Showing posts with label superhero. Show all posts
Showing posts with label superhero. Show all posts

Wednesday, February 5, 2020

Short Attention Span Review - Brightburn (2019)


Short Attention Span Review - Brightburn (2019)

Brightburn is a pretty good horror movie built upon a premise that feels much bigger than the fruit it has produced.  I enjoyed it, and I think most horror fans will find it to be perfectly satisfactory.  And I also reckon that many others will share the notion that it could have been much better.  Maybe that's unfair; after all, I'm not sure exactly what more I wanted from it.  Then again, this is a dark riff on the superhero genre, and I find that superhero movies without a worthy antagonist fall short of the mark.  Maybe that's what's lacking here.  Once the picture takes shape, it is quite clear that the protagonists don't stand a chance.  Making matters worse, they're not smart enough or tough enough for your garden variety fright flick threat, much less young Superman by way of John Carpenter.  Still, there are dark thrills aplenty in Brightburn, and there's a surprising amount of gore.  The kills are pretty sadistic, and once things heat up in the second act, they come fast and furious.  Elizabeth Banks is awesome, but that's old news.  David Denman impressed me with his efforts to depict both a pissed off dad who feels the need to put his foot down and a dad who recognizes that his son could incinerate him with laser vision.  Most importantly,  Jackson A. Dunn made for one creepy kid.  Just a mean little bastard.  With super powers.  Yeah, that's pretty scary, but I just can't help but feel that it could have been scarier.  Sometimes that's the danger with a really sound pitch--even if you deliver the goods, you may leave people wishing you had somehow done more.  Anyway, it's still a dope movie, and I am not playing about those gruesome kills.  

Final Grade: B-


Brightburn is dark and surprisingly gory.  It is also a good movie, but one can't help but feel that the premise should have yielded something bigger.

Wednesday, February 27, 2019

Short Attention Span Review: Blade of the Immortal (2017)


Short Attention Span Review: Blade of the Immortal (2017)

Part Logan and part director Takashi Miike's own incredible samurai epic 13 Assassins, Blade of the Immortal isn't as good as either of those films, but it is seriously cool.  Think about it: a stoic samurai warrior sworn to protect a young girl who pairs his incredible skills with a potent healing factor of his own--there's an idea.  It has promise, no doubt about it, and Miike delivers on that promise with one killer action scene after another.  And at a hundred and forty minutes, Takuya Kimura and Hana Sugisaka are given more than enough material to flesh out their characters and draw us into their story.  The effects are stellar, the villains are memorable, and the tale is complex.  Despite the lengthy runtime, Blade of the Immortal never drags, and I do believe that there is a throwdown of some significance gracing the screen roughly every five minutes or so.  The lead baddie is Sota Fukushi as Anotsu, and he enters the movie as the very epitome of a despicable antagonist, yet as the story unfolds he emerges as perhaps the most dynamic and conflicted player in the gruesome proceedings.  Dripping with gore, host to an abundance of wicked duels and at least one massive battle, and populated by groovy characters who hold our interest even when they aren't drawing blood, Blade of the Immortal is quite simply ill as hell.  Now, it is not without faults, as there are a number of choppy transitions that lead one to believe that despite running two hours and twenty minutes, significant pieces of the tale must have been lost to the cutting room floor.  These abrupt shifts are more than a tad disconcerting, and rob the film of some majesty, but it is still a fine motion picture made by talented filmmakers, and it will be fun to revisit whenever I have a jones for some dynamic carnage.

Final Grade: B+


As much as I respect and enjoy Takashi Miike's work, this stylish action yarn's biggest strength is Takuya Kimura in the lead role.

Thursday, May 14, 2015

Faith No More - Sol Invictus (Review + Track Notes)


Fans of artists who partner incredible talent with vision and a powerful need to think outside the box (that's a pretty short list, right?) can circle May 19 on their calendars.  That's when Sol Invictus arrives, and the first Faith No More album since 1997 is absolutely delightful.  It may have been a while since these alternative innovators have produced an album, but you wouldn't know that by listening to Sol Invictus.  This brief yet stirring smorgasbord of sound surely warrants a piece of premium real estate on the island of misfit records FNM has provided us with.  It's obvious that these guys have grown as musicians and yet it is amazing how in sync with their overall approach and their impressive catalog this release is. 

