Showing posts with label show. Show all posts
Showing posts with label show. Show all posts

Sunday, September 15, 2019

Short Attention Span Review - Westworld (Seasons 1 and 2)


Short Attention Span Review - Westworld (Seasons 1 and 2)

Apparently, one of the silver linings of my injury and my recovery has been a steady diet of high-quality science fiction.  Westworld might be the best example of that yet, and anyone who hasn't made time for this series from HBO is truly missing out.  The original movie was a fun little adventure written and directed by Michael Crichton.  The idea behind that venture was rock solid, but the picture itself was pretty basic in a lot of ways--particularly if one compares it to Crichton's later efforts.  The series is an extremely complex and equally provocative affair with a stellar cast and magnificent special effects.  It will return with a third season sometime in 2020, but the first two seasons tell a striking tale that is a remarkable accomplishment in and of itself.  While some characters will return, I believe the program will see something akin to a new beginning.  One can only hope that this renewal will prove as compelling and daring as the foundation that has been laid.  There are powerful ideas in play here, and rich characters who are seldom good or bad, but some volatile combination of both.  The nature of the storytelling is just as inventive, with time shifts, dramatic twists, and shocking revelations allowing the talent involved to weave a visionary web.  I was damn near mesmerized by this one, and it continually raised the bar and caught me off-guard.  The marriage of awesome technology, killer effects, and profound ideas to a wild west setting is a stellar juxtaposition that gives all of this complexity an entertaining sheen.  I could single a lot of performers out here, as Westworld essentially litters the screen with dazzling performances.  I will limit myself to a handful in the interest of brevity.  Anthony Hopkins is as on as he has been in a great many years.  Jeffrey Wright has never been better, and the same could be said of Evan Rachel Wood.  Ed Harris is phenomenal, dude is like a force of nature, and he has been given the most audacious part in a show filled with them.  Westworld is unbelievably good, and anyone looking for riveting sci-fi will find something to treasure with this dangerous spectacle.  

Final Grade: A+


Ed Harris is absolutely legendary in Westworld, a true blue science fiction epic. 

Tuesday, November 14, 2017

Short Attention Span Review: Stranger Things 2 (2017)


Short Attention Span Review: Stranger Things 2 (2017)

Sure, it's a bit too familiar.  Okay, maybe in addition to recycling beats from the first season, the show is even more derivative this time out.  Who cares?  The first season was epic, and a powerful nostalgia vibe is one of the biggest keys to this show's success.  Recycling is cool, and Stranger Things 2 is a wicked good time.  In terms of style and enjoyment, this breakout series easily skirts a sophomore slump and instead keeps the good times rolling for Netflix.    Everyone's back for another kooky voyage loaded with fright and intrigue, and there are some new faces in the mix to keep things fresh.  One of these, Dacre Montgomery, is a revelation as Billy, bringing a lot of beefcake and even more in the way of charisma to his part.  Billy is equal parts picture perfect 80s heart throb and despicable sociopath, and Montgomery makes the most of his screentime, damn near stealing every scene that he's in.  However, the biggest surprise for me was Joe Keery as Steve Harrington, who has somehow evolved from the most repulsive tool in Hawkins, Indiana to perhaps the show's most courageous and likable character.  Of course, Millie Bobby Brown continues to kill it as Eleven, and there's really no point in going down the list as all of the players are wisely given lots to do, and everyone puts forth a worthy performance.  Matt and Ross Duffer continue to impress with Stranger Things 2, another mindbending spookshow with a wealth of charm that fires on all cylinders and rewards viewers with a fantastic story populated by rich characters.  The score is pretty damn nifty too.  Hell, everything about this franchise is pretty damn nifty--if you're not watching it, you're missing out in a big way.

