Top 20 Horror Movies - #16) Invasion of the Body Snatchers (1978)

One of the things that I'm doing this month as I celebrate Halloween here in the Land of Way is taking the time to rank my Top 20 Horror Movies and my Top 20 Horror Novels.

Note:
I want to be clear that I'm basing these choices on my own humble opinion.  I'm not trying to rank these movies in accordance with their place in pop culture, but I'm offering up my take on the best horror films that I have ever watched and enjoyed.  There are some familiar candidates that I consider to be great pictures that didn't make the cut because there wasn't room, and there are some films that are widely regarded as great pictures that didn't make the cut because I feel that they are overrated.  There are also a few instances where it was difficult to determine whether or not a movie belonged to the horror genre (I said "no" to Aliens but "yes" to Jaws), and it may also be worth noting that this is largely a modern list (as long as you're okay with my classification of modern as anything after 1960) that only features one lonely creature from the so-called "Classic Monsters" films produced by Universal Studios.

Thus far, the list includes:

#20) The Fly (1986) 
#19) The Howling (1981)
#18) Night of the Living Dead (1968)
#17) Alien (1979)

For my last selection, we journeyed to outer space.  This time, alien spores designed for global domination are going to save us the trip.

Top 20 Horror Movies - #16) Invasion of the Body Snatchers (1978)

The second of three remakes to grace my list is a creepy sci-fi/horror hybrid that greatly improves upon the original Invasion of the Body Snatchers from 1956, which was a damn good movie itself.  This creepy affair has a stellar cast and impressive effects, and Phillip Kaufman showed a deft touch with his direction.  In particular, Kaufman did a great job of utilizing the city of San Francisco as the setting and capturing some really wonderful images of the alien spores that threaten our heroes.  The plot is obviously a real winner; we've seen a couple of different versions of the same story since this remake was released, and there are a number of other films that are clearly imitations of this sinister saga as envisioned by the author of the source novel, Jack Finney.  Things start slowly, but soon paranoia gives way to outright terror as our weary players struggle to survive, wondering who they can trust and who has already been replaced.  Donald Sutherland and Brooke Adams are outstanding in the lead roles.  The supporting cast includes Leonard Nimoy, Jeff Goldblum, Veronica Cartwright, and Art Hindle, and Kevin McCarthy (the star of the 1956 version) briefly pops up in a significant cameo.  I like the score from Denny Zeitlin and I really like the way that this Invasion of the Body Snatchers slowly builds to a terrifying crescendo.  The last scene is a genuine shocker, and as many times as this tale has been brought to the screen, there can be no doubt that this is the best version.  It remains one of my favorite horror films, and it is certainly deserving of the #16 spot on my list.   

This stellar remake benefits from groovy effects, a sinister mood, and an awesome cast.

Top 20 Horror Movies - #17) Alien (1979)

One of the things that I'm doing this month as I celebrate Halloween here in the Land of Way is taking the time to rank my Top 20 Horror Movies and my Top 20 Horror Novels.

Note:
I want to be clear that I'm basing these choices on my own humble opinion.  I'm not trying to rank these movies in accordance with their place in pop culture, but I'm offering up my take on the best horror films that I have ever watched and enjoyed.  There are some familiar candidates that I consider to be great pictures that didn't make the cut because there wasn't room, and there are some films that are widely regarded as great pictures that didn't make the cut because I feel that they are overrated.  There are also a few instances where it was difficult to determine whether or not a movie belonged to the horror genre (I said "no" to Aliens but "yes" to Jaws), and it may also be worth noting that this is largely a modern list (as long as you're okay with my classification of modern as anything after 1960) that only features one lonely creature from the so-called "Classic Monsters" films produced by Universal Studios.

Thus far, the list includes:

#20) The Fly (1986) 
#19) The Howling (1981)
#18) Night of the Living Dead (1968)

Now, we turn our attention to space as I unveil the next movie on my list.

  
Top 20 Horror Movies - #17) Alien (1979)

