Short Attention Span Review: Lost Souls (2000)

Short Attention Span Review: Lost Souls (2000)

I guess I need to start with some disclaimers here, as I'm clearly in the minority when it comes to this poorly regarded biblical horror feature from 2000.  Yes, I may have quite a Winona Ryder jones.  Always have, always will.  Yes, biblical horror creeps me out, but that doesn't mean that everything in this particular sub-genre gets a pass.  In fact, while I often seek such fare out, few pictures in this realm impress me, though the standouts (The Exorcist, duh, and Angel Heart, which remains terribly underrated) rank very high on my list*.  For instance, Stigmata was released a year prior to Lost Souls and garnered much better reviews, and I thought it was quite the turd.  Lost Souls does have its flaws, to include an abrupt conclusion that many deem anti-climatic.  It is hard to dispute that notion, but at the same time, I think the ending is both appropriate and fulfilling.  The big gun where my affection for Lost Souls is concerned is pretty simple: it genuinely creeps me out.  And yes, I find Winona to be superb in the lead role.  Ben Chaplin does a good job as well, and I thought Janusz Kaminski showed incredible promise as a director.  The exorcism scenes are particularly creative and deliver some serious jolts, and atmosphere is one of the picture's biggest strengths.  Lost Souls is very lean for this type of film, and when you combine this with a raw and gritty feel, it distinguishes this one from some of the more deliberate and polished genre pictures of its era.  It arrived at a time when cheeky and self-aware horror movies were all the rage, and I often wonder if that is why it received such a dismal response.  Of course, it is also entirely possible that I'm overstating matters and I'm walking the narrow path in this review because Lost Souls isn't that good of a movie.  I won't hail it as a classic, but in my humble opinion, it is a thrilling venture that will scare the hell out of you.  That's often my criteria for a thumb's up, so I'm going out on a limb here and proclaiming this much-maligned flick to be worth your time in spite of what you've heard.

*In fact, The Exorcist occupies the top spot on my list.  See my Top 20 Horror Movies piece from 2015 here.

Final Grade: B

Winona brings some major intensity to her role and makes for a great lead.

Top 20 Horror Movies - #1) The Exorcist (1973)

One of the things that I'm doing this month as I celebrate Halloween here in the Land of Way is taking the time to rank my Top 20 Horror Movies and my Top 20 Horror Novels.

Note:
I want to be clear that I'm basing these choices on my own humble opinion.  I'm not trying to rank these movies in accordance with their place in pop culture, but I'm offering up my take on the best horror films that I have ever watched and enjoyed.  There are some familiar candidates that I consider to be great pictures that didn't make the cut because there wasn't room, and there are some films that are widely regarded as great pictures that didn't make the cut because I feel that they are overrated.  There are also a few instances where it was difficult to determine whether or not a movie belonged to the horror genre (I said "no" to Aliens but "yes" to Jaws), and it may also be worth noting that this is largely a modern list (as long as you're okay with my classification of modern as anything after 1960) that only features one lonely creature from the so-called "Classic Monsters" films produced by Universal Studios.

Thus far, the list includes:

#20) The Fly (1986) 
#19) The Howling (1981)
#18) Night of the Living Dead (1968)
#17) Alien (1979) 
#16) Invasion of the Body Snatchers (1978)
#15) Suspiria (1977) 
#14) Phantasm (1979)
#13) Evil Dead 2 (1985)
#12) Creature from the Black Lagoon (1954) 
#11) The Descent (2005)
#10) Fright Night (1985)
#9) Halloween (1978)
#8) Return of the Living Dead (1985) 
#7) An American Werewolf in London (1981)
#6) Deep Red (1975)
#5) The Shining (1980) 
#4) Dawn of the Dead (1978)
#3) The Thing (1982)
#2) Jaws (1975) 

I had a hard time putting this list together, but determining which movie belonged at the top of the charts was rather easy.  There can be no doubt that The Exorcist is the crown jewel of horror cinema.

Top 20 Horror Movies - #1) The Exorcist (1973)

Believe the hype.  The Exorcist is the most frightening movie ever made.  William Friedkin did a flawless job of bringing William Peter Blatty's novel to the screen.  His efforts were greatly enhanced by legendary effects work from the great Dick Smith and a fantastic cast that nailed the difficult material.  Ellen Burstyn is unbelievably good and it is her work here that truly defines the experience, though Linda Blair, Jason Miller, and the one and only Max Von Sydow (who plays the title role) all brought their A-game to the table.  The score is haunting, the script is razor-sharp, and most importantly, Friedkin (a superb director with a considerable legacy who still doesn't get the love he so richly deserves) was at his very best when he made the greatest horror movie of them all.  The subject matter is extremely disturbing and equally frightening, largely due to Burstyn's bravura performance as she plays the character that viewers relate to throughout the picture.  The Exorcist is as daring as it is horrifying; I am positive that you couldn't make this movie in this day and age without significant alterations to some of the more explicit portions of this grim journey into demonic possession and despair.  I treasure both this film and the book it was based upon, but I’ve only read the book a couple of times and I’ve only watched the movie four times.  When I’m looking for a horror film to watch, I frequently grab this Blu-Ray only to pause long enough to wonder if I really want to spend another night with Reagan and Father Karras.  If you have never experienced The Exorcist, there could be no better time than Halloween to do so.  Please don’t invite me over, however, because I’m not ready for another descent into the devil’s domain just yet.