Final Grade: A

 

Monday, July 18, 2016

Short Attention Span Review: Stranger Things (2016)


Short Attention Span Review: Stranger Things (2015)

Netflix's latest killer series borrows heavily from the cinematic landscape of the 80s (and the 80s themselves, as the series is set in 1983 and a powerful nostalgia vibe is one of its biggest selling points), but it remains fresh and viable nonetheless.  This is surely somewhat due to the wide variety of genres and titles that it pays homage to and partly due to a plethora of original flourishes, but either way the recycling on display in this riveting series is rather charming and never feels derivative.  There are great performances to spare and while some viewers have lamented the effects, I found them to be just as impressive.  The score is invigorating and the pacing is on point--this is an ideal program for binge-watching as the story progresses quickly and each episode ends with a cliffhanger that will have you itching to cue up the next chapter.  The less you know about the plot going in the better, but suffice it to say that a little midwest town becomes the setting for a wild yarn that includes a terrifying creature, shady government officials and their top secret lab, gateways to other dimensions, and even super powers.  The events unfold in the wake of a young boy's disappearance, and his tough but bewildered mother will join forces with a determined lawman with a tragic past to try and get to the bottom of the sinister goings-on.  Their biggest allies will be a band of teenage misfits who love Dungeons & Dragons and science, and their search for answers is packed with chills, thrills, and loving nods to the 80s.  The characters have so much depth and such tremendous arcs that I frequently felt like I was reading a book while watching this one, and there was just so much talent on display throughout.  It's hard to imagine any fan of things that go bump in the night failing to fall head over heels for the wholly engaging and highly entertaining Stranger Things. 

Final Grade: A+

Stranger Things is positively brimming with wonderful performances, but the strongest comes courtesy of Winona Ryder.  The long lost starlet is sheer perfection here as a crazed mother who will do anything to save her child from a diabolical supernatural menace.

Sunday, August 9, 2015

Faith No More w/ Refused (7/31 - Raleigh, North Carolina)

 On Friday, 7/31, I had the privilege of catching Faith No More live at the Red Hat Amphitheater in Raleigh, North Carolina.  FNM is my favorite band and I had never seen them perform before, so this was a big show for me.  Bonus points: Refused was the opening band, and despite anything you may have heard about Refused being fucking dead, Refused is alive and well--and awesome.

Refused played a blistering set and then gave way for the band that has given my life an eclectic soundtrack since I reached the age of reason.  FNM has a reputation for killing it live, and on Friday, the 31st of July, they showed the good people of Raleigh, North Carolina that this reputation is well-deserved.  They seemed to be having a blast and they were positively amazing--this was definitely the best show I have ever been to.  Enjoy my pics and then scope out the epic--sorry, I couldn't resist--set list.






















Set List
Motherfucker
Be Aggressive
Caffeine
Evidence
Epic
Sunny Side Up
Everything's Ruined
Midlife Crisis
A Small Victory
The Gentle Art of Making Enemies
Easy
Separation Anxiety
King For a Day
Ashes to Ashes
Superhero


Encore
Cone of Shame
We Care a Lot
Just a Man

Friday, February 6, 2015

Short Attention Span Review: The Equalizer (2014)

Disclaimer: I'm a sucker for a good slow boil.  I point that out because while I really enjoyed this one, I think anyone looking for something like Taken or John Wick will be put off by the way that The Equalizer simmers a bit before the bullets (and nails) start flying.  Heck, once we are treated to our first major action scene, the film slows down again, and that pattern repeats itself throughout the picture.  This is no mindless action flick.  The plot is important and the quiet moments are just as crucial to the picture as all of the bloodletting.  Denzel excels in the lead role, but that didn't need to be stated--he is Denzel, after all.  Honestly, I would love to see this become a franchise, but we'll have to wait and see.  I think most viewers are going to be hoping for something a little less thoughtful and lot more frenzied.  The Equalizer is a deliberate action film with a wealth of character development and an attention to detail that many modern films lack.  I thought it was very entertaining and I'm going to recommend it to anyone who likes a few good thrills spread throughout an involving piece where the characters and the story are just as important as the body count.

Final Grade: B+

Tuesday, August 5, 2014

Whatever Happened to David Banner?


