Short Attention Span Review - Hell or High Water (2016)

Short Attention Span Review - Hell or High Water (2016)

Hell or High Water is a little slow, rather grim, genuinely interested in those areas where morality and integrity stand at odds with the foundations of society, and built on the bonds of family and loyalty.  The violence is realistic, the choices are dire, and the cost of living is high.  It's a movie that boasts many robberies and a couple of shootouts, but it offers much more in the way of drama than excitement because we care so deeply about the players.  This is due to an excellent script, some rich characters, and a wonderful cast that really grasps what the picture is all about and brings it to life with gut-wrenching authenticity.  We sense doom for some of these players from the moment the picture opens, and while we are propelled forward by the choices required of them, we never fully accept their fates, and are reluctant to see just how this uncompromising landscape will break them.  Jeff Bridges does an astounding job as a fair and likable lawman who is as human as he is larger than life--kinda sounds like a Jeff Bridges sort of role, doesn't it?  Gil Birmingham should not be overlooked as perhaps the most dignified person embroiled in this unforgiving saga.  Chris Pine and Ben Foster make the whole thing click on another level altogether as two very different siblings, with their work here draped in authenticity and crackling with purpose.  Pine is a bit reserved as the more introverted of the two, allowing Foster to light the screen up in one of his best performances to date.  Foster plays the most flawed and also the most generous of all these characters, and in a story like this, those who are willing to give of themselves are issued a bloody receipt for their efforts.  That's okay, though, because he plays the kind of man who is more than willing to man up and pay his dues, especially if his family is at stake.  Hell or High Water is another top-notch film from the mind of Taylor Sheridan, who also gave us 2017's unofficial best picture, Wind River.  Director David Mackenzie does a stellar job of bringing this deft combination of a modern western and an essay in noir to fruition, and I rate Hell or High Water as an absolute must-watch for those who like tough movies about hard choices.

Final Grade: A

Jeff Bridges remains an American treasure, but the work that Pine and Foster do here 

Short Attention Span Review: The Last American Hero (1973)

Short Attention Span Review: The Last American Hero (1973)

The Last American Hero is a plucky movie, much like its hero.  It is determined to win the race, but it doesn't try to earn points for likability.  Those expecting a warm and fuzzy sports movie where we root for a promising upstart and cheer his eventual success may be a bit puzzled by this one.  Yes, it is about a promising upstart, and the movie does conclude with Jeff Bridges finally capturing the checkered flag as Junior Jackson.  Yet Jackson (closely modeled after famed stock car racer Junior Johnson) isn't the warm and fuzzy type, and his win at all costs attitude and his take no shit demeanor are front and center while he begrudgingly offers up a few displays of innocence and good old boy charm.  The filmmaking is authentic and invigorating; this looks and feels like the real thing, whether we're watching Jackson's early days running moonshine or his initial forays into auto racing.  In addition to Bridges, who clearly had the makings of a star at this age, we get to see young Gary Busey shine and marvel at B movie legend William Smith, who damn near steals the show in what almost amounts to a bit part.  Smith plays the antagonist, who is modeled after Richard Petty and is depicted as both formidable and vulnerable, and far too damn likable in spite of any flaws to be anything but a friendly rival.  The movie speeds along, and while it takes us on a journey and fleshes out its characters, it just doesn't seem as satisfying as it should be.  Maybe that is because Junior is so country tough and good old-fashioned stubborn that none of the various pitfalls he encounters shake him.  Maybe it's because he is so damn determined to force his way into victory lane that neither he nor we get much of a chance to savor his successes.  Maybe it's both.  And, while that may not make for a cinematic experience a la Rocky or  Rudy, it does ring true, and one is inclined to believe that this motion picture adequately conveys Tom Wolfe's writings about Junior Johnson.  So, while it may not exactly lift your spirits, The Last American Hero is an insightful and captivating film, and it is surely worth a watch.

Final Grade: B

A young Jeff Bridges displays star power in a lead role that is more about grit and determination than likability. 

Short Attention Span Review - Tron (1982)

Fun, colorful, and thoroughly unique, Tron remains an exciting motion picture experience that is equal parts cool and curious.  Jeff Bridges, Bruce Boxleitner, and David Warner are among the gifted performers appearing in this Disney classic, but the real star of the picture has to be the stellar effects.  The computer world that is the setting for most of the movie is realized due to an inventive process that yields an amazing product that will never be duplicated.  Despite arriving at the very infancy of modern computer effects (the Academy supposedly refused to consider nominating Tron for its special effects work because the use of computers was considered "cheating"), the jazzy blend of kooky sets, computer graphics, and black and white photography that was subsequently animated is still a joy to behold.  The plot is a cool medley of corporate intrigue and video game glory, the score is bold, and the action sequences are riveting.  Tron is a great example of imagination and technical wizardry joining forces to tell a dynamic story.  There's little to complain about when it comes to this beloved film that was widely viewed as a flop upon its release.  Maybe the characterizations are fairly routine and suspense is often generated at the expense of drama.  Honestly, it doesn't really matter.  The characters are likable enough and this is a picture that is more interested in blowing minds than enriching them.  In somewhat of a surprise, time has been rather kind to Tron and those who enjoy science fiction and family time may have a hard time finding a better movie to share with their loved ones.  

Final Grade: A

Jeff Bridges may have been the budding star in 1982
and Bruce Boxleitner may have played the titular character,
but David Warner nearly stole the show as the icy villain in Tron.