Showing posts with label brutal. Show all posts
Showing posts with label brutal. Show all posts

Tuesday, March 7, 2017

Short Attention Span Review: Logan (2017)


Short Attention Span Review: Logan (2017)

While Hugh Jackman has thoroughly owned the part of Wolverine and his presence has been essential to the success of the X-Men franchise as a whole, his solo ventures have been . . . well, less than stellar.  A terrific ad campaign, an "R" rating, and the knowledge that Logan would serve as Jackman's final outing as Marvel's favorite mutant have set the stage for this swan song to emerge as the Wolverine movie we've all been waiting for.  So, did Jackman and director James Mangold finally get the job done?  Yes.  Yes, they did, my friends.  This is a brutal affair with a lot of heart, and Hugh has never been so effective in this role--or any other role, for that matter.  Littered with f-bombs, berserker rampages, gushing blood, and severed limbs, Logan is a love letter to all the fanboys who have clamored for a look at Wolverine's dark side, but it's also so much more.  A western at heart, there is ample time for a lot of somber meditation on heroism and family values included in the show, not to mention some serious pondering so far as purpose and mortality are concerned.  With that in mind, the constant nods to Shane were definitely a nice touch.  Surprisingly, the powerful themes and the gruesome carnage never seemed at odds, but somehow joined forces in a spectacular and introspective farewell for a fabulous actor who has embodied a beloved character since the year 2000.  In many ways, it's a shame that we finally got the Wolverine movie we wanted just as Hugh decided to move on from the role, yet at the same time it must be noted that he is going out on top--and it's hard to fathom any follow-up being a worthy successor to this impressive departure from the standard comic book movie formula.  While the X-Men movies have been quality cinematic experiences with one notable exception (hello, X-Men: The Last Stand), Wolverine's standalone efforts have been mediocre at best . . . until now.  I truly believe that from this point on, when we sit down to talk about the best comic book movies out there, Logan will be in the mix.

Bonus Points: Patrick Stewart was sensational, and one can only hope that newcomer Dafne Keen is able to continue in the role of X-23, as she also knocked it out of the park.

Final Grade: A+

It's true: this is the Wolverine movie we've been waiting for.  As much as I don't want to see Jackman retire his claws, it's highly unlikely that he would ever find a better point to do so.

Monday, October 5, 2015

Top 20 Horror Movies - #19) The Howling (1981)


As I celebrate the month of October with all my fellow horror fanatics, I'm ranking my Top 20 Horror Movies for you.  Thus far, the list includes:

#20) The Fly (1986)

And now I'm pleased to unveil my latest selection, another spectacular horror movie from the 80s!


Top 20 Horror Movies - #19) The Howling (1981)

One of two werewolf movies to make the list, The Howling is a twisted frightfest that I have a lot of affection for.  It has all the necessary ingredients for a quality horror flick, to include a worthy cast, an excellent setting, some creepy visuals, and an ominous mood.  The script by John Sayles varies greatly from the novel by Gary Brandner, but brings an engaging and fearsome story to the screen to superb effect.  Director Joe Dante does a tremendous job, and while I'm a big fan of Joe's other genre efforts (most notably Gremlins and Piranha) I believe that this is his best feature film.  It's tightly paced, brimming with atmosphere, and loaded with shocking sequences.  I'm awarding some serious bonus points for the unnerving opening and the equally disturbing conclusion.  There's also a nifty scene midway through the picture that surely ranks as one of the most frightening horror scenes out there that takes place in broad daylight.  The cast is stellar, with Dee Wallace slaying it in the lead role with quality support from players like Patrick MacNee, Kevin McCarthy, Slim Pickens, and the one and only John Carradine.  Pino Donaggio gave the film an eerie score that is a splendid fit for all the spooky shenanigans unfolding on the screen.  The Howling is equal parts engrossing, entertaining, and terrifying.  It is somewhat amazing to me that both this picture and that other werewolf movie released in 1981 (a superior effort that is ranked much higher on my list) remain the finest attempts to bring lycanthropy to the cinema.

Chief among the strengths of The Howling are
an ominous mood and some nightmarish visuals.