In this day and age, seeing comic book characters come to life in movies or television shows has become rather old hat.  It’s probably difficult for the youth of today to understand that for those of us who were children of the 80s it was rare to see one of our heroes from the funny books taking part in a film or a television broadcast aside from the cartoons we so treasured.  Yes, there were reruns of Adam West’s Batman, an absurd chapter in that character’s legacy that I still treasure, and sometimes Spider-Man made a guest appearance on The Electric Company, but what else was there?  I would like to forget Reb Brown’s Captain America, but that lame take on the character seemed like a masterpiece in comparison to Nicholas Hammond’s Spider-Man.  Both of those efforts aired sporadically, so sporadically in fact that many of my peers thought I was lying about the existence of both ill-advised ventures.  For the purpose of this argument I’m giving Wonder Woman a pass because Lynda Carter was nice to look at no matter how bad that show was, and I don’t know if you could make a good program with invisible planes and lassos of truth with modern effects.  For the most part, in the late 70s and early 80s the industry simply wasn’t prepared to utilize comic book characters in entertaining and competent presentations.
  That changed with Kenneth Johnson’s development of The Incredible Hulk for CBS in 1977.  Like many, I would race to the television set when I heard that show’s opening theme throughout its five season run, and I would watch every episode from start to finish even if I had already seen it ten times.  Like many, I was continually surprised that the makers of this smash hit were able to interest me in David Banner (Johnson didn’t like the fact that Stan Lee liked characters whose first and last names begin with the same letter) and his unique exploits to such an extent that it didn’t matter if the Hulk only showed up for a few minutes at a time to toss stuntman around and roar and flex in slow-motion.  It also didn’t matter that the show utilized Lou Ferrigno sprinkled with green dust and sporting a lousy wig as the Hulk, because as primitive as that approach may have been, the end result was rather admirable.
I tuned in week in and week out to watch David’s woeful journey through a television landscape that could best be described as TV America, a land populated by engaging characters in quaint little communities where it was never hard for David to find work or conflict.  Each new town presented our hero with another nice job and several honest people to call friends, and each time he grew comfortable just in time for all hell to break loose, forcing him to become the Hulk and save the day. 
This endless cycle always led to the arrival of David’s nemesis, tabloid journalist Jack McGee, expertly played by Jack Colvin, who would show up, snoop around, and force our lonesome hero to move on after sacrificing his brief stint of peace for the good of those who showed him kindness.  It was heartbreaking even without that sad music, and if you liked the show even half as much as I did, you can probably hear it playing right now.  It’s the sound of leaving, the sound of turning your back on what you want because you know it’s the right thing to do.  It’s the sound of nobility giving way to tragedy.
Yes, I own the box set with every episode of this landmark series.  Yes, I still watch it and enjoy it, and my children like it almost as much as I do, so it still has some resonance even in this day and age.  Since I love the show so much, it’s no wonder I found myself thinking about David Banner earlier today.  In fact, I found myself wondering what exactly happened to that hero from my youth, the one legitimate success that emerged from the efforts to televise the exploits of a superhero for comic fans of a bygone era.  David was a good guy, a hell of a man really, and the fact that he was played by a thespian like Bill Bixby never hurt matters.  It was easy to like Bill, and he made it even easier to know and love David Banner.  With that in mind, here are a few things I hope he found along the way:

A good woman.  The guy definitely deserved it.  I know he encountered several good women along the way, but I’m hoping he met one he was able to stay with at some point, and if not, I’m hoping he met one who was able to come along for the journey.  I know this would be dangerous in some ways, but if I was traveling with David I would have been more worried about the shit he gets into than that green-skinned goliath that he transforms into when he’s angry.  Though that behemoth will roar and toss bad guys around with the very best of them, he never hurt anyone who doesn’t deserve it.  I’ve seen this version of the Hulk handle baby birds without incident, for Christ’s sake.

A good job that wasn’t at the center of some sinsister scheme.  Let’s face it, David was the kind of employee every boss dreams about.  He was willing to take on entry level work or dive head-first into mammoth projects, and he had to have the best resume of all time.  Imagine all the prestigious institutes and projects listed among his job credits, and then think about all the menial labor and customer service gigs you would have found there as well.  This guy was a genius with humility who came cheap, and he showed time and time again that if something bad happened at his workplace he would not hesitate to save the day.  Who wouldn’t hire a guy like that?  However, I should point out that if he was required to save the day at some point, well, then it would probably be time to rebuild once the dust settled.  And the company would have to replace David, who probably wasn’t all that big on two-week notices.  Regardless, the guy deserved a nice job. 

