Short Attention Review - Spider-Man: Into the Spider-Verse (2018)

Short Attention Span Review - Spider-Man: Into the Spider-Verse (2018)

I've been down with Spidey for about as long as I can remember, and I'm a 40-year-old dude who still rocks comics.  Bonus points: the one mainstay on my pull list has always been The Amazing Spider-Man.  With that in mind, I believe I can speak with some authority when it comes to the webhead.  My expertise extends beyond the comics and also applies to the movies, to include the appropriately obscure.  Of course, I've seen all the mainstream ventures, but I didn't stop there.  Seriously, have you ever gone on a quest to track down every episode of the 1977 television series starring Nicholas Hammond--and forced yourself to watch them all?  Dear lord, I hope not.  I like to think that I paid that tab for all of us.*  Anyway, I say all that to say this: I was a bit unsure about Spider-Man: Into the Spider-Verse and my unease may have increased in light of all the incredible praise heaped upon this 2018 animated adventure.  Surely, I thought, it can't be that good.  Listen up, peeps.  It's that good.  It's freaking epic.  It rocks.  I didn't like it, I positively loved it.  The animation is unique but brilliant, the voice performances are perfect, and the soundtrack is nothing short of superb.  Most importantly, the direction courtesy of Bob Perischetti, Peter Ramsey, and Rodney Rothman is amazing, and the screenplay from Phil Lord and Rodney Rothman is spectacular.  They weave a mesmerizing web of rollicking action and heartfelt drama that elevate this into the upper stratosphere of comic book movies.  Look, I drooled over Infinity War with the rest of you, but Spidey snuck in like a thief in the night and rocked the Casbah with this vivid and thoroughly entertaining smash hit.  I do not believe I am taking things too far when I dub this the best Spider-Man movie we have seen to date, and I enjoy all of the previous efforts, even Spider-Man 3**.  I rate Spider-Man 2 and Spider-Man: Homecoming as among the best comic book adaptations ever produced.  Spider-Man: Into the Spider-Verse surpasses all of these adventures starring the wallcrawler we hold so dear.  Guess what?  I'm not stopping there.  No, I would like to take things even further, to be honest, and I'm here to declare this one of the best superhero movies out there.  In terms of craftsmanship and quality, it is on par with the best of the lot, to include the previously-mentioned Infinity War, as well as other legit classics in that realm, movies like Logan, The Dark Knight, Captain America: The Winter Soldier, and Superman II.  I can't recommend this one highly enough, and it is a joy to encounter something that is equal parts diverse, inclusive, and splendid.  I want to thank everyone involved for taking my favorite superhero to new heights.

*For the record, they're kinda fun, and I give the makers of the show props for trying really hard.  That's probably too kind.  Okay, okay.  Let's be real here.  The show was so hokey that it flirts with comedic glory.

**Shoot me if you must.  It's true.

Final Grade: A+

This wonderful feature succeeds partly by inviting lots of takes on our friendly neighborhood Spider-Man to the party, but mostly because it nails each and every one of them, and allows them to participate in a marvelous story.

Short Attention Span Review: Blade of the Immortal (2017)

Short Attention Span Review: Blade of the Immortal (2017)

Part Logan and part director Takashi Miike's own incredible samurai epic 13 Assassins, Blade of the Immortal isn't as good as either of those films, but it is seriously cool.  Think about it: a stoic samurai warrior sworn to protect a young girl who pairs his incredible skills with a potent healing factor of his own--there's an idea.  It has promise, no doubt about it, and Miike delivers on that promise with one killer action scene after another.  And at a hundred and forty minutes, Takuya Kimura and Hana Sugisaka are given more than enough material to flesh out their characters and draw us into their story.  The effects are stellar, the villains are memorable, and the tale is complex.  Despite the lengthy runtime, Blade of the Immortal never drags, and I do believe that there is a throwdown of some significance gracing the screen roughly every five minutes or so.  The lead baddie is Sota Fukushi as Anotsu, and he enters the movie as the very epitome of a despicable antagonist, yet as the story unfolds he emerges as perhaps the most dynamic and conflicted player in the gruesome proceedings.  Dripping with gore, host to an abundance of wicked duels and at least one massive battle, and populated by groovy characters who hold our interest even when they aren't drawing blood, Blade of the Immortal is quite simply ill as hell.  Now, it is not without faults, as there are a number of choppy transitions that lead one to believe that despite running two hours and twenty minutes, significant pieces of the tale must have been lost to the cutting room floor.  These abrupt shifts are more than a tad disconcerting, and rob the film of some majesty, but it is still a fine motion picture made by talented filmmakers, and it will be fun to revisit whenever I have a jones for some dynamic carnage.

Final Grade: B+

As much as I respect and enjoy Takashi Miike's work, this stylish action yarn's biggest strength is Takuya Kimura in the lead role.

Short Attention Span Review: Logan (2017)

Short Attention Span Review: Logan (2017)

While Hugh Jackman has thoroughly owned the part of Wolverine and his presence has been essential to the success of the X-Men franchise as a whole, his solo ventures have been . . . well, less than stellar.  A terrific ad campaign, an "R" rating, and the knowledge that Logan would serve as Jackman's final outing as Marvel's favorite mutant have set the stage for this swan song to emerge as the Wolverine movie we've all been waiting for.  So, did Jackman and director James Mangold finally get the job done?  Yes.  Yes, they did, my friends.  This is a brutal affair with a lot of heart, and Hugh has never been so effective in this role--or any other role, for that matter.  Littered with f-bombs, berserker rampages, gushing blood, and severed limbs, Logan is a love letter to all the fanboys who have clamored for a look at Wolverine's dark side, but it's also so much more.  A western at heart, there is ample time for a lot of somber meditation on heroism and family values included in the show, not to mention some serious pondering so far as purpose and mortality are concerned.  With that in mind, the constant nods to Shane were definitely a nice touch.  Surprisingly, the powerful themes and the gruesome carnage never seemed at odds, but somehow joined forces in a spectacular and introspective farewell for a fabulous actor who has embodied a beloved character since the year 2000.  In many ways, it's a shame that we finally got the Wolverine movie we wanted just as Hugh decided to move on from the role, yet at the same time it must be noted that he is going out on top--and it's hard to fathom any follow-up being a worthy successor to this impressive departure from the standard comic book movie formula.  While the X-Men movies have been quality cinematic experiences with one notable exception (hello, X-Men: The Last Stand), Wolverine's standalone efforts have been mediocre at best . . . until now.  I truly believe that from this point on, when we sit down to talk about the best comic book movies out there, Logan will be in the mix.

Bonus Points: Patrick Stewart was sensational, and one can only hope that newcomer Dafne Keen is able to continue in the role of X-23, as she also knocked it out of the park.

Final Grade: A+

It's true: this is the Wolverine movie we've been waiting for.  As much as I don't want to see Jackman retire his claws, it's highly unlikely that he would ever find a better point to do so.