Note: The original theatrical release is awesome but I prefer the updated version from 2001.  The "spider walk" is one of my favorite scenes in the movie.

Friedkin used every trick at his disposal to bring William Peter Blatty's terrifying novel to life in spectacular fashion.

They say it's the scariest movie ever made, and this time they are right.

Top 20 Horror Novels - #12) Falling Angel by William Hjortsberg (from 1978)

Not only am I ranking my Top 20 Horror Movies for you this October, but I'm doing likewise with the scary books that I hold near and dear.  As with the movies that I'm discussing in that Top 20, I'm not attempting to rank these novels based on their place in pop culture, but rather their place in my heart.  Isn't that sweet?  Seriously, there are some fine books that didn't make the cut here because there just wasn't room, and there are definitely some well-regarded books that didn't make the cut because I don't really like them.  That also means there are some personal favorites of mine on this list that you may not have heard of.  If that's the case, I promise that I'll reward your trust with a gnarly tale if you give one of them a spin.  Finally, I may have shortchanged some of the titans in the genre (hey there, Stephen King) as I didn't want to overload this list with titles by the same author, though Uncle Stevie did manage to score three direct hits on my list.

The list thus far:

#20) Amok by George Fox (from 1980) 
#19) Manstopper by Douglas Borton (from 1988)
#18) Intensity by Dean Koontz (from 1995)
#17) The Terror by Dan Simmons (from 2007) 
#16) The Snake by John Godey (from 1978)
#15) Son of the Endless Night by John Farris (from 1985)
#14) Rockinghorse by William W. Johnstone (from 1986) 
#13) Vampire$ by John Steakley (from 1990)

Top 20 Horror Novels - #12) Falling Angel by William Hjortsberg (from 1978)

Stephen King hit the nail on the head: if Raymond Chandler and William Peter Blatty co-wrote a novel, it would probably be something akin to William Hjortsberg's Falling Angel.  This superb effort pits a hard-boiled private dick against 'Ol Scratch himself.  As ridiculous as that may sound, Hjortsberg's stirring prose, keen wit, and steady pace combine to make this one a real winner.  This is the rare gripping yarn that succeeds at more than one thing, as it is both a quality detective story and a blood-curdling horror novel.  The main character, Harry Angel, is a rugged hero who clearly doesn't know what he's getting into when he takes on a missing persons case that will bring him face to face with ultimate evil.  While there is a potent noir flavor to Falling Angel that aids the title in making it seem as though our weary protagonist is doomed from the start, he's compelling and gutsy enough to ensure that we root for him all the way to the bitter end.  This book was the inspiration for Alan Parker's stunning motion picture of the same name and anyone who gives this wicked tale a try will quickly recognize that it was destined to be translated to film.  The movie is a solid adaptation that stays true to Hjortsberg's book while varying just enough from the text to make it difficult to choose between the two.  They're both awesome, and (most importantly) each property is genuinely frightening.  Anyone who digs the pitch should have a great time with either (I love them both), and Falling Angel is a novel that I positively treasure.  I expected this one to crack my Top 10 when I started working on this list, but Harry Angel will have to settle for #12.  We'll certainly see more of the devil as these rankings progress.

Top 20 Horror Novels - #13) Vampire$ by John Steakley (from 1990)

Not only am I ranking my Top 20 Horror Movies for you this October, but I'm doing likewise with the scary books that I hold near and dear.  As with the movies that I'm discussing in that Top 20, I'm not attempting to rank these novels based on their place in pop culture, but rather their place in my heart.  Isn't that sweet?  Seriously, there are some fine books that didn't make the cut here because there just wasn't room, and there are definitely some well-regarded books that didn't make the cut because I don't really like them.  That also means there are some personal favorites of mine on this list that you may not have heard of.  If that's the case, I promise that I'll reward your trust with a gnarly tale if you give one of them a spin.  Finally, I may have shortchanged some of the titans in the genre (hey there, Stephen King) as I didn't want to overload this list with titles by the same author, though Uncle Stevie did manage to score three direct hits on my list.

