Attention Span Review - Dragged Across Concrete (2018)


Short Attention Span Review - Dragged Across Concrete (2018)

Some might bill Dragged Across Concrete as a dark thriller, but I'm not so sure.  Yes, it is punctuated by shocking acts of violence, and yes it centers on some cops and robbers interplay of a sort that we often see portrayed on the big screen.  However, its more about the characters and their circumstances than their actions.  Dragged Across Concrete struck me as a hard-boiled drama, a stark departure from a garden variety police procedural or a guns blazing shoot 'em up.  More to the point, everything is painted in murky shades of gray, and the picture is bereft of any classical good guys.  The standard rules don't apply either, and this gives the picture a few jolts that most movies in the same vein are lacking.  This is a movie about desperate people making desperate choices and hoping to survive in the wake of these fateful decisions.  The pace is methodical; a stakeout is explored with incredible attention to detail, and though shots are fired and bodies are shredded, Dragged Across Concrete is always more concerned with what its characters are doing between these outbursts of carnage and death.  This is Craig S. Zahler's third film, and it's clearly his most deliberate effort to date.  It is both a throwback and a subversion of the genre, and it will excite many viewers for the very same reasons that it will bore others.  Zahler also pushes a lot of buttons, with a lot of social issues coming into play, though he doesn't seek to preach or provide answers as much as he allows his characters to offer up pointed questions while grappling with life as they know it.  Stars Mel Gibson and Vince Vaughn fully embrace the material, and they invest such gravity into their performances that both disappear into parts that don't cater to their usual strengths.  Gibson simmers where he usually boils over, while Vaughn is more subdued and inquisitive than showy or declarative.  Tory Kittles upstages everyone as the unofficial third lead, an equally complex ex-con with a fluid knack for survival that serves him better than brutality or strategy serve his counterparts.  From the onset, we like all of these players in spite of their flaws, which are many, just as we recognize that this is not a happy ending kind of show.  While the gritty drama steadily nears a gruesome conclusion, we are continually surprised by the all too familiar yet oh so foreign plot.  It's not quite a masterpiece, but Dragged Across Concrete is really fresh, really intricate, and thereby really damn good.

Final Grade: A-


Vaughn and Gibson make an excellent pair in this gritty drama masquerading as a thriller, a grim saga where nothing comes easy and no one is safe.