Faith No More is my favorite band and there was surely a point when, like most fans of this vastly underrated act, I didn't really think a reunion of any sort was ever going to happen.  Then they shocked us all by getting back together to play some shows, but most of the dates were on foriegn soil and there was no talk of another record.  Lo and behold, new songs began to emerge, and then there came a most blessed day when the band announced that they were going to create another sonic odyssey for the faithful (faithless?) to enjoy. 

If I were to say that I was eager to listen to Sol Invictus, well, that would be a bit of an understatement.  The first time I gave it a listen there were moments where my smile grew so wide that it was almost painful.  It was a joyous experience, truth be told, and some of the music is rather joyful--though much of it is tongue-in-cheek and there's enough cynicism sprinkled throughout to give the feel-good elements of Sol Invictus an edge.  These light and tender sounds frequently give way to some of the most forceful and jagged landscapes the band has created, and the range of material is pretty damn epic (forgive me).  A few days have passed and I have listened to Sol Invictus maybe a dozen times, but that estimate could be a bit low.  Who's counting?  One thing is certain: Faith No More is back and these lovable weirdos have dropped a fabulous album on us.

Final Grade: A+

Bonus Points: I'll be at the show in Raleigh on 7/31.
That's bucket list stuff, peeps!

 Track Notes

1. Sol Invictus - warm and incredibly rich, this is a perfect way to get things started

2. Superhero - fierce, fun, and very catchy

3. Sunny Side Up - maybe my favorite track on the album, this one is incredibly lighthearted with just a hint of malice to keep you on your toes

4. Separation Anxiety - this is probably the heaviest song on Sol Invictus and it is one hell of a rollicking ride

5. Cone of Shame - there's something a little spooky about this slow burn with a thrilling transition and Patton at his most metal

6. Rise of the Fall - this is one of those trademark "impossible to classify yet incredibly groovy" gems that have made FNM such trendsetters

7. Black Friday - take my thoughts on "Rise of the Fall" and multiply by 2

8. Motherfucker - the first single that the band released for Sol Invictus (only Faith No More would release a single called "Motherfucker" to promote an album that legions of fans have been waiting nearly two decades for) aims to take my thoughts on "Rise of the Fall" and multiply by 10--seriously, it's one of the coolest and most bizarre songs that these guys have ever created

9. Matador - my bad, "Sunny Side Up," "Matador" is probably my favorite track on the album--it's incredible, it's kind of operatic when it isn't too busy being totally badass, and it allows everyone in the band ample opportunity to shine

10. From the Dead - the title may not make it sound like a soft and gentle way to close out a marvelous album with the sort of diversity that one doesn't expect from any band but FNM, but that's just what it is

Are FNM back and better than ever?  Well, they're back and they're as good as ever.
Honestly, with their eclectic output, ranking their albums is a bit of a fool's errand.

Monday, April 13, 2015

Daredevil (2015) - Series Review

Marvel's Daredevil, currently available on Netflix, is sensational.  Those who have enjoyed this unique character in comic book form over the years know just how rich this property is, but those who only knew of the Devil of Hell's Kitchen by virtue of the misguided 2003 theatrical release may be surprised to hear this.  Rest assured, Marvel didn't send Matt Murdock and company to Netflix because they had concerns about Daredevil's viability.  No, apparently they did it to give him a bigger presence in their imprint.  Thirteen episodes (roughly sixty minutes each--and all of which are available now) allow Charlie Cox and the rest of the cast to dig deep and deliver a stirring series that establishes Daredevil as one of the most exciting and dramatic creations the house of ideas has to offer.

