Short Attention Span Review - 21 Bridges (2019)

Short Attention Span Review - 21 Bridges (2019)

21 Bridges is a slick thriller that spends a few minutes introducing us to our main character and then plunges us into a violent manhunt that will run the course of the film.  Many have complained that it tips its hat too soon in some regards, but I think they may have missed the point.  21 Bridges is no mystery, even if it does have a few tricks up its sleeve.  No, this is a deft exercise in action cinema with a solid character study unfolding just beneath the surface.  In many ways, it reminded of a classic western--those pictures were seldom unpredictable, but they brought us joy by introducing us to tough heroes forced to grapple with tough choices when they weren't dodging bullets or gunning villains down.  Often, the most despicable villains did their best to steer clear of these showdowns, manipulating desperate men from the shadows.  21 Bridges offers Chadwick Bosman (who most of us know as Marvel's Black Panther) the chance to take the helm for such an affair, and he proves that he is a genuine star.  He is just as convincing when the script requires him to use his wits or search his soul as he is when the time comes to let the lead fly or engage in a top-shelf foot chase.  Bosman simply excels as Andre Davis, a good man trying very hard to do the right thing on one very difficult night.  Bosman is not the only superlative performer taking the stage in this crisp thrill ride--he is quite literally surrounded by gifted thespians like Sienna Miller and J.K. Simmons, and all of his co-stars strive to match his intensity.  Taylor Kitsch looms large as one extremely dangerous fugitive, but I am comfortable stating that there isn't anything that even remotely resembles a bad showing from anyone involved.  The production values are exceptional, and as such, 21 Bridges looks and sounds phenomenal.  I won't label it a modern masterpiece, but it is most assuredly a Grade A thriller buoyed by a stellar cast.

Final Grade: A

Director Brian Kirk makes good use of a well-rounded cast, but wisely centers the action on Chadwick Bosman, who is simply marvelous throughout.

Short Attention Span Review - Captain Marvel (2019)

Short Attention Span Review - Captain Marvel (2019)

Captain Marvel was a big deal because it represented Marvel's first picture with a female lead, and no one could make a credible argument that it wasn't a big success.  However, I'm here to tell you that I see it as a far bigger success than most.  It's not just another rock solid feature from an enterprise that has produced one winner after another for the last twenty years.  No, Captain Marvel is more than that--I rate it as one of the most entertaining films they have blessed us with.  Now, I won't put it among their best efforts, because it is not on the same level as Infinity War or Endgame, or either of the Captain America sequels.  However, when it comes to sheer entertainment, it's right up there with the recent Spidey outings or the Guardians of the Galaxy stuff.  Clever, funny, ripe with 90s nostalgia (to include 90s Samuel L. Jackson, a big perk and a wild technological victory rolled into one), and fast-paced, Captain Marvel is a wicked cool treat.  There are surprises, killer songs, colorful shenanigans, and a whole lot of girl power.  The effects are ill, the performances rock, and the script and direction provide some nifty flourishes that distinguish this one from your average origin tale.  It is a little quirky, but I loved those quirks (Goose the cat is so f'n gnarly), and the Skrulls looked so damn awesome on the screen.  And, most importantly, there's Brie Larson, who was seemingly born to bring this supreme asskicker to life in stunning fashion.  She slays it from start to finish, hammering the screen with enthusiasm, warmth, humor, physicality, depth, and confidence.  I would argue that she fits here as well as any of Marvel's most impressive casting decisions, and I fully understand the significance of that statement.  Captain Marvel is one of the most enjoyable films I watched in 2019, and this Marvel fanboy thinks that it is more than just another quality production from a brand that can do no wrong.  It's a sensational show, oozing cool and dripping with excitement.

Final Grade: A

Captain Marvel has a lot going for it, but the biggest reason for the picture's success is Larson, who makes the most of a powerful role that fits her like a glove.  A badass glove.

Comics Corner - Conan the Barbarian: Exodus #1

Comics Corner - Conan the Barbarian: Exodus #1

You're already aware that I took great pleasure in Conan's return to Marvel.  Today, this worthy pairing provided me with a completely fresh take on the rugged barbarian.  Gifted artist Esad Ribic is the man responsible for this book, handing the artwork and the story, and he brings something unique to each side of the coin.  The tale is painted, and there is an elegance and a realism to his approach that is a stark departure from the usual pulpy and lurid depictions of this iconic character.  The plot is unveiled entirely through these stunning images, as there is no text.  This does not handicap the comic given the power and insight Esad has applied to this undertaking with his tremendous talent.  A harrowing journey springs to life in these breathtaking pages, and we can practically feel the chill in our bones as our young Cimmerian struggles to survive in a harsh winter landscape.  Conan is both predator and prey in a stirring rendition of desperation and liberation.  Perhaps the most impressive thing about this title is the way it offers readers a fine departure and yet remains true to the character we know and love.  Conan the Barbarian: Exodus is an inventive pageturner that I really enjoyed, and I'm happy to use this platform to promote it.

Final Grade: A

Brought to lifein stunning fashion by beautiful paintings and an absence of text, Conan the Barbarian: Exodus is a true piece of art.

Comics Corner - The Immortal Hulk (2018 - Present)

Comics Corner - The Immortal Hulk (2018 - Present)

One comic that has been garnering a lot of praise recently is Marvel's latest take on the Hulk, aptly titled The Immortal Hulk.  This is partly a fresh approach, but it also serves to turn back the clock to the days when everyone's favorite green behemoth first hit the scene.  Once upon a when, the Hulk was more of a monster that men feared who only became a hero when greater threats arose--sort of like Godzilla in the flicks where he gets to play the good guy.

