Short Attention Span Review - Dragged Across Concrete (2018)

Short Attention Span Review - Dragged Across Concrete (2018)

Some might bill Dragged Across Concrete as a dark thriller, but I'm not so sure.  Yes, it is punctuated by shocking acts of violence, and yes it centers on some cops and robbers interplay of a sort that we often see portrayed on the big screen.  However, its more about the characters and their circumstances than their actions.  Dragged Across Concrete struck me as a hard-boiled drama, a stark departure from a garden variety police procedural or a guns blazing shoot 'em up.  More to the point, everything is painted in murky shades of gray, and the picture is bereft of any classical good guys.  The standard rules don't apply either, and this gives the picture a few jolts that most movies in the same vein are lacking.  This is a movie about desperate people making desperate choices and hoping to survive in the wake of these fateful decisions.  The pace is methodical; a stakeout is explored with incredible attention to detail, and though shots are fired and bodies are shredded, Dragged Across Concrete is always more concerned with what its characters are doing between these outbursts of carnage and death.  This is Craig S. Zahler's third film, and it's clearly his most deliberate effort to date.  It is both a throwback and a subversion of the genre, and it will excite many viewers for the very same reasons that it will bore others.  Zahler also pushes a lot of buttons, with a lot of social issues coming into play, though he doesn't seek to preach or provide answers as much as he allows his characters to offer up pointed questions while grappling with life as they know it.  Stars Mel Gibson and Vince Vaughn fully embrace the material, and they invest such gravity into their performances that both disappear into parts that don't cater to their usual strengths.  Gibson simmers where he usually boils over, while Vaughn is more subdued and inquisitive than showy or declarative.  Tory Kittles upstages everyone as the unofficial third lead, an equally complex ex-con with a fluid knack for survival that serves him better than brutality or strategy serve his counterparts.  From the onset, we like all of these players in spite of their flaws, which are many, just as we recognize that this is not a happy ending kind of show.  While the gritty drama steadily nears a gruesome conclusion, we are continually surprised by the all too familiar yet oh so foreign plot.  It's not quite a masterpiece, but Dragged Across Concrete is really fresh, really intricate, and thereby really damn good.

Final Grade: A-

Vaughn and Gibson make an excellent pair in this gritty drama masquerading as a thriller, a grim saga where nothing comes easy and no one is safe.

Short Attention Span Review - Hell or High Water (2016)

Short Attention Span Review - Hell or High Water (2016)

Hell or High Water is a little slow, rather grim, genuinely interested in those areas where morality and integrity stand at odds with the foundations of society, and built on the bonds of family and loyalty.  The violence is realistic, the choices are dire, and the cost of living is high.  It's a movie that boasts many robberies and a couple of shootouts, but it offers much more in the way of drama than excitement because we care so deeply about the players.  This is due to an excellent script, some rich characters, and a wonderful cast that really grasps what the picture is all about and brings it to life with gut-wrenching authenticity.  We sense doom for some of these players from the moment the picture opens, and while we are propelled forward by the choices required of them, we never fully accept their fates, and are reluctant to see just how this uncompromising landscape will break them.  Jeff Bridges does an astounding job as a fair and likable lawman who is as human as he is larger than life--kinda sounds like a Jeff Bridges sort of role, doesn't it?  Gil Birmingham should not be overlooked as perhaps the most dignified person embroiled in this unforgiving saga.  Chris Pine and Ben Foster make the whole thing click on another level altogether as two very different siblings, with their work here draped in authenticity and crackling with purpose.  Pine is a bit reserved as the more introverted of the two, allowing Foster to light the screen up in one of his best performances to date.  Foster plays the most flawed and also the most generous of all these characters, and in a story like this, those who are willing to give of themselves are issued a bloody receipt for their efforts.  That's okay, though, because he plays the kind of man who is more than willing to man up and pay his dues, especially if his family is at stake.  Hell or High Water is another top-notch film from the mind of Taylor Sheridan, who also gave us 2017's unofficial best picture, Wind River.  Director David Mackenzie does a stellar job of bringing this deft combination of a modern western and an essay in noir to fruition, and I rate Hell or High Water as an absolute must-watch for those who like tough movies about hard choices.

Final Grade: A

Jeff Bridges remains an American treasure, but the work that Pine and Foster do here 

Short Attention Span Review: Den of Thieves (2018)

Short Attention Span Review: Den of Thieves (2018)

Honestly, I went into this one expecting a small caliber thrill ride, a generic cops and robbers flick with an emphasis on action.  To my surprise, I got a lot more.  It's not exactly Heat, but it might pass for Heat on steroids.  Den of Thieves boasts a nifty plot with at least one quality twist, and it is bookended by two spectacular action setpieces.  Gerard Butler headlines the show, giving anyone who has ever wondered what a corrupt and perhaps even deplorable version of Leonidas would be like the answer they seek.  This dude hunts bad guys at the expense of everything else, sacrificing both his humanity and his family ties in a single-minded quest to nail his prey.  Furthermore, there is no doubt that he does this because that's how he gets his rocks off, not because he has strong ideas about morality or some innate purpose born of aggresive nobility.  The bank robbers are led by a ripped Pablo Schrieber, a game 50 Cent, and a positively dazzling O'Shea Jackson, Jr., who damn near steals the show in spite of all the firepower on display.  This crew kills several cops in the opening reel--and yet they emerge as more humane than their counterparts with badges over the course of the film.  It's an interesting dynamic, and the complex medley of sleazy good guys and endearing bad guys allow writer and director Christian Gudegast to paint a vivid picture.  However, though the end result is a riveting showcase, it's a riveting showcase without a genuine rooting interest.  That is the movie's biggest flaw, but it never derails the excitement or lessens the drama.  It just won't leave you feeling warm and fuzzy at the end of the day, regardless of who comes out on top.  In summary, Den of Thieves falls short of being a rip-roaring crime epic, but rises well above the mediocre trappings of the action genre as we know it in 2018.

Final Grade: B

The scariest charater in this cops and robbers movie is Gerard Butler as the head honcho of a police task force.  He was pretty damn wretched in a lot ways, but Butler's charisma and commitment made this crude tough guy a joy to watch.