The list thus far:

#20) Amok by George Fox (from 1980) 
#19) Manstopper by Douglas Borton (from 1988)
#18) Intensity by Dean Koontz (from 1995)
#17) The Terror by Dan Simmons (from 2007) 
#16) The Snake by John Godey (from 1978)
#15) Son of the Endless Night by John Farris (from 1985)
#14) Rockinghorse by William W. Johnstone (from 1986) 

Top 20 Horror Novels - #13) Vampire$ by John Steakley (from 1990)

 First off, I should acknowledge that this book was the basis for John Carpenter's Vampires, one of my favorite director's lesser films.  The movie was entertaining (a lesser John Carpenter film is still a worthwhile spookshow), but it was a far cry from this cinema titan's finest efforts.  I also want to point out that there is very, very little in the way of similarities between the book and the movie.  Honestly, they took the main character (Jack Crow, a wise-cracking anti-hero) and the idea of professional vampire hunters working for the Catholic church, and they proceeded to tell their own story.  Despite its shortcomings, I like the picture, but if is woefully inferior to this tense and exciting book that delivers a lot of terror and a number of thrills.  While the vampire mythos remains popular, vampires that are genuinely scary are certainly a rarity these days.  All too often, they've been presented as heroes of some sort or laughable caricatures in the Bela Lugosi mold.  In 1990, author John Steakley managed to give these creatures of the night some serious bite, and while legions of lovestruck females still have "Team Edward" tee-shirts hidden away somewhere, no one would want to humor the prospect of going on a hunt with Team Crow.  Though the vampire slaying business is booming in Vampire$, it is depicted as a job fit only for the truly deranged.  Thus Jack Crow is aided by a rowdy band of likable lunatics, and their frantic efforts to wage war with the undead are the backbone of this grim tale that manages to generate a few sly laughs along the way as the characters we come to love are slowly but surely destroyed by the crusade they have undertaken.  There is a section in the middle of Vampire$ where a subplot that borders on erotica nearly takes all the life out of the novel, but it is sandwiched between a wealth of carnage that is guaranteed to keep readers invested in the tale.  One can only wonder how awesome a faithful adaptation of this one would play out on the big screen, but at least we will always have this wicked book to sink our fangs into.

Top 20 Horror Novels - #14) Rockinghorse by William W. Johnstone (from 1986)

Not only am I ranking my Top 20 Horror Movies for you this October, but I'm doing likewise with the scary books that I hold near and dear.  As with the movies that I'm discussing in that Top 20, I'm not attempting to rank these novels based on their place in pop culture, but rather their place in my heart.  Isn't that sweet?  Seriously, there are some fine books that didn't make the cut here because there just wasn't room, and there are definitely some well-regarded books that didn't make the cut because I don't really like them.  That also means there are some personal favorites of mine on this list that you may not have heard of.  If that's the case, I promise that I'll reward your trust with a gnarly tale if you give one of them a spin.  Finally, I may have shortchanged some of the titans in the genre (hey there, Stephen King) as I didn't want to overload this list with titles by the same author, though Uncle Stevie did manage to score three direct hits on my list.

The list thus far:

#20) Amok by George Fox (from 1980) 
#19) Manstopper by Douglas Borton (from 1988)
#18) Intensity by Dean Koontz (from 1995)
#17) The Terror by Dan Simmons (from 2007) 
#16) The Snake by John Godey (from 1978)
#15) Son of the Endless Night by John Farris (from 1985)

Top 20 Horror Novels - #14) Rockinghorse by William W. Johnstone (from 1986)

Pulpy, crude, and even downright amateurish in spots, this book makes my list because it is undeniably unsettling.  In truth, there are a great many horror novels that I have read in this life that are vastly superior to this rugged gem from 1986 when it comes to the quality of the prose, yet this one really got under my skin in a way that most of those books did not.  Maybe that's because it's so raw, and maybe it's because I didn't really expect such a book to generate such tension and fright.  It doesn't really matter, in the end I wouldn't be putting together a very honest list for you guys if I didn't include this trashy offering from William W. Johnstone, a prolific author who churned out a lot of lowbrow fiction in his lifetime.  The premise is both simple and familiar: a family moves to the old plantation home in the south that the father has recently inherited and it isn't long before strange things start happening and haunting family secrets come to light.  Things really take a turn for the worst when a satanic cult shows up with demented plans for our innocent family.  There's also the rockinghorse of the title, a child's plaything that has somehow become an instrument of evil.  This wicked toy won't stay in the attic and cannot be destroyed.  Johnstone may not show a lot of finesse, but he definitely knows how to keep things popping.  What are those beasts lurking in the woods?  Who can our desperate family trust?  Will anyone survive the gruesome carnage that Johnstone unleashes in this bloodthirsty romp?  This one is solely for those who love a twisted tale with a lot of shock value and aren't easily offended by grisly subject matter.  You know how people say they were so unnerved by a book or a movie that they started checking to make sure that all of their doors and windows are locked?  This is the only such offering that actually inspired me to do that.  I was a teenager at the time, but it happened.  I should probably point out that I have revisited this title as an adult, and while its flaws were more pronounced, it still managed to give me the willies.  In summary, I'm pretty sure that Rockinghorse is easily the worst book to make this Top 20, but it may be the scariest entry as well.