Writer Al Ewing has certainly cast the Hulk as a creature to be feared in this stellar run, and he has conjured up some wicked threats to pit against the titular character.  Joe Bennett has done a gnarly job of translating Ewing's vision to the medium.  Combine their fiendish efforts, and this book somehow manages to give me the Hulk I crave while seemingly paying homage to the grotesque delights of John Carpenter's The Thing, or perhaps some of Sam Raimi's work when he's in "paint the screen red with blood" mode.  Then there's the icing on the cake: the covers from Alex Ross, who is always impeccable, but has taken things up a notch with these diabolical visions of everyone's favorite raging jade goliath.

With Marvel being known and loved the world over for its playful sense of humor, I feel that people probably underestimate what I and other fans mean when we refer to this as a horror comic featuring the Hulk.  It's not a typical Hulk book with him facing off against a few beasties with red eyes, it runs much, much darker than that.  The Hulk himself is a tortured creature, and he has been dismembered, corrupted, and even taken to hell in the fourteen issues of this title released to date.  He has faced off against some deeply malevolent foes, and the pages have dripped with sinister imagery.  Is it on the same level as Alan Moore's legendary take on Swamp Thing so far as plunging a beloved entity into the very depths of the macabre is concerned?  That's a good question.  Maybe it hasn't gone quite that far, but then again, maybe it has.

It hasn't been as surreal as Moore's work with DC's green force of nature, though it has paused to ask some very profound questions and there have been some metaphysics in play.  I like the way the supernatural elements have been portrayed in a straightforward manner--it's quite unique, somewhat akin to marrying high adventure to the sort of body horror that David Cronenberg is famous for.  Seriously, I'll stand by that.  I have always enjoyed the Hulk, but this direction caters directly to my sensibilities, and I will join the choir in hailing it as perhaps Marvel's finest offering in 2018 and 2019.

In short, if you dig comics, and you like the Hulk, you may well be intrigued.  If you dig horror and you like material with some serious oomph, you too may enjoy this title.  And if you dig the Hulk, you have love for comic books, and you're a horror fanatic like yours truly, this is looking like "can't miss" territory, isn't it?  While there are a lot of good books out there these days, and the last couple of years have been really kind to horror lovers (Elvira, Gravetrancers, Blackwood, Justice League Dark, and The Spider King are among my recent favorites), this is probably the title I look forward to most on my pull list these days.  The hype is real, my friends.  Long live The Immortal Hulk.

Final Grade: A

Short Attention Review - Spider-Man: Into the Spider-Verse (2018)

Short Attention Span Review - Spider-Man: Into the Spider-Verse (2018)

I've been down with Spidey for about as long as I can remember, and I'm a 40-year-old dude who still rocks comics.  Bonus points: the one mainstay on my pull list has always been The Amazing Spider-Man.  With that in mind, I believe I can speak with some authority when it comes to the webhead.  My expertise extends beyond the comics and also applies to the movies, to include the appropriately obscure.  Of course, I've seen all the mainstream ventures, but I didn't stop there.  Seriously, have you ever gone on a quest to track down every episode of the 1977 television series starring Nicholas Hammond--and forced yourself to watch them all?  Dear lord, I hope not.  I like to think that I paid that tab for all of us.*  Anyway, I say all that to say this: I was a bit unsure about Spider-Man: Into the Spider-Verse and my unease may have increased in light of all the incredible praise heaped upon this 2018 animated adventure.  Surely, I thought, it can't be that good.  Listen up, peeps.  It's that good.  It's freaking epic.  It rocks.  I didn't like it, I positively loved it.  The animation is unique but brilliant, the voice performances are perfect, and the soundtrack is nothing short of superb.  Most importantly, the direction courtesy of Bob Perischetti, Peter Ramsey, and Rodney Rothman is amazing, and the screenplay from Phil Lord and Rodney Rothman is spectacular.  They weave a mesmerizing web of rollicking action and heartfelt drama that elevate this into the upper stratosphere of comic book movies.  Look, I drooled over Infinity War with the rest of you, but Spidey snuck in like a thief in the night and rocked the Casbah with this vivid and thoroughly entertaining smash hit.  I do not believe I am taking things too far when I dub this the best Spider-Man movie we have seen to date, and I enjoy all of the previous efforts, even Spider-Man 3**.  I rate Spider-Man 2 and Spider-Man: Homecoming as among the best comic book adaptations ever produced.  Spider-Man: Into the Spider-Verse surpasses all of these adventures starring the wallcrawler we hold so dear.  Guess what?  I'm not stopping there.  No, I would like to take things even further, to be honest, and I'm here to declare this one of the best superhero movies out there.  In terms of craftsmanship and quality, it is on par with the best of the lot, to include the previously-mentioned Infinity War, as well as other legit classics in that realm, movies like Logan, The Dark Knight, Captain America: The Winter Soldier, and Superman II.  I can't recommend this one highly enough, and it is a joy to encounter something that is equal parts diverse, inclusive, and splendid.  I want to thank everyone involved for taking my favorite superhero to new heights.

*For the record, they're kinda fun, and I give the makers of the show props for trying really hard.  That's probably too kind.  Okay, okay.  Let's be real here.  The show was so hokey that it flirts with comedic glory.

**Shoot me if you must.  It's true.

Final Grade: A+

This wonderful feature succeeds partly by inviting lots of takes on our friendly neighborhood Spider-Man to the party, but mostly because it nails each and every one of them, and allows them to participate in a marvelous story.

