Showing posts with label television. Show all posts
Showing posts with label television. Show all posts

Sunday, September 15, 2019

Short Attention Span Review - Westworld (Seasons 1 and 2)


Short Attention Span Review - Westworld (Seasons 1 and 2)

Apparently, one of the silver linings of my injury and my recovery has been a steady diet of high-quality science fiction.  Westworld might be the best example of that yet, and anyone who hasn't made time for this series from HBO is truly missing out.  The original movie was a fun little adventure written and directed by Michael Crichton.  The idea behind that venture was rock solid, but the picture itself was pretty basic in a lot of ways--particularly if one compares it to Crichton's later efforts.  The series is an extremely complex and equally provocative affair with a stellar cast and magnificent special effects.  It will return with a third season sometime in 2020, but the first two seasons tell a striking tale that is a remarkable accomplishment in and of itself.  While some characters will return, I believe the program will see something akin to a new beginning.  One can only hope that this renewal will prove as compelling and daring as the foundation that has been laid.  There are powerful ideas in play here, and rich characters who are seldom good or bad, but some volatile combination of both.  The nature of the storytelling is just as inventive, with time shifts, dramatic twists, and shocking revelations allowing the talent involved to weave a visionary web.  I was damn near mesmerized by this one, and it continually raised the bar and caught me off-guard.  The marriage of awesome technology, killer effects, and profound ideas to a wild west setting is a stellar juxtaposition that gives all of this complexity an entertaining sheen.  I could single a lot of performers out here, as Westworld essentially litters the screen with dazzling performances.  I will limit myself to a handful in the interest of brevity.  Anthony Hopkins is as on as he has been in a great many years.  Jeffrey Wright has never been better, and the same could be said of Evan Rachel Wood.  Ed Harris is phenomenal, dude is like a force of nature, and he has been given the most audacious part in a show filled with them.  Westworld is unbelievably good, and anyone looking for riveting sci-fi will find something to treasure with this dangerous spectacle.  

Final Grade: A+


Ed Harris is absolutely legendary in Westworld, a true blue science fiction epic. 

Monday, August 19, 2019

Short Attention Span Review - Lonesome Dove (1989)


Short Attention Span Review - Lonesome Dove (1989)

There's a reason so many people make such a fuss about Lonesome Dove, a sprawling epic from 1989 that still holds a lot of appeal for those who enjoy a good western.  It is a quality adaptation of a powerful story, and it features two stars enjoying robust parts perfectly tailored to their strengths.  I'm not sure that either Robert Duvall or Tommy Lee Jones were ever given as much to do with a role, and even though this is a mini-series, that's still a bold statement given their legendary careers.  This is a different animal, though, a work of considerable depth that is ripe with triumph and tragedy, laughter and heartache, excitement and drama--Lonesome Dove offers up all these things and so much more.  It is an ensemble piece, and other players like Danny Glover, Diane Lane, and Robert Urich, among others, have quite an impact on the proceedings.  But it is Duvall and Jones who are front and center throughout, and each man does a splendid job of bringing his character to life, aided by a Grade A script and equally compelling direction.  Gritty, warm, cold as ice, riveting, unbelievably sad, and truly inspiring, this tale leaves no stone unturned and hits the mark at every turn.  It is a grand western with a great many things to say, and it is sure to move anyone and everyone who joins a pair of rugged former Texas Rangers on an unforgettable cattle drive.  Lonesome Dove is a must-watch for those who enjoy the genre, and I have no qualms endorsing it for those who don't typically appreciate such fare.  Like I noted earlier, Lonesome Dove is a different animal, certain to reward viewers for years to come, and I heartily recommend it to those who enjoy my blog.

Final Grade: A+


Robert Duvall and Tommy Lee Jones are simply magnificent in this epic miniseries from 1989.  Nope, they don't make them like they used to.

Tuesday, August 5, 2014

Whatever Happened to David Banner?