I'm a big fan of comics, and Frank Miller's work with Daredevil surely ranks among the best stuff that I've ever had the pleasure of reading.  Anyone who feels the same way will be thrilled to learn that his stellar run with the character is well-represented here, both in terms of presentation and plotting.  The story is appropriately grim, yet it is also engaging and dramatic.  Most importantly, it's action-packed and the fight scenes are tremendous.  There are a number of battles contained in this series that are among the best throwdowns we've seen in a Marvel production, to include movies like The Avengers and Captain America: The Winter Soldier.  Yes, it's true--this Daredevil kicks ass.  And, just like in the comics, he also gets his ass kicked a lot.  There's as much (if not more) screen-time devoted to Matt getting doctored up and trying to explain his various bruises and lacerations as there is time devoted to the brutality that yields all this damage. 
Obviously, the casting is critical for a venture of this nature, and Charlie Cox is a perfect fit for the part of Matt Murdock/Daredevil.  Like many of Stan Lee's greatest creations, it's entirely possible that this hero's civilian endeavors are more important to the tale than the stuff that happens when he dons a costume and squares off against his enemies.  Cox never falters and he benefits from a rich part that presents him with a lot of tough decisions to ponder and a wealth of emotions to portray.  In the end, Matt Murdock emerges as one of the best-defined characters presented in any of Marvel's film and television ventures, and Charlie Cox seems like a legitimate star.  There are a great many reasons that this series works, but none are more integral than Cox and his winning performance.
He's backed by a number of worthy players who all benefit from compelling parts and detailed storytelling.  Honestly, after watching this show audiences will be far more familiar with the supporting cast of Daredevil than major characters who have graced the big screen in Marvel's cinematic universe--characters like Hawkeye and Falcon, among others.  Perhaps the biggest winner in this regard is Vincent D'Onofrio.  Not only does this amazing talent literally transform into the Kingpin (like, not only does he look like he was plucked from the pages of the comics down to the lines on his face, but how did he know what Wilson Fisk always sounded like in my head?), but Loki is the only other villain who has played such a major part in Marvel's live-action escapades.  The way this villain is fleshed out was superb and the rage he displayed whenever he lost his cool was truly frightening.  Elden Henson also did a fine job as Matt's sidekick, Foggy Nelson, and Toby Leonard Moore was also a big find as Fisk's right hand of doom. 

Honestly, everyone did a great job, to include Vondie Curtis-Hall as Ben Urich and Deborah Ann Woll as Karen Page.  Rosario Dawson was as beautiful as ever in the role of Claire Temple (though I wish she had been given the opportunity to do more badass Roasario Dawson stuff) and Bob Gunton was nice and slimy as Leland Owlsley--a mundane but entertaining take on Marvel's B-rate villain The Owl.  I wish there had been more of Scott Glenn as Stick, but he was a great choice for the part, and John Patrick Hayden brought a lot of heart to the part of Matt's father, Battlin' Jack Murdock.  All things considered, the casting was top-notch, and the writing made the best use of all these incredible talents. 
A great cast, lots of action, and a fast-paced show with a lot of heart--what's not to love?  I can't think of anything this show didn't do well.  Maybe the only complaint I could muster is something that most won't agree with and it could be a bit of a spoiler.  So, yes, SPOILER ALERT and all that, skip the rest of this paragraph if you're worried about such things, but I liked Daredevil's "black pajamas" look so much that when he finally put on his actual costume I was a bit disappointed.  Honestly, they did a nice job with the outfit, but it just didn't work as well for me on-screen as his simple black get-up did.  This may sound downright blasphemous, but when I saw Daredevil in his official costume, well, that's the only time this show reminded me of that 2003 disaster starring Ben Affleck.  Let me soften the blow a bit by stating once more that I liked the red suit and they did a good job with it, but it just didn't thrill me as much as the black look did.  Maybe that's just me.

In closing, this show was totally awesome.  This was the adaptation that fans of the character deserved, and it looks like the Marvel shows coming to Netflix have a very bright future.  I loved the nods to Iron Fist in this series, and given that he's one of my personal favorites, I'm salivating at the prospect of seeing him get this sort of treatment.  If you dig comics, or movies based on comics, or badass shows in general, do yourself a big favor and watch Daredevil on Netflix.

Final Grade: A

Tuesday, March 24, 2015

Faith No More: New Album/Top 5 Songs


They're back!
I am so stoked for this new Faith No More album coming in May that it's ridiculous.  FNM is my favorite band and while I spent years hoping for a reunion, I really didn't think it would happen.  Then they reunited a few years ago to tour, refused to play a show anywhere near me, and swore that there would be no new material.  Bummer.  Yet here we are, just a couple of months away from the release of their new album, Sol Invictus.  Two killer tracks have already been released and it sounds like the band still has the ability to throw down some vicious rock while taking their sound in strange and unique directions.  Many seem to prefer "Superhero" to "Motherfucker," and while I like them both I do believe that I'm a bit more infatuated with the latter.  When the album hits, I'll be sure to provide a review after I take a day off from life to immerse myself in it. 