Short Attention Span Review: Venom (2018)

Short Attention Span Review: Venom (2018)

Because Tom Hardy, that's why.  What else could it be?  Venom is not a great movie, oh no, far from it, but it is way better than it has any right to be.  Why?  Please revisit that first line, good people.  It simply has to be Tom.  Tom is invested.  The script is an exercise in contrived mediocrity.  Tom is quirky.  The direction is so bland it makes vanilla seem like the most daring of flavors.  Tom is funny.  This is a movie about Venom with no real ties to Spider-Man whatsoever.  Tom is exciting.  Both the special effects and the choreography for this film could accurately be described as run-of-the-mill for the industry at large--and may even rate as subpar if compared to most films repping the current superhero craze.  Tom is unpredictable.  Venom is a by-the-numbers comic book adaptation that has more in common with Catwoman or Spawn than anything Marvel has produced in the last decade.  Despite my love for Tom, when you do the math here, it should add up to a lousy review, right?  Wrong.  Because Tom Hardy, that's why.  Venom should rate as an insult to webheads like me, but Tom's gonzo performance makes it a curious success.  There are moments when he seems to be channeling vintage Jim Carrey, I shit you not, and while I can't say that I agree with all of the choices he makes in this role, it is his schtick that makes this rabble worthwhile.  I'll also give props to the sound design where the symbiote's voice is concerned, and the only thing the filmmakers do that matches Hardy's zeal: centering this tale on the relationship between a strange man and a much stranger creature.  And the fact that heads are bitten off is never a turnoff for yours truly.

Final Grade: C+

It's a love story, really.  A love story about a boy who meets a parasite.
Like when Kurt met Courtney, only this time the parasite is from another planet.

Comics Corner: Savage Sword of Conan #1 (Published 2/13/2019)

Comics Corner: Savage Sword of Conan #1 (Published 2/13/2019)

Like so many fans of this legendary character, I rejoiced when I heard that Conan would be returning to Marvel.  To be clear, Dark Horse did a fine job with the property, but it never spoke to me in the same way.  Maybe it's sheer nostalgia, but when I think of the way Roy Thomas handled our favorite Cimmerian back in the day, or the damn near mystical appeal those eye-popping Savage Sword magazines held for me, I can't help but be a bit underwhelmed by Conan's comic book exploits elsewhere.  Anyway, the first issue of the second coming of Marvel's Conan the Barbarian registered as big winner, but I found the second issue to be more than a little disappointing--and the recently published third issue is a full-on disaster.  So, my enthusiasm had waned a bit when I visited Fanboy Comics to scoop up my copy of this fresh take on Savage Sword of Conan.  A single glance at the magnificent cover from the one and only Alex Ross was enough to scatter my misgivings.  Seriously, I'll put this beauty up against anything Frazetta ever composed, and that is not hyperbole.  Sign me up for a poster, please!  And the comic itself is stellar from cover to cover, with excellent plotting from Gerry Duggan and glorious art courtesy of Ron Garney.  The pencils are bold, the story is robust, and this stands as a brawny and richly compelling comic--in other words, it's a perfect take on Conan.  I now find myself hoping that Conan the Barbarian rebounds while praying (not to Crom, who doesn't heed prayers) that the next issue of Savage Sword of Conan doesn't falter.  This is a grand start and an absolute must-have for any fan of Robert E. Howard's timeless hero.

Final Grade: A+

Short Attention: Deadpool 2 (2018)

Short Attention Span Review: Deadpool 2 (2018)

If you liked Deadpool, then you won't have any complaints about Deadpool 2.  Ryan Reynolds was born to play this part, and the fact that the powers that be have allowed him to do it his way is both a sweet blessing for comic book fanboys and the secret to this franchise's success.  In some ways, Deadpool 2 is better than its predecessor, particularly when it comes to big laughs and brawls.  It also has a more interesting narrative, but it may suffer from a lack of focus, as it does seem to meander at times.  It is also surprisingly sappy at times, and while it's hard to criticize a film for trying to inject more feeling into the proceedings, it certainly seemed a little odd to have Deadpool trying to pluck at my heartstrings.  However, it does boast Josh Brolin as Cable, and that may be the real secret to this sequel's appeal.  Reynolds is perfect as Deadpool, no doubt about it, and I enjoy his schtick, but it can be a bit grating.  Brolin's more grounded approach (which still relies on a heavy dose of humor) is a fine way to balance things out and provide a worthy counterpart to Deadpool's inane shenanigans.  Deadpool 2 is a little less vulgar than its predecessor, which I found surprising as sequels so often push the envelope in every way possible.  However, it definitely ups the ante on the comedic front in a big way, and that was my favorite thing about it.  Whereas Deadpool benefitted from a steady stream of chuckles, Deadpool 2 manages to do likewise while also sporting two bits that are as funny as anything you're apt to see.  I'm talking sequences so hilarious that I couldn't catch my breath I was laughing so hard.  I'm talking about a pair of comic setpieces that can rival the funniest parts of any movie ever lensed.  Yeah, that funny.  X-Force!  So, in summary, Deadpool 2 is more of a mixed bag than the first one was, and it has a few chinks in its armor, but when it wins, brothers and sisters, it wins big.  

Oh, and Reynolds continues to poke fun at his other comic book movie exploits to great effect, but his love/hate relationship with Hugh Jackman's Wolverine remains his greatest fallback.  That stuff is golden.

Final Grade: B+

No surprise here: Brolin is a welcome addition to this franchise.  At this point, he has emerged as a true powerhouse who would be a welcome addition to most any franchise.