In this day and age, seeing comic book characters come to life in movies or television shows has become rather old hat.  It’s probably difficult for the youth of today to understand that for those of us who were children of the 80s it was rare to see one of our heroes from the funny books taking part in a film or a television broadcast aside from the cartoons we so treasured.  Yes, there were reruns of Adam West’s Batman, an absurd chapter in that character’s legacy that I still treasure, and sometimes Spider-Man made a guest appearance on The Electric Company, but what else was there?  I would like to forget Reb Brown’s Captain America, but that lame take on the character seemed like a masterpiece in comparison to Nicholas Hammond’s Spider-Man.  Both of those efforts aired sporadically, so sporadically in fact that many of my peers thought I was lying about the existence of both ill-advised ventures.  For the purpose of this argument I’m giving Wonder Woman a pass because Lynda Carter was nice to look at no matter how bad that show was, and I don’t know if you could make a good program with invisible planes and lassos of truth with modern effects.  For the most part, in the late 70s and early 80s the industry simply wasn’t prepared to utilize comic book characters in entertaining and competent presentations.
  That changed with Kenneth Johnson’s development of The Incredible Hulk for CBS in 1977.  Like many, I would race to the television set when I heard that show’s opening theme throughout its five season run, and I would watch every episode from start to finish even if I had already seen it ten times.  Like many, I was continually surprised that the makers of this smash hit were able to interest me in David Banner (Johnson didn’t like the fact that Stan Lee liked characters whose first and last names begin with the same letter) and his unique exploits to such an extent that it didn’t matter if the Hulk only showed up for a few minutes at a time to toss stuntman around and roar and flex in slow-motion.  It also didn’t matter that the show utilized Lou Ferrigno sprinkled with green dust and sporting a lousy wig as the Hulk, because as primitive as that approach may have been, the end result was rather admirable.
I tuned in week in and week out to watch David’s woeful journey through a television landscape that could best be described as TV America, a land populated by engaging characters in quaint little communities where it was never hard for David to find work or conflict.  Each new town presented our hero with another nice job and several honest people to call friends, and each time he grew comfortable just in time for all hell to break loose, forcing him to become the Hulk and save the day. 
This endless cycle always led to the arrival of David’s nemesis, tabloid journalist Jack McGee, expertly played by Jack Colvin, who would show up, snoop around, and force our lonesome hero to move on after sacrificing his brief stint of peace for the good of those who showed him kindness.  It was heartbreaking even without that sad music, and if you liked the show even half as much as I did, you can probably hear it playing right now.  It’s the sound of leaving, the sound of turning your back on what you want because you know it’s the right thing to do.  It’s the sound of nobility giving way to tragedy.
Yes, I own the box set with every episode of this landmark series.  Yes, I still watch it and enjoy it, and my children like it almost as much as I do, so it still has some resonance even in this day and age.  Since I love the show so much, it’s no wonder I found myself thinking about David Banner earlier today.  In fact, I found myself wondering what exactly happened to that hero from my youth, the one legitimate success that emerged from the efforts to televise the exploits of a superhero for comic fans of a bygone era.  David was a good guy, a hell of a man really, and the fact that he was played by a thespian like Bill Bixby never hurt matters.  It was easy to like Bill, and he made it even easier to know and love David Banner.  With that in mind, here are a few things I hope he found along the way:

A good woman.  The guy definitely deserved it.  I know he encountered several good women along the way, but I’m hoping he met one he was able to stay with at some point, and if not, I’m hoping he met one who was able to come along for the journey.  I know this would be dangerous in some ways, but if I was traveling with David I would have been more worried about the shit he gets into than that green-skinned goliath that he transforms into when he’s angry.  Though that behemoth will roar and toss bad guys around with the very best of them, he never hurt anyone who doesn’t deserve it.  I’ve seen this version of the Hulk handle baby birds without incident, for Christ’s sake.

A good job that wasn’t at the center of some sinsister scheme.  Let’s face it, David was the kind of employee every boss dreams about.  He was willing to take on entry level work or dive head-first into mammoth projects, and he had to have the best resume of all time.  Imagine all the prestigious institutes and projects listed among his job credits, and then think about all the menial labor and customer service gigs you would have found there as well.  This guy was a genius with humility who came cheap, and he showed time and time again that if something bad happened at his workplace he would not hesitate to save the day.  Who wouldn’t hire a guy like that?  However, I should point out that if he was required to save the day at some point, well, then it would probably be time to rebuild once the dust settled.  And the company would have to replace David, who probably wasn’t all that big on two-week notices.  Regardless, the guy deserved a nice job. 

