Top 20 Horror Novels - #16) The Snake by John Godey (from 1978)

Not only am I ranking my Top 20 Horror Movies for you this October, but I'm doing likewise with the scary books that I hold near and dear.  As with the movies that I'm discussing in that Top 20, I'm not attempting to rank these novels based on their place in pop culture, but rather their place in my heart.  Isn't that sweet?  Seriously, there are some fine books that didn't make the cut here because there just wasn't room, and there are definitely some well-regarded books that didn't make the cut because I don't really like them.  That also means there are some personal favorites of mine on this list that you may not have heard of.  If that's the case, I promise that I'll reward your trust with a gnarly tale if you give one of them a spin.  Finally, I may have shortchanged some of the titans in the genre (hey there, Stephen King) as I didn't want to overload this list with titles by the same author, though Uncle Stevie did manage to score three direct hits on my list.

The list thus far:

#20) Amok by George Fox (from 1980) 
#19) Manstopper by Douglas Borton (from 1988)
#18) Intensity by Dean Koontz (from 1995)
#17) The Terror by Dan Simmons (from 2007) 

Top 20 Horror Novels - #16) The Snake by John Godey (from 1978)

John Godey (the pen name used by Morton Freedgood) was a sound writer who excelled at at spinning intense yarns that were incredibly grounded.  The plausibility that he fostered was a tremendous asset, and that realism is certainly one of the highlights of this exciting book.  This is the second (but not the last) "nature runs amok" story to make my list, so my appreciation for that particular sub-genre may factor into my decision to include this one.  Regardless, it's a nifty book that I really enjoy.  Godey mostly worked within the realm of crime fiction, and he puts his knowledge in that arena to great use in The Snake, wherein a curious set of circumstances leads to a deadly black mamba finding a new home in Central Park.  This fearsome predator begins preying on the people of New York and panic ensues in this riveting tale that never becomes so sensational that it defies the author's dedication to realism.  That being said, it's never dull either; the pace is as brisk as the prose is clear.  The characters include a herpetologist who wants to save the snake, a weary cop who has never worked a case quite like this before, and a fearless reporter  who is looking for her next big scoop.  The setting being New York City, a religious sect that sees the snake as a physical incarnation of Satan himself also hits the scene, greatly complicating matters.  Light on terror but heavy on suspense, The Snake is a sound realization of a frightening premise.  It may not be a big hit with those who enjoy audacious fare, but those who appreciate a realistic approach to potent subject matter will greatly appreciate this lean chiller.

Daredevil (2015) - Series Review

Marvel's Daredevil, currently available on Netflix, is sensational.  Those who have enjoyed this unique character in comic book form over the years know just how rich this property is, but those who only knew of the Devil of Hell's Kitchen by virtue of the misguided 2003 theatrical release may be surprised to hear this.  Rest assured, Marvel didn't send Matt Murdock and company to Netflix because they had concerns about Daredevil's viability.  No, apparently they did it to give him a bigger presence in their imprint.  Thirteen episodes (roughly sixty minutes each--and all of which are available now) allow Charlie Cox and the rest of the cast to dig deep and deliver a stirring series that establishes Daredevil as one of the most exciting and dramatic creations the house of ideas has to offer.

I'm a big fan of comics, and Frank Miller's work with Daredevil surely ranks among the best stuff that I've ever had the pleasure of reading.  Anyone who feels the same way will be thrilled to learn that his stellar run with the character is well-represented here, both in terms of presentation and plotting.  The story is appropriately grim, yet it is also engaging and dramatic.  Most importantly, it's action-packed and the fight scenes are tremendous.  There are a number of battles contained in this series that are among the best throwdowns we've seen in a Marvel production, to include movies like The Avengers and Captain America: The Winter Soldier.  Yes, it's true--this Daredevil kicks ass.  And, just like in the comics, he also gets his ass kicked a lot.  There's as much (if not more) screen-time devoted to Matt getting doctored up and trying to explain his various bruises and lacerations as there is time devoted to the brutality that yields all this damage. 

Obviously, the casting is critical for a venture of this nature, and Charlie Cox is a perfect fit for the part of Matt Murdock/Daredevil.  Like many of Stan Lee's greatest creations, it's entirely possible that this hero's civilian endeavors are more important to the tale than the stuff that happens when he dons a costume and squares off against his enemies.  Cox never falters and he benefits from a rich part that presents him with a lot of tough decisions to ponder and a wealth of emotions to portray.  In the end, Matt Murdock emerges as one of the best-defined characters presented in any of Marvel's film and television ventures, and Charlie Cox seems like a legitimate star.  There are a great many reasons that this series works, but none are more integral than Cox and his winning performance.