Short Attention Span Review - Avengers: Infinity War (2018)

Short Attention Span Review - Avengers: Infinity War (2018)

Having seen this masterpiece three times now, to include two showings at the theater, I feel that I am not rushing to judgment when I declare Avengers: Infinity War to be the best comic book movie of all time.  This is an instant classic, peeps, and it stands as one of the greatest cinematic achievements I have ever had the privilege of enjoying.  This is undoubtedly the biggest such spectacle ever presented on film, but with the superhero genre, in particular, we have often seen that too many ingredients spoil the dish.  That's not the case here, and this stands as the perfect culmination of everything we've seen from Marvel since they took the reins and established their cinematic universe.  Virtually everyone is on board, and everyone is given a worthy role.  Seeing these characters pair up and watching them spar with one another and the biggest bad ever seen in a motion picture is an absolute joy.  The script is flawless, with the feature displaying incredible depth and showcasing some of the best action setpieces we've ever seen, yet still managing to deliver an abundance of humor and several massive emotional beats along the way.  It's impossible to pick a standout as everyone brings their A-game and the Russo brothers make such marvelous (forgive me) use of all their talents.  I will say that the moment when the Guardians of the Galaxy hit the scene puts a tremendous smile on my face, and I do a fist pump every time grizzled Cap enters the fray.  But there's so much more--I also delight in Thor's MVP role in the proceedings, and you just can't oversell Josh Brolin's artistry in creating one of the most imposing and relatable villains imaginable.  I also loved seeing Black Widow, Scarlet Witch, and Okoye join forces, and that gut-wrenching climax is the stuff of legend.  Marvel has given a new generation an Empire Strikes Back experience times ten, though thankfully modern audiences won't have to wait three whole years to see the good guys rise from the ashes.  Marvel keeps raising the bar with their movies, but it is hard to imagine anyone topping this feast for the senses.  Like everyone else, I can't wait for the sequel, and even though I've just watched Avengers: Infinity War for the third time, I can't wait to watch it again either.  Best comic book movie ever.  Word life.

Final Grade: A+

Brolin's work as Thanos is amazing, and the unlikely decision to make him the true star of the picture makes Avengers: Infinity War the greatest comic book movie ever made.

Short Attention Span Review - Thor: Ragnarok (2017)

Short Attention Span Review - Thor: Ragnarok (2017)

I don't know how Marvel is doing it at this point.  I'm a lifelong fan of their comics, so it should come as no surprise that I'm a big fan of their box office dominance.  More importantly, I love the way they've brought their characters to life on the big screen in such remarkable fashion.  Yet it's hard to fathom how they keep managing to kick things up a notch.  Perhaps it's because they have recently grown accustomed to taking chances, and those chances are paying dividends.  Much like Guardians of the Galaxy, this venture represents a major gamble in terms of tone, with comedy being a huge part of the proceedings.  Marvel has seen great success with the comic relief they have inserted into their films from the start, but as with GOTG, this one is just as reliant (if not more reliant) on laughs than thrills.  However, while I would say that Thor: Ragnarok is 50% comedy, it is also 50% action-packed, and the God of Thunder has never been so badass.  Bonus points: "Immigrant Song" has long been my favorite Zeppelin track, and it seems about ten times cooler now.  Thor: Ragnarok is a big win across the board.  You will laugh, you will be thrilled, you will marvel (forgive me) at the kaleidoscope of color and sound that takes a familiar property on a trippy new ride that goes big often and delivers the goods at every turn.  The cast is insanely good--Hemsworth has never been so fun to watch or so damn gnarly, and Ruffalo makes stealing the show look easy no matter what he's asked to do these days.  Cate Blancett makes for a nasty villain, Tessa Thompson is ridiculously good as Valkyrie, Idris Elba is Idris Elba (and Idris Elba is cool as shit), Jeff Goldblum has too much fun and slays it, and my man Karl Urban has a surprisingly potent turn as one of the more conflicted characters in the film.  I know, I know, I'm gushing, but Thor: Ragnarok is totally fucking rad, dudes.  This kind of kooky shit excites the hell out of me.

Final Grade: A+

It's too early for me to make a definitive ruling in this matter, but as a diehard Marvel fanboy, I can assure you that is entirely possible that Thor: Ragnarok is the the best movie the MCU has given us.  It is easily Top 5 on that front, it's not too early to make that call.

Short Attention Span Review: Spider-Man: Homecoming (2017)

Short Attention Span Review: Spider-Man: Homecoming (2017)

So much fun!  A fresh take on a character who has enjoyed a lot of screentime in the last 15 years, Spider-Man: Homecoming is equal parts superhero film and high school coming-of-age dramady a la John Hughes.  That's precisely what Director John Watts billed it as, and the end result really sticks the landing.  In hindsight, this was clearly the path to take in bringing one of Marvel's enduring characters into the fold (previously, the relationship with Sony and Marvel--or lack thereof--didn't allow for him to exist in the same space as Iron Man or the rest of the gang), and this film packs as much fun and excitement into 2 hours and 13 minutes as one could hope for.  Tom Holland is Spider-Man, thoroughly owning the part and bringing both Peter Parker and Spidey to life in stunning fashion.  However, for yours truly, it was Michael Keaton who really put the picture over the top, turning one of the more mediocre villains from the comics into a real jewel who exudes menace and charisma in equal measures.  The supporting cast is also quite an assett, with Jacob Batalan ratcheting up the humor throughout and Marisa Tomei giving us the hottest and most intriguing take on Aunt May we've seen to date.  The whole thing feels new and brimming with life, and though it is missing some of the staples of the franchise (there are no Osborns in the mix, and J. Jonah Jameson is also missing in action), it does such an amazing job of ripping Spidey from the pages of the comics and plastering him on screen that viewers will hardly notice their absence.  Is it the best Spider-Man movie we've seen yet?  Honestly, I don't know--I think Sam Raimi's Spider-man 2 still sits atop the throne, but Spider-Man: Homecoming is in the discussion, and it has certainly laid the groundwork for bigger and better things to come.

Final Grade: A

A winner from start to finish, Spider-Man: Homecoming is a terrific way to cement our friendly neighborhood Spider-Man's place in the MCU (Marvel Cinematic Universe).