Until then, I wanted to provide you with this link to a "Top 5 Faith No More Songs" piece I did for RVA Magazine back in 2010. 

And, for those who haven't heard the new stuff:

Motherfucker

Superhero

Tuesday, February 10, 2015

Faith No More to release Sol Invictus on May 19

Alternative rock titans Faith No More are poised to release their first album since 1997 and we finally have a date and a title for the record.  On May 19, the quixotic outfit from San Francisco will drop Sol Invictus.  The album is preceded by the unruly single "Motherfucker," which is currently available and incredibly cool.  There are rumors that a second single titled either "Superhero" or "Leader of Men" will be made available in March. 

Additionally, the band has scheduled the following U.S. tour dates:

April 16 - Seattle, WA - Paramount Theater
April 17 - Portland, OR - Keller Auditorium
April 19 - San Francisco, CA - Warfield
April 20 - San Francisco, CA - Warfield
April 23 - Los Angeles, CA - The Wiltern
April 24 - Los Angeles, CA - The Wiltern
April 25 - Santa Ana, CA - The Observatory
May 7 - Chicago, IL - Concord Music Hall
May 8 - Detroit, MI - The Fillmore
May 11 - Boston, MA - Orpheum Theatre
May 13 - New York, NY - Webster Hall
May 14 - New York, NY - Webster Hall
May 15 - Philadelphia, PA - Electric Factory

However, don't get your hopes up--those shows all sold out pretty much as soon as tickets became available.  Fortunately, the band insists that additional U.S. shows will be scheduled, and given the response we can hope for lots of them. 

Tuesday, August 5, 2014

Whatever Happened to David Banner?


In this day and age, seeing comic book characters come to life in movies or television shows has become rather old hat.  It’s probably difficult for the youth of today to understand that for those of us who were children of the 80s it was rare to see one of our heroes from the funny books taking part in a film or a television broadcast aside from the cartoons we so treasured.  Yes, there were reruns of Adam West’s Batman, an absurd chapter in that character’s legacy that I still treasure, and sometimes Spider-Man made a guest appearance on The Electric Company, but what else was there?  I would like to forget Reb Brown’s Captain America, but that lame take on the character seemed like a masterpiece in comparison to Nicholas Hammond’s Spider-Man.  Both of those efforts aired sporadically, so sporadically in fact that many of my peers thought I was lying about the existence of both ill-advised ventures.  For the purpose of this argument I’m giving Wonder Woman a pass because Lynda Carter was nice to look at no matter how bad that show was, and I don’t know if you could make a good program with invisible planes and lassos of truth with modern effects.  For the most part, in the late 70s and early 80s the industry simply wasn’t prepared to utilize comic book characters in entertaining and competent presentations.
  That changed with Kenneth Johnson’s development of The Incredible Hulk for CBS in 1977.  Like many, I would race to the television set when I heard that show’s opening theme throughout its five season run, and I would watch every episode from start to finish even if I had already seen it ten times.  Like many, I was continually surprised that the makers of this smash hit were able to interest me in David Banner (Johnson didn’t like the fact that Stan Lee liked characters whose first and last names begin with the same letter) and his unique exploits to such an extent that it didn’t matter if the Hulk only showed up for a few minutes at a time to toss stuntman around and roar and flex in slow-motion.  It also didn’t matter that the show utilized Lou Ferrigno sprinkled with green dust and sporting a lousy wig as the Hulk, because as primitive as that approach may have been, the end result was rather admirable.
I tuned in week in and week out to watch David’s woeful journey through a television landscape that could best be described as TV America, a land populated by engaging characters in quaint little communities where it was never hard for David to find work or conflict.  Each new town presented our hero with another nice job and several honest people to call friends, and each time he grew comfortable just in time for all hell to break loose, forcing him to become the Hulk and save the day. 
This endless cycle always led to the arrival of David’s nemesis, tabloid journalist Jack McGee, expertly played by Jack Colvin, who would show up, snoop around, and force our lonesome hero to move on after sacrificing his brief stint of peace for the good of those who showed him kindness.  It was heartbreaking even without that sad music, and if you liked the show even half as much as I did, you can probably hear it playing right now.  It’s the sound of leaving, the sound of turning your back on what you want because you know it’s the right thing to do.  It’s the sound of nobility giving way to tragedy.
Yes, I own the box set with every episode of this landmark series.  Yes, I still watch it and enjoy it, and my children like it almost as much as I do, so it still has some resonance even in this day and age.  Since I love the show so much, it’s no wonder I found myself thinking about David Banner earlier today.  In fact, I found myself wondering what exactly happened to that hero from my youth, the one legitimate success that emerged from the efforts to televise the exploits of a superhero for comic fans of a bygone era.  David was a good guy, a hell of a man really, and the fact that he was played by a thespian like Bill Bixby never hurt matters.  It was easy to like Bill, and he made it even easier to know and love David Banner.  With that in mind, here are a few things I hope he found along the way:

A good woman.  The guy definitely deserved it.  I know he encountered several good women along the way, but I’m hoping he met one he was able to stay with at some point, and if not, I’m hoping he met one who was able to come along for the journey.  I know this would be dangerous in some ways, but if I was traveling with David I would have been more worried about the shit he gets into than that green-skinned goliath that he transforms into when he’s angry.  Though that behemoth will roar and toss bad guys around with the very best of them, he never hurt anyone who doesn’t deserve it.  I’ve seen this version of the Hulk handle baby birds without incident, for Christ’s sake.

A good job that wasn’t at the center of some sinsister scheme.  Let’s face it, David was the kind of employee every boss dreams about.  He was willing to take on entry level work or dive head-first into mammoth projects, and he had to have the best resume of all time.  Imagine all the prestigious institutes and projects listed among his job credits, and then think about all the menial labor and customer service gigs you would have found there as well.  This guy was a genius with humility who came cheap, and he showed time and time again that if something bad happened at his workplace he would not hesitate to save the day.  Who wouldn’t hire a guy like that?  However, I should point out that if he was required to save the day at some point, well, then it would probably be time to rebuild once the dust settled.  And the company would have to replace David, who probably wasn’t all that big on two-week notices.  Regardless, the guy deserved a nice job. 

A cure.  He worked hard enough for it, and every time his results ended in failure if they weren’t destroyed while he was in the process of saving the day.  Plus, he was kind of obsessed about it.  Edward Norton was content to do crazy breathing exercises so that he could control his anger, but Bixby needed closure.  The television version of the character needed a cure to put the chaos and strife behind him so that he could settle down and lead a normal life.  I hope he figured it out at some point. 
Though this is the third item on my list, it would probably be helpful if David got his cure before he met the good woman and found the good job that wasn’t at the center of some sinister scheme.  Maybe the guy got on a roll at some point and the hits never stopped coming.  Again, he deserved it.

A story in the news about Jack McGee suffering a terrible fate.  David probably wouldn’t have wished for this, but fans of the show understand my feelings here.  This guy made us hate the paparazzi before the paparazzi even existed.  Seriously, how the hell did the bad guy on a television show become a poster child for the media as it exists today?  Jack McGee introduced us to sensationalism and invasive reporting without conscience, and I have a hard time sleeping thinking that he might still be dogging David on his trek across TV America.  Oh, and I don’t like to think David reading about Jack McGee dying in his sleep because of smoke inhalation either, I’m hoping that the bastard got it worse than that.  Like maybe he was doing a story on bees and he got stung to death by thousands of angry hornets, or maybe he was doing an expose on the wrong pawn shop and someone decided it was time to get the gimp.  I’m sorry if this seems harsh, but trust me: he deserved it. 

A ride.  Walking is good for you, and I understand this, but that dude’s feet were definitely in need of a break.  He was walking along the side of the road for far too long.  I get the feeling he wouldn’t have cared if it was a showpiece or not so long as it got him from point A to point B, but I hope he had a nice stereo.  God knows he should have had something better to listen to whenever he was leaving town.
That haunting melody is almost enough to make a grown man cry.