Short Attention Review - Spider-Man: Into the Spider-Verse (2018)

Short Attention Span Review - Spider-Man: Into the Spider-Verse (2018)

I've been down with Spidey for about as long as I can remember, and I'm a 40-year-old dude who still rocks comics.  Bonus points: the one mainstay on my pull list has always been The Amazing Spider-Man.  With that in mind, I believe I can speak with some authority when it comes to the webhead.  My expertise extends beyond the comics and also applies to the movies, to include the appropriately obscure.  Of course, I've seen all the mainstream ventures, but I didn't stop there.  Seriously, have you ever gone on a quest to track down every episode of the 1977 television series starring Nicholas Hammond--and forced yourself to watch them all?  Dear lord, I hope not.  I like to think that I paid that tab for all of us.*  Anyway, I say all that to say this: I was a bit unsure about Spider-Man: Into the Spider-Verse and my unease may have increased in light of all the incredible praise heaped upon this 2018 animated adventure.  Surely, I thought, it can't be that good.  Listen up, peeps.  It's that good.  It's freaking epic.  It rocks.  I didn't like it, I positively loved it.  The animation is unique but brilliant, the voice performances are perfect, and the soundtrack is nothing short of superb.  Most importantly, the direction courtesy of Bob Perischetti, Peter Ramsey, and Rodney Rothman is amazing, and the screenplay from Phil Lord and Rodney Rothman is spectacular.  They weave a mesmerizing web of rollicking action and heartfelt drama that elevate this into the upper stratosphere of comic book movies.  Look, I drooled over Infinity War with the rest of you, but Spidey snuck in like a thief in the night and rocked the Casbah with this vivid and thoroughly entertaining smash hit.  I do not believe I am taking things too far when I dub this the best Spider-Man movie we have seen to date, and I enjoy all of the previous efforts, even Spider-Man 3**.  I rate Spider-Man 2 and Spider-Man: Homecoming as among the best comic book adaptations ever produced.  Spider-Man: Into the Spider-Verse surpasses all of these adventures starring the wallcrawler we hold so dear.  Guess what?  I'm not stopping there.  No, I would like to take things even further, to be honest, and I'm here to declare this one of the best superhero movies out there.  In terms of craftsmanship and quality, it is on par with the best of the lot, to include the previously-mentioned Infinity War, as well as other legit classics in that realm, movies like Logan, The Dark Knight, Captain America: The Winter Soldier, and Superman II.  I can't recommend this one highly enough, and it is a joy to encounter something that is equal parts diverse, inclusive, and splendid.  I want to thank everyone involved for taking my favorite superhero to new heights.

*For the record, they're kinda fun, and I give the makers of the show props for trying really hard.  That's probably too kind.  Okay, okay.  Let's be real here.  The show was so hokey that it flirts with comedic glory.

**Shoot me if you must.  It's true.

Final Grade: A+

This wonderful feature succeeds partly by inviting lots of takes on our friendly neighborhood Spider-Man to the party, but mostly because it nails each and every one of them, and allows them to participate in a marvelous story.

The Superior Spider-Man

Many of you are already aware that in Marvel's latest zany attempt to drive profits up, they have embarked upon a new era in Spider-Man's legacy.  Namely, The Superior Spider-Man, wherein Dr. Octopus has pulled off a mind-swap with Peter Parker shortly before his body (with Peter's mind trapped inside) passed on to the great beyond.  Thankfully, this is not nearly as final an outcome for a comic book character as it is for the rest of us, though, at present, the mind of Dr. Octopus is in control of Spider-Man's body.  Truthfully, this whole thing sounded like a lackluster publicity stunt that could potentially rival the wretched clone saga as one of Marvel's biggest blunders, many of which have involved the webhead.  I picked up the last issue of Amazing Spider-Man (#700, the final issue before the title became The Superior Spider-Man) and decided to nab the first few issues of the new book because I felt they would be collectible and I was curious.  I was highly skeptical, but yes, I was curious.

Wow.  12 issues later, I'm shocked to admit that this has become my favorite comic, somehow leapfrogging DC's stellar new take on Swamp Thing.  Of course, if Marvel hadn't rebooted the New Avengers title I so cherished, and if I knew where to find Iron Fist, this may not necessarily be the case, but I digress.  The Superior Spider-Man is awesome!  I'm fairly certain that when the next movie hits the scene the book will be called Amazing Spider-Man again and Peter will have somehow resurrected his mind and wrestled control of his body away from Dr. Octopus, but I'm in no hurry to get there.  This title is badass.  This new Spider-Man has killed, he has maimed, and he seems to be a doing a better job than the Spider-Man I knew and loved for the most part, though he does occasionally make the type of mistake that you would only expect from a villain.  Like talking too much when he should be throwing punches, and not the witty banter kind of talking we're used to, but rather the "Let me explain my plan to you" type of stuff Bond villains perish because of.

Regardless, I haven't enjoyed Spidey this much since Marvel's Civil War, though I hope that isn't a jinx.  It was shortly after that incredible run that One More Day, the only storyline that could make fans of the webhead miss the clone saga, hit the scene like a giant turd falling from the sky.  I was so happy with that turn of events that I cancelled my subscription and turned my back on the wall-crawler, but now I'm hooked again.  If you're looking for a darker and stranger take on one of the most beloved characters of all time, scope out The Superior Spider-Man.  You won't regret it.