He's backed by a number of worthy players who all benefit from compelling parts and detailed storytelling.  Honestly, after watching this show audiences will be far more familiar with the supporting cast of Daredevil than major characters who have graced the big screen in Marvel's cinematic universe--characters like Hawkeye and Falcon, among others.  Perhaps the biggest winner in this regard is Vincent D'Onofrio.  Not only does this amazing talent literally transform into the Kingpin (like, not only does he look like he was plucked from the pages of the comics down to the lines on his face, but how did he know what Wilson Fisk always sounded like in my head?), but Loki is the only other villain who has played such a major part in Marvel's live-action escapades.  The way this villain is fleshed out was superb and the rage he displayed whenever he lost his cool was truly frightening.  Elden Henson also did a fine job as Matt's sidekick, Foggy Nelson, and Toby Leonard Moore was also a big find as Fisk's right hand of doom. 

Honestly, everyone did a great job, to include Vondie Curtis-Hall as Ben Urich and Deborah Ann Woll as Karen Page.  Rosario Dawson was as beautiful as ever in the role of Claire Temple (though I wish she had been given the opportunity to do more badass Roasario Dawson stuff) and Bob Gunton was nice and slimy as Leland Owlsley--a mundane but entertaining take on Marvel's B-rate villain The Owl.  I wish there had been more of Scott Glenn as Stick, but he was a great choice for the part, and John Patrick Hayden brought a lot of heart to the part of Matt's father, Battlin' Jack Murdock.  All things considered, the casting was top-notch, and the writing made the best use of all these incredible talents. 

A great cast, lots of action, and a fast-paced show with a lot of heart--what's not to love?  I can't think of anything this show didn't do well.  Maybe the only complaint I could muster is something that most won't agree with and it could be a bit of a spoiler.  So, yes, SPOILER ALERT and all that, skip the rest of this paragraph if you're worried about such things, but I liked Daredevil's "black pajamas" look so much that when he finally put on his actual costume I was a bit disappointed.  Honestly, they did a nice job with the outfit, but it just didn't work as well for me on-screen as his simple black get-up did.  This may sound downright blasphemous, but when I saw Daredevil in his official costume, well, that's the only time this show reminded me of that 2003 disaster starring Ben Affleck.  Let me soften the blow a bit by stating once more that I liked the red suit and they did a good job with it, but it just didn't thrill me as much as the black look did.  Maybe that's just me.

In closing, this show was totally awesome.  This was the adaptation that fans of the character deserved, and it looks like the Marvel shows coming to Netflix have a very bright future.  I loved the nods to Iron Fist in this series, and given that he's one of my personal favorites, I'm salivating at the prospect of seeing him get this sort of treatment.  If you dig comics, or movies based on comics, or badass shows in general, do yourself a big favor and watch Daredevil on Netflix.

Final Grade: A

Short Attention Span Review: Escape from New York (1981)

Let's set the stage for this one.  Yes, John Carpenter is probably my favorite director.  Yes, I think Kurt Russell is an epic leading man, and if we're talking about one of those movies he made with Carpenter, forget about it.  With Escape from New York, Carpenter offered up a dark and witty smash hit and Russell sank his teeth into one of the coolest parts ever as rugged anti-hero Snake Plissken.  The movie is absurd, and it is quite amusing to see our distant past grossly misrepresented as the distant future (the film was shot in 1980 and set in 1997), but it's all in fun.  True story: I once referred to this picture as a cult classic in the presence of a couple of friends who acted like I had gone insane.  They seemed to think it was garbage.  This didn't change my opinion of the movie at all, but it did convince me that these particular buddies of mine didn't know shit about movies.  Seriously, what's missing?  We've got a great hero, an insane plot, a wicked setting, an imposing villain, and a bunch of unique supporting characters to keep things popping.  In Escape from New York, Manhattan has become a maximum security prison, surrounded by a massive wall and patrolled by helicopters that gun down anyone looking to escape.  This seems like a good idea right up until the president's plane crashes in this gruesome wasteland and a desperate rescue attempt ensues.  The only man for the job is Snake Plissken, a decorated veteran and a notorious criminal who everyone believes to be dead.  Carpenter slays it with sublime direction and another of his awesome scores.  Escape from New York is very silly, but it's also very suspenseful when it isn't borderline hilarious, and it oozes cool from start to finish.  Most importantly, it's Kurt Russell's show, and it is entirely possible that this was his finest hour.  Escape from New York is a fantastic motion picture that never fails to entertain, and I can't recommend it highly enough.

Former Disney star Kurt Russell hits the mark as the one and only Snake Plissken