Marvel's Iron Fist (Netflix Series - 2017)

Marvel's Iron Fist (Netflix Series - 2017)

Despite some mindless controversy and a wealth of brutal reviews courtesy of critics (many of whom were unable to move beyond the "whitewashing" bullshit), viewers seem to have watched a different series altogether.  Whether you prefer Rotten Tomatoes or IMDB, if you compare and contrast the critic's ratings and the average joe's ratings, you'll see a gap that might be better referred to as a canyon.  Now, no one out there is hailing Iron Fist as a home run--and it isn't--but it is entertaining and it's a far cry from the utter failure so many critics have made it out to be.  Having recently enjoyed the series, I certainly agree with the viewing public, and while it wasn't nearly as invigorating as the first season of Daredevil or Luke Cage, I think it fits nicely with the rest of their Netflix offerings.

The critics were pretty much universal in their disdain for the presence of Finn Jones in the lead role.  Honestly, this is the first thing I've ever seen him in and I thought he did a fine job.  I'm a big fan of the comic book, and Jones nailed the innocence and warmth that separate Iron Fist from characters like Daredevil, Luke Cage, and the Punisher.  He also did a good job with the action bits, and while I recognize that he didn't do all of his stunts, this didn't really hurt the show at all.  And speaking of action bits, despite all the criticism aimed at the lack of such sequences, I thought this series had a lot more going for it in the way of throwdowns than either Jessica Jones or Luke Cage.  In the interest of full disclosure, I would have preferred to see a legitimate martial artist cast in the role, but I feel like Jones did a solid job with the part.

His supporting cast fared even better, with Marvel's Netflix mainstay Rosario Dawson continuing to excel as Claire Temple (Marvel's Night Nurse) while Jessica Henswick proved to be the show's biggest find as Colleen Wing.  Wing is a legitimate badass whose combat scenes frequently overshadowed those featuring the titular character.  I also found Tom Pelphrey to be a joy to watch, and his Ward Meachum may have been the character that the script provided with the biggest arc.  Whether the episode at hand required Ward to be an elitist dickhead, a coldblooded killer, a desperate junkie, or a semi-likable cat in search of redemption, Pelphrey was up to the task.  Jessica Stroup did a good job as Ward's sister Joy, a character tasked with hitting almost as many levels, but I don't think the script gave her quite enough material to work with.  Some of the key moments concerning her character were so abrupt and ill-defined that I can't say that she nailed it, though I don't hold her directly responsible.

Any show or movie is ultimately only as good as its villain, and David Wenham's Harold Meachum may have been the most impressive thing about Iron Fist.  Given my affection for the source material, I was pleased to hear that Wenham had been cast in this part, and given his talent I knew that Harold would likely be the big bad for the first season.  I was totally cool with this, and I have to say that the Harold Meachum of this Netflix series emerged as a more intriguing and credible threat than his comic book counterpart.  Wenham chewed scenery and brought a lot of physicality to the role, consistently stealing the spotlight and elevating the program whenever he was on screen. 

Like I noted earlier, many of the show's biggest critics have blasted it as a dull affair and lamented the lack and/or quality of fight scenes, and I think this is a bit puzzling.  It does fall well short of the high water mark set by the first season of Daredevil in this regard, but I think it has just as much action as the second season of that show and it surpasses both Jessica Jones and Luke Cage so far as both the quantity and the quality of showdowns are concerned.  Many have objected to the style of these battles, but I enjoyed seeing Danny presented as a more graceful and less vindictive combatant.  Daredevil is a street fighter and he brutalizes his enemies while Danny's mastery of martial arts is more akin to a dance, allowing him to smoothly evade attacks and swiftly incapacitate most enemies with ease.  His foes are more likely to wake up wondering what happened than to come to in traction with a long road to recovery ahead of them.  Again, I would have preferred a genuine martial artist in the part, but Finn did some cool stuff, and I greatly enjoyed the all-too-brief splitscreen bits that gave the proceedings a unique touch.  Finally, I would single out the sixth episode ("Immortal Emerges from Cave") directed by kung fu aficionado RZA as the strongest hour of the series, and any Iron Fist fan or martial arts devotee should have a blast with that episode.

The other defining moment of the show arrived in episode 8, when Lewis Tan absolutely killed it as a master of drunken boxing.  As a whole, this episode didn't have the same power as "Immortal Emerges from Cave," but the fight scene pitting Iron Fist against Tan as Zhou Cheng (one of the coolest adversaries from the comics to pop up on the show) is easily the best action sequence of the first season. 

In summary, while the show did suffer from several lapses in logic and some uneven plotting, that sixth episode and the big fight scene in the eighth episode may stand as the best evidence that Iron Fist was far from a failure and has the potential to rival Marvel's other Netflix shows.  David Wenham's killer effort as the heavy and Jessica Henswick's Colleen Wing were also big winners, and given time Finn Jones may just bring the haters over to his side.  I look forward to seeing Danny alongside his peers as one of The Defenders, and I'm hoping that a second season will shed more light on our hero's training in the mystical city of K'un Lun.  Was Iron Fist everything I had hoped for?  No, it did fall well short of that mark.  Was it a turd?  Shit no.  It was a good show with a wealth of untapped potential, and if Marvel and Netflix allow it to continue, there are definitely signs that it could deliver on all that promise.

Final Grade: B-

White Men Can't Karate (the Idiotic Controversy Surrounding Marvel's Iron Fist)

As a longtime fan of the character who never truly expected to see him appear on film or television, I am eagerly awaiting the debut of Marvel's Iron Fist on Netflix.  I will definitely be binge-watching the series this weekend, and I'll share my take once I have seen it.  Personally, I'm cautiously optimistic.  I'm excited because I think this property could be totally gnarly on the screen, and yet I'm a bit worried because it also has the potential to fall flat.  Still, I'm looking to forward to seeing whether or not it can wow me the same way that Daredevil, Jessica Jones, and Luke Cage have.