First off, I want to say that I do believe that Alien is a stellar horror film.  Secondly, I will acknowledge that I think that this film's sequel, Aliens, is a much better picture.  However, Alien made my list and Aliens will not.  Why?  Well, Alien is a horror film, but I think Aliens is a bit more like Predator.  Is it a science fiction movie?  Is it an action movie?  I'm not sure, but despite the presence of some horrifying content, Aliens just doesn't feel like a horror movie to me.  Alien, on the other hand, is most certainly worthy of a spot on this list.  It's not a thrill ride with guns blazing, it's a subdued tale of terror that relies more on escalating tension and big scares than escalating machismo and big explosions.  The mood and the sets are incredible, the effects are totally convincing, and the cast is superb.  Sigourney Weaver's work here made her a star, and she is backed by talented performers like Tom Skerrit, John Hurt, and Yaphet Kotto, among others.  There isn't a wealth of gore, but the scene where the alien bursts out of John Hurt's chest is one of the most disturbing sequences that the horror genre has ever produced.  The design work by H. R. Giger is one of the picture's biggest assets and Ridley Scott's direction is splendid.  Alien is bolstered by one of Jerry Goldsmith's finest scores and the sceenplay from Dan O-Bannon is terrific.  In short, Alien is a gripping horror film that fires on all cylinders thanks to the presence and the efforts of a first-rate cast and crew.  It remains the best horror film set in space (though Event Horizon is pretty damn scary too) and I am pleased to include it on my list.

In addition to being a great flick, Alien also boasts one of the most
gut-wrenching scenes in the history of horror movies.

Short Attention Span Review: Critters (1986)

Unfairly labelled a Gremlins clone upon release, Critters is a quirky horror film with a talented cast and groovy special effects.  It borrows from several movies but remains original and entertaining from start to finish.  At times it is a little creepy, at times it is certainly thrilling, and there's a lot of humor sprinkled throughout.  The plot finds a handful of alien furballs with lots of teeth terrorizing a likable family at their farm.  There are a pair of alien bounty hunters who can look like anyone hot on the trail of these borderline cute/decidedly vicious furballs.  The critters roll around and wreak havoc at the farm with glee, while the somewhat dimwitted and extremely destructive bounty hunters damn near ruin the entire town looking for them.  The humans caught in the mix include Scott Grimes (who recently nailed a decent part on the final season of Justified) as Brad, a mischievous young boy who digs firecrackers.  His mother and father are played by Dee Wallace Stone and Billy Green Bush, and they make the most of their parts.  There's also Don Keith Opper as the crazy guy who helps out at the farm and the always reliable M. Emmet Walsh as the baffled sheriff.  Those viewers who are expecting a bloody romp may be a bit disappointed with the minimal body count, but anyone expecting a lighthearted picture will be taken aback by the violence and language.  It's a kooky flick and it may be underrated simply because it's hard to determine exactly what audience the filmmakers were aiming for.  Critters is a bit too rough to be kiddie fare and many adults will find it too silly to enjoy.  However, those who like a zany creature feature and anyone who shares my enthusiasm for 80s horror movies will have a blast with this one. 

Final Grade: B+

Dee Wallace Stone shows some range, going from loving mother to
scared mother before finally arriving at angry mother/critter-slaying machine.

Short Attention Span Review: Interstellar (2014)

Surprise, surprise--Christopher Nolan has delivered another stirring picture!  Seriously, Nolan producing something mesmerizing is almost old hat at this point.  Interstellar is only his latest riveting motion picture experience, and while it doesn't represent his best work, it's still one hell of a film.  Thoughtful, emotional, bold, exciting, and challenging, this sci-fi epic is a fine example of the power that high-caliber cinema can yield.  Nolan has always placed incredible talents front and center in his work and that makes this a bold statement, but for once I believe that the greatest strength of this movie was not the gifted director who I'm praising but the star I'm about to start praising.  Mathew McConaughey is on some kind of a roll right now, and while this isn't his best work either, the charm and grace he brings to Interstellar is a fantastic treat to behold.  The best thing about McConaughey is his ability to convey so much and get an audience so invested in such a natural manner.  Many thespians go to elaborate lengths to generate a response, but McConaughey reminds me a bit of the legendary Henry Fonda in that he can dominate the screen with such ease that it seems downright effortless.  There's a feeling that such a performer could walk in a room, pick up a script, read a line once, and then deliver it with remarkable authenticity.  It seems like child's play.  Regardless of how nonchalant his approach may appear to be, McConaughey's work here is impeccable and his performance is nothing short of captivating.  He is joined by wonderful performers like Anne Hathaway and Michael Caine, as well one major surprise, and the acting is top-notch across the board.  The plot is complex yet entertaining, and like many of Nolan's films the less you know going in the better.  The effects are fabulous and the science is very convincing--though I would be one of the last people to know if they were totally defying the laws of physics and such.  The score is superb, which is what we've come to expect from Hans Zimmer, particularly when he works with Nolan.  In closing, Interstellar covers a lot of ground that previous science fiction films regarding space travel have covered, but it never feels like an imitation.  It's fresh, surprisingly sentimental, and very rewarding.

Final Grade: A

Once again, Nolan delivers an emotionally charged mindbender.