A cure.  He worked hard enough for it, and every time his results ended in failure if they weren’t destroyed while he was in the process of saving the day.  Plus, he was kind of obsessed about it.  Edward Norton was content to do crazy breathing exercises so that he could control his anger, but Bixby needed closure.  The television version of the character needed a cure to put the chaos and strife behind him so that he could settle down and lead a normal life.  I hope he figured it out at some point. 
Though this is the third item on my list, it would probably be helpful if David got his cure before he met the good woman and found the good job that wasn’t at the center of some sinister scheme.  Maybe the guy got on a roll at some point and the hits never stopped coming.  Again, he deserved it.

A story in the news about Jack McGee suffering a terrible fate.  David probably wouldn’t have wished for this, but fans of the show understand my feelings here.  This guy made us hate the paparazzi before the paparazzi even existed.  Seriously, how the hell did the bad guy on a television show become a poster child for the media as it exists today?  Jack McGee introduced us to sensationalism and invasive reporting without conscience, and I have a hard time sleeping thinking that he might still be dogging David on his trek across TV America.  Oh, and I don’t like to think David reading about Jack McGee dying in his sleep because of smoke inhalation either, I’m hoping that the bastard got it worse than that.  Like maybe he was doing a story on bees and he got stung to death by thousands of angry hornets, or maybe he was doing an expose on the wrong pawn shop and someone decided it was time to get the gimp.  I’m sorry if this seems harsh, but trust me: he deserved it. 

A ride.  Walking is good for you, and I understand this, but that dude’s feet were definitely in need of a break.  He was walking along the side of the road for far too long.  I get the feeling he wouldn’t have cared if it was a showpiece or not so long as it got him from point A to point B, but I hope he had a nice stereo.  God knows he should have had something better to listen to whenever he was leaving town.
That haunting melody is almost enough to make a grown man cry.

Saturday, July 12, 2014

Salem/Under the Dome

I love Salem.  If you're a fan of horror and you aren't watching it, you're missing out.  It's kinky, it's dark, it's gruesome, it boasts a fantastic cast, and the soundtrack is equally impressive.  I really don't want to say much about the plot.  It's about witches, of course, but it's really fresh and exciting.  I think this is definitely one of those cases where the less you know going in, the more you're going to enjoy yourself.  The show's creators may have felt the same way; the previews were intriguing but didn't really give a lot away, and I've been surprised and delighted by the program from the very beginning. 

Bonus points: In addition to stealing the show as Cotton Mather, Seth Gabel has a killer beard.  I've never seen this dude in anything before, and while the show is brimming with quality performances, he's been a bit of a revelation.  He's good, really, really good.

Under the Dome is a different story.  I really enjoyed the way the first season started.  This is when the series was being a bit more faithful to the book, but King intrigued me with all his talk about taking the show in a different direction and presenting a different conclusion.  Early in the second season, I think it's become obvious that this approach was a dreadful mistake.  Hey, if you like it, you're free to watch it, but I think a very promising series has devolved into garbage.  I don't think I'm going to keep watching it; Season 2 has been downright painful.  Whereas the book (a top-notch affair with a somewhat lackluster ending) focused on the people and the human conflict playing out under the dome to great effect, the show has become more of a mediocre CGI and bizarre plot twist showcase.

It's depressing, particularly when you look at the cast and think about what could have been.  The talent is still working hard to make it work, but plot holes, massive gaps in logic, and poor effects have ruined a program I was really enjoying early on. 

Anyway, if you're not watching Salem, join the party--it's a wicked good time.  And if you're still sailing with Under the Dome, well, may God have mercy on your soul.

Wednesday, April 2, 2014

Justified Keeps Getting Better and Better

Man, I love Justified.  For those of you who know me well, this is old news.  For those of you who don't, it's probably hard to grasp.  I'm not really a big TV guy unless it's football season, and then I'm mostly there for the NFL.  On average, I follow maybe 2 or 3 shows, and there have been numerous points in my life when I didn't follow any.  I love movies and I read like it's something I'm paid to do, but television has always been the red-headed stepchild of my entertainment family.

And then there's Justified.  I'm a big Elmore Leonard fan, I love Timothy Olyphant and Walton Goggins, and this show has thrilled me from the very start.  Picking my favorite season would be like trying to pick a favorite child.  In some way, shape, or form, each one is my favorite, and thus far the fifth season has been no different.