Having said all that, I must admit that I'm rather bummed by the nonsensical controversy that has led to a lot of bad press for the show prior to it being released.  Namely, a very vocal element of the PC police has apparently decided that white people shouldn't be allowed to practice martial arts or portray martial artists in the cinema.  A great many are deriding Iron Fist's ethnicity as some sort of appropriation, and these critics allege that Marvel should have abandoned the source material and the entire "stranger in a strange land" aspect of the character's origin.  Ever since Finn Jones was cast as Danny Rand in the lead role, there has been a lot of BS about "white saviors" and Asian culture being monetized out there in regards to the show, and there is a lot of genuine anger and outrage being directed at both Marvel and Netflix.

This irks me on a couple of levels.  Please, allow me to elaborate.

1) I'm a lifelong martial arts devotee, and I'm rather white, so of course I find it a bit ridiculous that there are those who believe that white people practicing martial arts is somehow offensive.  This argument is just as insightful as that "baseball is a white man's game" crap I used to hear from time to time in the foothills of rural Virginia.  Furthermore, I would argue that martial arts is a wonderful venture for anyone of any race who wants to experience all the many gifts that it has to offer, with those gifts including discipline, joy, confidence, respect, humility, and wisdom--and so much more.  Fortunately, in all the interactions I've had with other martial artists of various races (in various dojos, practicing various styles), I've never heard anyone express such a thoughtless perspective.

2) As a film buff and a martial arts devotee, I greatly enjoy a wealth of martial arts films (if you follow my blog, you know this already), and I feel that one really has to work at injecting vindictive political agendas and personal grudges into the viewing of such pictures to see them as monetizing any culture.  Additionally, while we Americans do love our karate flicks, it's probably fair to note that if one truly views such movies as some diabolical form of exchanging a precious culture for loot, they might want to go ahead and acknowledge that most of these pictures are . . . (gasp!) Asian.  So maybe we shouldn't burn Netflix or Marvel to the ground after all.  Of course, one so petty as to see the world in such a fashion could make similar arguments about westerns or any number of sub-genres, but it serves no real purpose.  I mean, it's not like we haven't seen people of virtually every race portray a martial artist in the cinema or on television at some point, so I just don't understand why anyone would expect Marvel to abandon the very concept of this character in their efforts to bring him to the screen.

3) The "white savior" bit is a real laugher.  Danny is pretty handy with his fists and his feet, but he's also a goofball who is frequently played for laughs.  Honestly, Negan from The Walking Dead is more apt to be described as a savior than Iron Fist.  Additionally, the mystical city where he got his powers has been around for a long time, and while Danny may have helped to save the day there on occasion, I don't think he's ever done it alone.  K'un Lun existed long before he got there and it should be around long after he's gone.  Besides, if you take Danny's origin out of the equation, it should be noted that he generally hangs out in the inner city.  Bonus points: he would have perished about a million times by now if he wasn't best buds with a certain black dude with unbreakable skin who serves as both the brains and the brawn of their unlikely partnership.  Apparently white saviors aren't all they're crackered up to be.

4) Shang-Chi!  Look, at the rate the Marvel universe is expanding in terms of its presence on the big screen and television, we're probably going to see Shang-Chi at some point--and Shang-Chi is an ultimate badass.  He could probably take Iron Fist down if he had to, and unlike Iron Fist, Shang-Chi doesn't have any mystical powers.  With that in mind, wouldn't Shang-Chi be a bit redundant (if not totally underwhelming) if Marvel did throw out Iron Fist's origin and have him be Asian in an effort to gain capital with a bunch of politically correct zealots?

5) Shang-Chi aside, there are a wealth of quality Asian characters featured prominently in the Iron Fist mythos.  I love Danny and all, but he's maybe half as cool as Lei-Kung the Thunderer.  Hell, Colleen Wing is going to be on the show, and she's a sensational character.  As someone who is extremely familiar with the material, let me assure you that it exists more as a tribute to kung fu cinema than any legitimate culture (the setting is a mystical city that doesn't exist, the characters have special powers, and there are dragons and stuff).  As such, anyone well-versed in the comics will surely note that the idea that Iron Fist exists to demean, diminish, or monetize Asian culture is no more a rational suggestion than aiming the same criticism at a film starring Bruce Lee, Jackie Chan, or today's reigning champion of martial arts cinema, Iko Uwais.  Perhaps most importantly, the comic book has always featured a stellar cast of male and female characters representing various races, and it probably features more Asian characters than any other Marvel or DC title that comes to mind, so it seems rather bizarre to aim such small-minded criticism at this particular property.

Honestly, that's about all I have for now.  Again, I'm white, and I practice martial arts (true story: I'm no Chuck Norris, but I've actually thrown a few punches and kicks on screen once upon a when), and I guess that makes me some awful devil who gets his jollies from raping other cultures for personal gain, so take my opinion for what it's worth.  Seriously, though, I'm looking forward to the show and I'll provide an honest review of Iron Fist here once I have watched it from start to finish.

Short Attention Span Review: Logan (2017)

Short Attention Span Review: Logan (2017)

While Hugh Jackman has thoroughly owned the part of Wolverine and his presence has been essential to the success of the X-Men franchise as a whole, his solo ventures have been . . . well, less than stellar.  A terrific ad campaign, an "R" rating, and the knowledge that Logan would serve as Jackman's final outing as Marvel's favorite mutant have set the stage for this swan song to emerge as the Wolverine movie we've all been waiting for.  So, did Jackman and director James Mangold finally get the job done?  Yes.  Yes, they did, my friends.  This is a brutal affair with a lot of heart, and Hugh has never been so effective in this role--or any other role, for that matter.  Littered with f-bombs, berserker rampages, gushing blood, and severed limbs, Logan is a love letter to all the fanboys who have clamored for a look at Wolverine's dark side, but it's also so much more.  A western at heart, there is ample time for a lot of somber meditation on heroism and family values included in the show, not to mention some serious pondering so far as purpose and mortality are concerned.  With that in mind, the constant nods to Shane were definitely a nice touch.  Surprisingly, the powerful themes and the gruesome carnage never seemed at odds, but somehow joined forces in a spectacular and introspective farewell for a fabulous actor who has embodied a beloved character since the year 2000.  In many ways, it's a shame that we finally got the Wolverine movie we wanted just as Hugh decided to move on from the role, yet at the same time it must be noted that he is going out on top--and it's hard to fathom any follow-up being a worthy successor to this impressive departure from the standard comic book movie formula.  While the X-Men movies have been quality cinematic experiences with one notable exception (hello, X-Men: The Last Stand), Wolverine's standalone efforts have been mediocre at best . . . until now.  I truly believe that from this point on, when we sit down to talk about the best comic book movies out there, Logan will be in the mix.

