Comics Corner - Conan the Barbarian: Exodus #1

Comics Corner - Conan the Barbarian: Exodus #1

You're already aware that I took great pleasure in Conan's return to Marvel.  Today, this worthy pairing provided me with a completely fresh take on the rugged barbarian.  Gifted artist Esad Ribic is the man responsible for this book, handing the artwork and the story, and he brings something unique to each side of the coin.  The tale is painted, and there is an elegance and a realism to his approach that is a stark departure from the usual pulpy and lurid depictions of this iconic character.  The plot is unveiled entirely through these stunning images, as there is no text.  This does not handicap the comic given the power and insight Esad has applied to this undertaking with his tremendous talent.  A harrowing journey springs to life in these breathtaking pages, and we can practically feel the chill in our bones as our young Cimmerian struggles to survive in a harsh winter landscape.  Conan is both predator and prey in a stirring rendition of desperation and liberation.  Perhaps the most impressive thing about this title is the way it offers readers a fine departure and yet remains true to the character we know and love.  Conan the Barbarian: Exodus is an inventive pageturner that I really enjoyed, and I'm happy to use this platform to promote it.

Final Grade: A

Brought to lifein stunning fashion by beautiful paintings and an absence of text, Conan the Barbarian: Exodus is a true piece of art.

Comics Corner: Savage Sword of Conan #1 (Published 2/13/2019)

Comics Corner: Savage Sword of Conan #1 (Published 2/13/2019)

Like so many fans of this legendary character, I rejoiced when I heard that Conan would be returning to Marvel.  To be clear, Dark Horse did a fine job with the property, but it never spoke to me in the same way.  Maybe it's sheer nostalgia, but when I think of the way Roy Thomas handled our favorite Cimmerian back in the day, or the damn near mystical appeal those eye-popping Savage Sword magazines held for me, I can't help but be a bit underwhelmed by Conan's comic book exploits elsewhere.  Anyway, the first issue of the second coming of Marvel's Conan the Barbarian registered as big winner, but I found the second issue to be more than a little disappointing--and the recently published third issue is a full-on disaster.  So, my enthusiasm had waned a bit when I visited Fanboy Comics to scoop up my copy of this fresh take on Savage Sword of Conan.  A single glance at the magnificent cover from the one and only Alex Ross was enough to scatter my misgivings.  Seriously, I'll put this beauty up against anything Frazetta ever composed, and that is not hyperbole.  Sign me up for a poster, please!  And the comic itself is stellar from cover to cover, with excellent plotting from Gerry Duggan and glorious art courtesy of Ron Garney.  The pencils are bold, the story is robust, and this stands as a brawny and richly compelling comic--in other words, it's a perfect take on Conan.  I now find myself hoping that Conan the Barbarian rebounds while praying (not to Crom, who doesn't heed prayers) that the next issue of Savage Sword of Conan doesn't falter.  This is a grand start and an absolute must-have for any fan of Robert E. Howard's timeless hero.

Final Grade: A+

Short Attention Span Review: Brawl in Cell Block 99

Short Attention Span Review: Brawl in Cell Block 99

Fucking wow.  I'm totally blown away.  Brawl in Cell Block 99 is a delirious nightmare masquerading as an action film.  A slow boil that ultimately explodes with some truly bone-crunching* action, this is a real find.  Hot on the heels of Bone Tomahawk, this picture clearly marks director Craig Zahler as a force to be reckoned with.  Well-plotted and deftly captured, this grim descent into carnage propelled by bad decisions born of good intentions is nothing if not relentless.  Star Vince Vaughn utterly disappears in the lead role, bringing a subdued version of his trademark wit to bear in a few well-placed moments that wind up being as bleak as they are comical.  The brutality and the sheer physicality that he brings to the part surely paint this as a transformational showcase, and Vince is money throughout.  True story: he's an ultimate badass in this one.  By the end, you may just find yourself thinking that he could kick the shit out of Conan the Barbarian if he had to--and that's not a statement this Robert E. Howard devotee would make lightly.  Brawl in Cell Block 99 is not for the squeamish, but if you don't count yourself among the squeamish and you're looking for a badass thrill ride, you need to watch this shit now.

*No, seriously: bone-crunching.  The phrase "bone-crunching" gets thrown around a lot in regards to action movies, but this is different.  Bones are crunched.  A lot.  In ways you've never seen before.  Totally gnarly, peeps.


Final Grade: A

Vince Vaughn slays it in the uber-violent and thoroughly malevolent version of Get Hard.

Conan the Valorous by John Maddox Roberts (from 1985)

Conan the Barbarian is one my favorite movies, weathered copies of The Savage Sword of Conan from the 70s bring me great joy, and paperback novels centered on everyone's favorite Cimmerian are always welcome in my home.  I have been reading these books for about as long as I've been reading and I still enjoy them.  The worst of the lot are trashy and formulaic, but Robert E. Howard did such a fine job of bringing Conan to life (as well as detailing the era in which he lived and defining the geography of this daring barbarian's world) that many of the books are definitive examples of what the fantasy genre is capable of producing.  Robert Jordan's take on the character is almost as revered as Howard's in this day and age, and I feel that Leonard Carpenter also had a real knack for detailing Conan's adventures.  John Maddox Roberts is another worthy author who has contributed to the cause, and his Conan the Valorous is of some significance to me because it's the only tale I've read that required Conan to return to Cimmeria.  It's a fun story that is a bit episodic in nature, paying homage to Howard's work with his brawny creation.  The real highlight of the book may be a fearsome clash between Conan and a magnificent bull that was imposing enough to be worshiped as a god.  This tense battle came hardly halfway through the book and had little to do with the primary thrust of the tale, which quickly gave way to a robust conclusion pitting Conan against armed soldiers, fantastic creatures, and demented sorcerers--another nod to Howard's approach to the genre.  Conan's eventual victory in this climactic showdown came a bit too easily in my humble opinion, and it was a bit strange to read such a book where someone other than our rugged hero got the girl at the end.  Still, Conan the Valorous was well-written and neatly plotted, and it was cool to see our fearless barbarian return home.  My favorite aspect of this novel may have been the way Roberts used the the hero's journey back to his homeland to show how Conan's youth in Cimmeria had shaped him.  Roberts allowed the character to reflect on his past while providing us with a look at his people doing what they do best--making war.  Most importantly, even as he paid tribute to Cimmeria, he did a fantastic job of showing us why Conan's passions would never allow him to settle down and remain among his people.  Canon the Valorous wasn't a great Conan adventure, but it was a solid book that benefited from its focus on Cimmeria. 

Final Grade: B-