Short Attention Span Review: Prince of Darkness (1987)

Prince of Darkness is one of horror maestro John Carpenter's most underrated fright flicks, which is a bit surprising to me as I feel that it is easily his most terrifying movie.  It isn't a big budget affair, but that doesn't lessen the impact of this nightmarish battle between good and evil.  The cast is game, the effects are solid, and the plot is gripping.  The movie slowly unfolds, steadily growing in intensity on the way to a hellish crescendo, and the final frame is one of Carpenter's finest moments.  The picture may not boast as many jump scares as the legendary director's biggest hits do, and the sinister nature of Prince of Darkness doesn't really allow for much in the way of his trademark wit, but this one does do everything possible to get under your skin.  In that regard, it is incredibly successful, and there are a number of scenes that will stick with you long after you're done watching it.  The nightmare sequences are particularly noteworthy, striking a surreal tone that is brimming with dread and terror.  The score is another gem from this superb director and composer, and it's nothing if not appropriate for the material.  It's a bit subdued and it builds slowly, drawing the viewer into a stark web of terror--just like the film itself.  Donald Pleasence hams it up a bit as a weary priest, but he's terrific as always and his boisterous performance is a welcome presence in this grim affair.  Jameson Parker does a fine job as the lead, and while he doesn't necessarily light up the screen, it certainly seems as though he warranted more attention from the industry.  Alice Cooper is on hand for a nice part that's really more of a cameo, and Dennis Dun (who killed it as Wang in Carpenter's beloved cult classic Big Trouble in Little China) is also a joy to watch in Prince of Darkness.  There's a scene where he loses his shit that stands as one of my favorite Carpenter moments, and I'm a bit of a Carpenter devotee*.  If you somehow missed this one, don't fret, you're not alone.  However, if you're a fan of the spooky stuff, you owe it to yourself to check it out.  It's not my favorite John Carpenter film, but it's a damn fine motion picture that will scare the hell out of you.

Final Grade: A+

*But you already knew that.  If you didn't, you must have missed these blogs:
Top 5 John Carpenter Films
Top 5 Main Themes from John Carpenter Films

Prince of Darkness isn't my favorite John Carpenter movie,
but it is his most frightening motion picture.

Short Attention Span Review: Deliver Us from Evil (2014)

Here's the thing about possession movies: in the end, they must be measured against The Exorcist.  In particular, since possession movies typically require an exorcism to close things out, such an ending will always be judged against William Friedkin's epic "The power of Christ compels you" finale.  So, how does Deliver Us from Evil stack up against the scariest movie of all time?  I think it may in fact be the second-best possession movie that I have watched, and I figured that was the ceiling for this movie going in.  First off, we have a couple of capable leads.  Eric Bana does a nice job as a violent cop with an uncanny knack for picking the right (or wrong) cases.  As good as Bana is, he is overshadowed here by Edgar Ramirez as the coolest priest ever to grace the screen, but both roles are well-developed and expertly realized.  Joel McHale turns in a solid performance in a supporting role as Bana's adrenaline-junkie partner (yes, he offers up a lot of wisecracks, some of which are funny), and in doing so he provides us with one of the best fight scenes you're apt to see in a horror movie.  The plot offers up a nice mishmash of thriller and horror elements, and the mood is suitably creepy throughout.  There are few good jump scares to be had and Deliver Us from Evil moves along at a nice pace while still managing to flesh out the characters a bit here and there.  Finally, we get to the exorcism, and I have to give director Scott Derrickson credit for delivering the goods.  It's creative, it's gruesome, and it's very exciting.  It doesn't have the emotional impact or the sheer terror of the The Exorcist's closing reel, but it takes a damn good shot at the title.  Like the movie itself, I feel that it was second only to the scariest movie of all time in that regard.  Don't buy into the "based on actual events" mumbo-jumbo, as it doesn't bear any meaningful resemblance to any of the cases the main character detailed in his book.  Do buy into the movie, however, for it's a gripping frightfest that is both scary and entertaining. 

Serious Bonus Points: the music of The Doors figures into the plot and is sprinkled throughout the picture to great effect.  How could I possibly give this movie a bad review when our wild and crazy priest begins the big exorcism at the end of the movie by quoting Jim Morrison ("Is everybody in?  Is everybody in?  The ceremony is about to begin.")  and "Break on Through (To the Other Side)" plays over the credits.

Final Grade: B+

"Hey you, blogger--come over here and look me in the face
and tell me that I got overshadowed by that fruity priest."