Showing posts with label black humor. Show all posts
Showing posts with label black humor. Show all posts

Sunday, June 30, 2019

Short Attention Span Review - Dog Eat Dog (2016)


Short Attention Span Review - Dog Eat Dog (2016)

Dark as all get out, quirky at every turn, and punctuated by startling displays of violence, Dog Eat Dog is a comedy at heart.  And it's a sick comedy, and several key plot points are nothing short of revolting, but damn if it isn't funny.  Aside from dishing out disturbing chuckles, it also takes time to explore the nature of good and evil at the intersection of convenience if not need, and it asks whether or not a hardened con is more or less inclined (or even capable) of changing after spending time behind bars.  None of the answers this quixotic offering from Paul Schrader provides are all that hopeful, and many of the biggest questions aren't really answered at all.  This is a journey with an ultimate destination that is difficult to define, and there are several junctures where the line between reality and fantasy are blurred.  In truth, I think Schrader was more interested in showcasing his talent and provoking the audience than in arriving at anything resembling a conclusion, and this may be both the picture's greatest flaw and its biggest selling point.  Cage is on in a relatively tame performance, while Dafoe is at his best in a dizzying turn as a run of the mill fearsome lovable lunatic with bloody hands and a warm smile.  I can't tell you what it all means, but I can tell you that I laughed way more than I should have, and I was never bored by this wonky caper flick from a tinseltown legend who shows no signs of mellowing with age.

Final Grade: B

It can't be easy to out-crazy Nicolas Cage on set, but this guy got the job done.  In truth, the script decided this battle in his favor before filming ever started.

Thursday, May 21, 2015

Short Attention Span Review: Slow West (2015)

Some of the best movies ever made are westerns, yet that's a genre that doesn't yield many motion pictures in this day and age.  Given the short supply, the odds of landing upon a quality western has greatly decreased, but then along comes a movie like Slow West.  While both the pace and the brooding nature of this movie are staples of the genre, the humor and the keen wit that permeate the piece make it unconventional enough to emerge as a distinct creation.  It doesn't really feel like modern fare and yet it is a far cry from the type of picture that Clint Eastwood or John Wayne would have starred in despite some potent similarities.  Director John Maclean takes his time with the tale and it's hard to believe that the sometimes leisurely and wildly unpredictable journey that we're treated to is confined to a mere 84 minutes.  At the forefront of the picture are Kodi Smit-McPhee as Jay Cavendish, a curious lad who is traversing foreign soil in search of his beloved, and Michael Fassbender as the wily bounty hunter who decides to chaperone this lost cause of a human being.  The film belongs to these two actors and they both offer up stirring performances.  Even as a series of flashbacks clearly display Jay's affection for Rose Ross (Caren Pistorious), those same glimpses of his former life lead us to believe that his heart is leading him astray.  Fassbender's Silas Selleck has his reasons for leading the lovestruck young man across the country, and it becomes obvious that what he decides to do when Jay and Rose are reunited will define him as a man.  Jay and Silas cover a lot of dangerous ground and meet some interesting people, all while a band of outlaws that Silas once rode with lurk in the background.  In the bloody finale, Maclean manages to deliver several surprises, a couple of delightful sight gags, a bit of meditation on the meaning of life, and a worthy conclusion to an intriguing western that I greatly enjoyed.

Final Grade: B+
Fassbender oozes cool as a gritty survivor type who could easily be confused
with Eastwood's "Man with No Name" if he wasn't so talkative.
Well, it would also help if he could hold his liquor.  That too.

Wednesday, August 20, 2014

Male-Bonding Trailer

Male-Bonding was shot in 2004.  I think it was 2004.  Maybe it was 2003.  It was a long time ago, and bringing this particular project to fruition has been quite an adventure.  The short was nearly completed mere months after being shot, yet a tragic twist of fate (or human error, maybe that's a better description) rendered the movie and the footage lost for ages.  Years, anyway.  Then the footage was located just in time to be lost again.  True story.  Finally, the footage was found, and (drum roll, please) assembled.  It was like the making of Apocalypse Now, only far less significant and dramatic. 

So, here's the Male-Bonding Trailer.  Scope it out, share your thoughts, and I'll keep you posted on this twisted little jolt of black humor.