A cure.  He worked hard enough for it, and every time his results ended in failure if they weren’t destroyed while he was in the process of saving the day.  Plus, he was kind of obsessed about it.  Edward Norton was content to do crazy breathing exercises so that he could control his anger, but Bixby needed closure.  The television version of the character needed a cure to put the chaos and strife behind him so that he could settle down and lead a normal life.  I hope he figured it out at some point. 
Though this is the third item on my list, it would probably be helpful if David got his cure before he met the good woman and found the good job that wasn’t at the center of some sinister scheme.  Maybe the guy got on a roll at some point and the hits never stopped coming.  Again, he deserved it.

A story in the news about Jack McGee suffering a terrible fate.  David probably wouldn’t have wished for this, but fans of the show understand my feelings here.  This guy made us hate the paparazzi before the paparazzi even existed.  Seriously, how the hell did the bad guy on a television show become a poster child for the media as it exists today?  Jack McGee introduced us to sensationalism and invasive reporting without conscience, and I have a hard time sleeping thinking that he might still be dogging David on his trek across TV America.  Oh, and I don’t like to think David reading about Jack McGee dying in his sleep because of smoke inhalation either, I’m hoping that the bastard got it worse than that.  Like maybe he was doing a story on bees and he got stung to death by thousands of angry hornets, or maybe he was doing an expose on the wrong pawn shop and someone decided it was time to get the gimp.  I’m sorry if this seems harsh, but trust me: he deserved it. 

A ride.  Walking is good for you, and I understand this, but that dude’s feet were definitely in need of a break.  He was walking along the side of the road for far too long.  I get the feeling he wouldn’t have cared if it was a showpiece or not so long as it got him from point A to point B, but I hope he had a nice stereo.  God knows he should have had something better to listen to whenever he was leaving town.
That haunting melody is almost enough to make a grown man cry.

Tuesday, October 22, 2013

The Walking Dead: Season 4, Episode 2 (Infected)

WARNING: This is as much of a RECAP as it is a REVIEW, so here there be SPOILERS!  You have been warned.

I've been very hard on The Walking Dead at times, but only because I thought the show was truly top-notch during the first two seasons and I positively treasure the source material.  Season 3 was lackluster, and the Season 4 premiere was good but not great.  With that in mind, I'm glad I get to rave about it again, because I thought this week's episode was a fantastic outing that really boosted my expectations for Season 4.  There was suspense, terror, action, and drama, and most importantly, Rick started acting like Rick again.  Praise Jesus!  I know the dude has been through a lot, but he is the centerpiece of the program, and the show faltered when he lost his way.

Early on, we learn that someone is feeding the zombies surrounding the prison rats, and that's definitely not cool.  We get a tender moment with Tyreese and his girl.  Tyreese serenades her with Cole Porter's "I've Got You Under My Skin" but that isn't good enough to get her to spend the night with him.  She departs, unknowingly leading zombie Patrick (the kid who died in the shower at the end of the premiere last week) back to her cell block.  We think he's going to make a meal out of her, but he hears a sound and eats this dude in a nearby cell instead.  This was gory, and gory is good. 

Early the next morning, Michonne is getting ready to go out again and Rick and Carl are getting ready to do some farming.  Carl wants his gun back, Rick changes the subject.  Then we hear gunshots and the shit really hits the fan.  Michonne turns back and has some difficulty getting back in the prison.  She winds up twisting her ankle, but Carl snags a rifle and he and Maggie come to the rescue. 

Meanwhile, it's an ugly scene in the prison.  Rick and Daryl lead the charge, taking down walkers and trying to herd survivors to safety.  There's a tough scene with Carol and this dude with two young daughters who was bitten during the attack.  He asks Carol to take care of his daughters and she agrees.  The oldest of the two girls says they should be the ones to finish their father off after he passes, but she can't do it so Carol scrambles dude's brains with a knife.  That's motherhood in the land of The Walking Dead.  There's another tough scene where Rick and Daryl go around finishing off anyone who is set to turn.  It's not an easy job, but someone has to do it.