Bonus Points: Patrick Stewart was sensational, and one can only hope that newcomer Dafne Keen is able to continue in the role of X-23, as she also knocked it out of the park.

Final Grade: A+

It's true: this is the Wolverine movie we've been waiting for.  As much as I don't want to see Jackman retire his claws, it's highly unlikely that he would ever find a better point to do so.

Short Attention Span Review: Doctor Strange (2016)

Short Attention Span Review: Doctor Strange (2016)

As an avid fan of the character, it may be a bit of a surprise that it took this long for me to finally sit down with Doctor Strange, but I have five children and movie tickets are expensive.  Anyhow, I recently viewed Marvel's latest blockbuster, and I must say that I was thoroughly impressed.  In all honesty, while I'm a big fan of the character, this was a situation where I wondered how well the property would translate to the screen.  Of course, I felt the same way about Guardians of the Galaxy and we all know how that turned out--and I guess maybe I should stop worrying about them fouling Iron Fist up.  While I may have wanted a to see a bit more horror in the proceedings, particularly with Scott Derrickson serving as director, I can't complain about the final product.  Doctor Strange may not be a classic, but it is a polished feature film with a wealth of excitement and an ever greater array of impressive special effects.  The characters were well-drawn, the plot delivered far more action than we often see in a typical origin tale, and the picture seems to fit nicely within the Marvel cinematic universe.  Benedict Cumberbatch was a fine choice for the title role, deftly portraying the arrogance, the vanity, and the expertise that make this hero so prickly yet remarkable.  Bonus points: the costume is positively magnificent and the Cloak of Levitation may have stolen a few scenes along the way.  Tilda Swinton was a nifty choice for the part of Strange's mentor, the Ancient One, and Mads Mikkelson oozed menace as the villain.  Casting the versatile Chiwetel Ejiofor as Mordo was another inspired choice, and his role in the franchise could yield some monumental storylines moving forward.  No, this one wasn't on the same level as Guardians of the Galaxy or Captain America: Civil War (or Captain America: The Winter Soldier), but it was a rock solid beginning for a kooky character who brings something decidedly different to Marvel's wildly successful cinematic landscape.

Final Grade: B+

I don't really have any complaints about Doctor Strange, but I would single out star Benedict Cumberbatch and the mind-boggling special effects as the biggest keys to its success.

Halloween in the Land of Way - Howling Commandos of S.H.I.E.L.D. #1 from Marvel

Howling Commandos of S.H.I.E.L.D. #1 from Marvel

 I took one look at the cover of this comic and I had to have it.  If you feel the same way about a team of Marvel's kookiest monsters representing S.H.I.E.L.D. in the field as a "supernatural threat division," be sure to grab a copy for yourself.  The art is decidedly old school, conjuring memories of those golden horror comics of the past, while the story was witty and subversive.  Played for laughs and thrills, this first issue sets the stage for a cool series and proved exciting from cover to cover.  If the notion of a monster mash-up/creepy war comic doesn't really float your bug, stick to the guys and gals in tights.  On the other hand, if you like spooky shenanigans and you're looking for a proper comic to sit down with as Halloween draws nigh, I think that this book is the one for you.  The creative team delivered the goods and I enjoyed the humor that permeates this weird book as much as the festive action and the minimal gore. 

Final Grade: B+

Marvel's Secret Wars (2015) - Issue #6

Marvel's 2015 version of the Secret Wars is so amazing that I may just stop reading comics.  Okay, so maybe it's not that bad, or maybe it is that bad, but that statement is still an exercise in hyperbole.  There are lots of cool comics out there and I have a lot of love for this particular form of storytelling.  I just want to be clear here, and if need be I'll remind everyone reading this that I'm a huge fan of comics with most of my favorite titles coming c/o Marvel.  Yet the simple truth remains: this Secret Wars is a steaming pile of shit.  We've been treated to a lot of exposition (like, I can totally picture Alan Moore reading these books and saying, "Wow, that is a LOT of exposition.") and thus far all the action has been missing in action.  Most importantly, the characters we know and love have been missing in action.  You may have glimpsed Captain America or Iron Man (or Spider-Man, or pretty much anyone aside from Dr. Doom) on the covers or the promotional materials for this mega-crossover, but they aren't doing anything within the pages of this series.  No one is doing much of anything in these books aside from talking, honestly, and I'm pretty much fed up with it.  The last issue ended with what appeared to be the onset of a magnificent battle, leading me to think that this issue might kick a little ass, but then it began with the words "Three Weeks Later" and we are treated to the aftermath of that magnificent battle instead.  Seriously.  From there, we got (what else?) more exposition.  If this was a soap opera, it would be relatively inexpensive to produce (the costumes might not be cheap, but there would be no need for any stunts or special effects) and it might just be a masterpiece.  In terms of comic book crossovers, this is probably the biggest dud of them all--and it's called Secret Wars.  It's bullshit.  In fact, that's the best way to put it.  Let's pretend that I didn't write any of this stuff explaining my position.  Let's pretend that this is the actual review:

Marvel's Secret Wars (2015) - Issue #6

It's bullshit. 