As we head toward next week's finale, I've never been more excited to see what comes next.  Justified has mastered the art of wrapping each season around one big story and telling a multitude of little stories along the way.  The way the characters and their relationships have evolved and the way the show has managed to add great talent to the mix each and every year is nothing short of remarkable.  I think the series is positively golden, and I can't recommend it enough.

Much of this is old news, I've praised the show frequently before on a number of platforms, and this isn't the first time I worked to spread the Harlan Gospel with my blog.  I just want to make sure everyone understands that this love story is really no different from my marriage to the most wonderful woman on the planet; I'm still head over heels in love, I'm still being surprised and thrilled every step of the way, and I'm always eager to tell someone about my joy. 

Justified, where the good guys aren't all good, the bad guys aren't all bad, the outcome is never predictable, and the dialogue is impeccable.  I firmly believe this is the best show ever, and I can't wait for next week's season finale.  Forgive me, however, if I'm trying really hard not to dwell on the fact that the next season will be the last season.

Monday, October 14, 2013

The Walking Dead: Season 4, Episode 1 (30 Days Without An Accident)

Warning: this is as much of a recap as it is a review, so here there be SPOILERS.  You have been warned.

 The new season of The Walking Dead kicked off last night with a nifty pilot.  Before I get too excited, I'm going to remind myself that Season 3 also got off to a great start and did a wonderful job of building toward a truly lackluster finale that made the entire season seem like a grand waste of time.  Yet there was a lot of promise on display in 30 Days Without An Accident, and there's too much talent involved in this show for another botched season, right?  I think so, though it should be noted that while this was a nice pilot, it didn't have the same magic as the material in the first two seasons.  Maybe I still miss Shane, but I've lamented enough.  Let's recap, folks!

So, the opening served to show us that things are honky-dory at the prison.  Rick's a farmer, the new guests dig Daryl (seriously, who doesn't?--although I can't be the only one wondering how he has managed to stash a stylist away somewhere during the zombie apocalypse), and Beth Greene has a boyfriend!  Unfortunately, said boyfriend's introduction had me thinking he wasn't going to make it long and he didn't even survive the pilot.  Some members of the group were gearing up for a supply run and Glenn didn't want Maggie to go.  It's good to know that the Glen/Maggie soap opera is still in full-swing.

Michonne hit the scene on horseback, bearing comics for Carl and a razor for Rick, who doesn't need a shave any more than I do.  Michonne notes that she didn't find "him" and I imagine that the "him" she's referring to is the lame-ass AMC Governor (who would last about ten seconds in a fight with the comic book version of his character) who will definitely show up at some point this season.  Anyway, Rick heads out to check some traps and Michonne joins up with the group going out for supplies so she can hang with Daryl.  I assume that everyone who signed up for that gig really just wanted to hang with Daryl.

In the woods, Rick meets a creepy girl that we instantly recognize as a threat while checking the traps.  She tells him some sob story about bringing food back to her husband (this sob story raises obvious questions Rick doesn't bother to ask) and asks if he has a group nearby.  He admits that he does and she asks if she and her man could join up.  Rick says that she'll have take him to the dude and he'll ask them three questions (kind of like the guy on the bridge in Monty Python and the Holy Grail) to determine whether or not they're in.

The group looking for supplies hits up some kind of superstore.  Glenn is among their ranks, and we realize he didn't want Maggie along because she may be pregnant.  This new guy on the show, Bob, a former medic who has recently joined the camp, stops to salivate over some booze.  He picks up a bottle, nearly takes it, and then slams it back down.  He does this with enough force to topple the entire shelving unit, which pins him to the ground.  Bob's worth to the group is obviously debatable.  Zombies that are chilling on the rooftop along with a crashed helicopter hear the shelving unit collapse and make their way toward the center of the roof, which is apparently made of paper mache.  Within seconds, it's raining walkers in the superstore and we finally get an action scene.

While the supply run group battle the undead, Rick and the creepy lady continue their trek through the woods.  They talk as they go, and nothing she says makes her seem less creepy or more trustworthy.  This is a situation Shane would have done a much better job with, but I digress.  The supply run group wins the battle, but Beth Greene's boyfriend Bob doesn't make it.  I'm guessing that no one else liked the dude, because no one bothered to put him out of his misery while he suffered a pretty brutal demise.  Anyway, this was a gruesome action scene that was pretty damn exciting, though I didn't like seeing two chicks slice up walkers with swords.  That's Michonne's bag. 