Rick, Daryl, Hershel, Bob, and some new doc discuss what's going on and decide that everyone who was in the cell block needs to be quarantined.  After examining Patrick's corpse, they believe they're dealing with a deadly flu strain and they don't want it to spread.  Tyrees'es girl is coughing, which worries the team.  They advise her to go with the others who are being quarantined (on death row, no less) and she mentions that David has been coughing too.  So they both get to be quarantined.  Tough times at the prison.  Carol and the girls have a little chat by the fence, with Carol basically telling the older daughter she has to toughen up or she's not going to make it.  The older girl doesn't seem too receptive, mostly because she's upset that a walker named "Nick" has been killed.  She says he was "special" and we have to wonder if she was the one who was feeding the walkers.  Maybe she's just batshit crazy.  Time will tell.

Shortly thereafter, Rick is digging a grave when Daryl thanks him for helping out.  Rick says he wasn't that helpful without his gun.  Daryl disagrees.  "When the shit hits, you're standing there with the shovel," he says.  That's when Maggie hits the scene, screaming that the walkers are taking down the fence.  Sure enough, a growing cluster of walkers is threatening to bring the fence down.  Sasha spies a pile of rats on the ground and realizes that someone has been feeding the walkers at this spot, but there's little time to dwell on that.  The fence is coming down.  Rick tells Daryl to go get the truck.

Back in the prison, there's a tender scene with Beth and Michonne.  Beth asks Michonne to hold baby Judith, and Michonne says "No!" in a sharp tone, yet she relents and takes the crying baby.  She begins to cry too, and though it's never stated, we sense that Michonne was once a mother.

Back at the fence, Rick and Daryl come up behind the cluster of walkers in the truck.  Rick has all the piglets from his little farm.  He takes one, slices it open, and tosses it to the ground.  Walkers converge on the fallen pig.  They repeat this a couple of times, and here's another tough job for Rick and Daryl.  Andrew Lincoln was off the charts in this scene.  While Rick and Daryl draw the walkers away, Glenn and Sasha use beams to reinforce the fence.

We get a scene with Carol and Carl, where she asks him again not to tell his dad about the knife-fighting lessons she's giving the kids during story time.  We get a scene with Carol and the girls she has taken under her wing, Lizzie and Mika.  Carol tells Lizzie, the older of the two, that she's not upset about this walker named Nick, she's really upset about her father.  Carol puts a flower in Lizzie's hair and gives the girl a knife for protection.  This was kind of creepy.  That girl doesn't need a knife, she needs help.  Maybe she'll get it now that Carol is going to be taking care of her, but I've got a bad feeling about that girl.

Carl tells his dad about Carol's knife-fighting class, but encourages his dad not to tell the parents or prevent Carol from continuing with the lessons.  Rick agrees and gives Carl his gun back.  He also puts his gun back on, and that's when we really start to believe that Rick's back.  I guess he needed his little break--it was well-deserved, but it lasted too long and the show really lost some serious momentum as Rick grappled with his situation.  The group needs a leader and the show needs a stronger Rick at the forefront, so this is good news all around.

Tyreese is going to visit his girl in quarantine, but all he finds is a trail of blood.  He follows it outside and finds the remains of both his girl and David.  They have been burnt to death.  Zombies don't kill people like that, so we've got more trouble at the prison.  That's how the episode ends, and as you can tell, a lot transpired in Infected.

It was a strong episode, and it differently raises a number of interesting questions.  It also seems to place Rick back in the driver's seat where he belongs, and that prison is starting to feel more and more like a deathtrap.  For the first time in a while, I'm really excited to see where all of this going.  Maybe I'm overselling, but when you consider the horror and action that we saw in this episode, as well as the drama and character development, I think the end result was a really good episode that generated a lot of intrigue.  The season premiere was pretty good, the second episode was really good, and I'm eager to see what next week's show will bring.