Final Grade: F

Issue #1 - Final Grade: D- - read the review  here.
Issue #2 - Final Grade: B - read the review here.
Issue #3 - Final Grade: C - read the review here. 
Issue #4 - Final Grade: A+ - read the review here.
Issue #5 - Final Grade: F - read the review here.

Marvel's Secret Wars (2015) - Issue #5

Sweet Jesus.  Marvel just shit the bed in a big way.  I take back all that good stuff I said about this series after reading the last issue.  It's true, peeps--just when I thought the tide had turned, Marvel dumps this crap on us.  I've been pretty hard on this event, but I did give Issue #4 an A+ and I thought things were really looking up.  Then we had to wait a while for the this most recent issue, heightening the anticipation.  Yesterday, I snagged my copy and I was actually eager to tear into it, but my enthusiasm waned with every page that I turned.  It's entirely possible that the editorial team had a meeting and decided that the primary goal for Issue #5 would be to bore the hell out of all the readers who paid for a copy.  The best way to sum up the difference between the original (vastly superior) Secret Wars and this woeful 2015 version would be to wonder how a story with access to all of Marvel's best heroes and villains could be anything but a blast.  It doesn't seem possible and the 1984 version was jam-packed with fun.  Hell, maybe Jonathan Hickman took this as a challenge, because this series is turning out to be as dull as anything that Marvel has ever produced.  Perhaps the biggest problem is the lack of star power in a crossover with access to all of the stars in the Marvel Universe.  Everyone is a bit player, with even the greatest heroes who have hit the scene in this Secret Wars largely reduced to cameo appearances.  This tale has been 85% Dr. Doom and 15% everyone else.  Making matters worse, I love me some Doom, but I'm not overly enthused about this take on the legendary villain.  He's surely a far cry from the Doom that we saw in the original Secret Wars.  It's obvious that the focus here is on reshaping the Marvel universe, and it's equally apparent that there is little or no interest in telling a good story in the process.  There has been so little action in the first five issues that it probably accounts for little more than a few pages and there has been so much exposition that calling the 2015 Secret Wars clunky is like calling the ocean wet.  It's boring, it's convoluted, the vast majority of the heroes and villains we know and love aren't even present, and the fact that this lukewarm attempt at storytelling bears the name of the best crossover of them all only heightens the disappointment. 

Final Grade: F

Issue #1 - Final Grade: D- - read the review  here.
Issue #2 - Final Grade: B - read the review here.
Issue #3 - Final Grade: C - read the review here. 
Issue #4 - Final Grade: A+ - read the review here.

Marvel's Darth Vader Comic Series

 

I like to keep you peeps informed when it comes to what I'm reading, watching, and listening to these days.  Comics are frequently part of this discussion, and you probably know that I'm a Marvel fanboy at heart by now.  If DC liked Swamp Thing as much as I do, I might enjoy their line a bit more, but it's hard to keep your more unique titles going when you feel the need to churn out 716 titles featuring Batman each and every month.  All that aside, I felt the need to let everyone know that right now my favorite comic is the Darth Vader series from Marvel.  I was a little skeptical about the Star Wars line when it was originally announced due to the fact that I didn't really enjoy the Star Wars stuff Marvel dropped on me back when I was a chap.  I didn't hate it, but I didn't love it, and I wasn't sure if this current line would be any different. 

Well, either I didn't know a good thing when I saw it thirty years ago or this line is a vast improvement.  I greatly enjoy the actual Star Wars series, but the Darth Vader series is nothing short of awesome.  Darth is no hero, but throw a supreme prick like The Emperor in the mix and it's easy to root for him.  Set shortly after the events of A New Hope, the title finds Darth and Palpatine at odds as the latter blames his protegee for the destruction of the Death Star.  Vader wants to learn more about the pilot who destroyed that infamous vessel of carnage and he must uncover the Emperor's secret plans--which may include efforts to replace the iconic villain who serves him.  The plotting is stellar, the art is great, and the way the series explores unknown elements of the Star Wars universe while meshing perfectly with existing material is both intriguing and exciting.  I highly recommend this series to anyone looking for a cool read--and those who sometimes enjoy rooting for the bad guy in particular.

Marvel's Secret Wars (2015) - Issue #2

It wasn't all that long ago that I posted my review of the first issue of the 2015 Secret Wars.  I wasn't very kind, so it was with some trepidation that I finally sat down to read the second issue.  Now, I was hoping for more this time out, particularly after my man at Fanboy Comics (the best place to score your superhuman reading material in Wilmington, North Carolina) insisted that issue #2 was the best book that Marvel has produced in several years.  While I don't necessarily share his enthusiasm, it was a vast improvement from the convoluted mess that was the first issue.  While that issue crammed enough material for several issues into a single comic, the pacing was much better in the second issue, allowing the players involved to do more than provide readers with a quick series of cameos.  Additionally, while the destruction in issue #1 should have made that comic absolutely monumental, the clumsy storytelling and the rushed nature of the book greatly lessened its impact.  The second issue offers up some really groundbreaking stuff and takes the necessary time to knock us on our ass.  I love the original Secret Wars and my favorite thing about that mega-event was the way that it transformed Dr. Doom into a glorious baddie who was daring enough to go toe to toe with gods and tough enough to win.  Suffice it to say that anyone who shares my love for Doom will be greatly pleased with his presence in this issue.  I still think there's a bit too exposition being dumped on us and I miss the fantastic clashes that the original Secret Wars was overflowing with.  The violence is a bit more realistic (and thereby a bit more mundane) in the 2015 version.  Marvel may feel that this will lend more urgency and drama to the proceedings, but thus far it has merely succeeded in replacing the epic throwdowns of the original with minute bursts of action that aren't nearly as satisfying.  Still, it was a terrific leap forward after an abysmal start, and if the tale continues on this trajectory, maybe we'll wind up with a series that deserves to be called Secret Wars.

Final Grade: B