Creepy girl finally leads Rick to her campsite and promptly tries to kill him.  Her husband (what's left of him, at least) has been reduced to the contents of a sack that moves and she reveals that she was going to feed Rick to him before stabbing herself.  As she's dying, she asks Rick what the 3 questions were.  They were: How many walkers have you killed?  How many people have you killed? Why?

Rick makes his way back to the prison.  So do the people who went on the supply run.  As the episode winds down, we see Michonne studying a map, focusing on Macon.  Maybe that's where the lame-ass AMC Governor is.  Rick and Hershel talk about the creepy girl and her woeful demise.  Daryl and Beth share an awkward hug that would probably make Carol jealous.  Newcomer Patrick, a goofy teen, stumbles into the shower and collapses.  The camera pans around a bit and then returns to this unlucky fellow, who has died and re-awakened as a walker. 

That's how the pilot ends.  All things considered, it was entertaining, and there are definitely some new wrinkles.  I liked the action and gore and it will be interesting to see where all of the new developments lead.  I'm really tired of Rick being a dope, but that's apparently his character now.  I don't think the quality of the program is on par with the first two seasons, and it has always been vastly inferior to the comic series, but this could be a strong season.  Surely it will be better than Season 3, and truth be told, we're only one week in.  Maybe AMC will really dazzle me and Season 4 will wind up being just as compelling as either of the first two seasons.

Agree?  Disagree?  Don't be afraid to chime in.

Sunday, August 18, 2013

Under the Dome (Quick Take)

I haven't blogged about this yet, but I'm really digging the Under the Dome series airing this summer on CBS.  I was a big fan of the book, so I was excited to hear that the project was being adapted for television.  Additionally, I'm enjoying the way that the show is using the source material as a guide and not a bible--much like AMC's The Walking Dead .  Much of what I read about in the book is represented, yet there are enough critical differences to give it a different trajectory.  Essentially, this means that even though I've read the book, I'm not really sure what's going to happen next at any point on the show.  I know that many King fans are greatly displeased about this, but I think it allows everyone to be surprised anew as the tale unfolds.

I wonder what the next book or comic to take a similar approach will be?

Anyway, if you're a fan of drama or suspense, or if you enjoy stories where people dealing with dire circumstances realize that their peers pose the greatest threat to them, you should be watching Under the Dome too.

Wednesday, February 20, 2013

Could this be the best season of Justified yet?

Last night, FX gave us another thrilling episode of Justified, and I think this fourth season has been a joy to watch thus far.  Is it possible that we're watching the best season yet of perhaps the finest show on television?

There are a number of things that make Justified special.  The show's ability to tap into Elmore Leonard's world and deliver the riveting characters, the thrilling plots, and all the action and humor that make Leonard the foremost crime writer on the planet are a major asset to the program.  Star Timothy Olyphant was made for the role of Raylan Givens, and Walton Goggins is also a perfect match for his part, that of Raylan's old pal/nemesis Boyd Crowder.  Crowder was originally slated to perish in the series premiere (the character did meet his end in Leonard's short story "Fire in the Hole", which served as both the inspiration and the pilot for the series) and the decision to keep him around has paid dividends for FX.  The way these characters relate to one another and the situations the show puts them in have cemented Justified as top-tier entertainment, but there's more to it than that.

The setting is critical, the supporting cast is outstanding, and the various guest stars (many of whom starred alongside Olyphant in HBO's supreme western series, Deadwood) always bring a lot to the equation.  The show has the look of a feature film, the soundtrack is on point, and each season has done a splendid job of focusing on one big story while telling a multitude of smaller ones.  In truth, each season has been a terrific success, and I don't know how I would rank them.  Yet, at present, I'm tempted to say that this fourth season has been the finest.  Where will it take us, and how it will measure up to its predecessors when all is said and done?  Well, that remains to be seen, but I'll be sure to weigh in when we get there. 

What I do know is this: Justified may just be the best show on TV, and this fourth season may be the best.  If you're not watching it, you should be.