Top 20 Horror Movies - #2) Jaws (1975)

One of the things that I'm doing this month as I celebrate Halloween here in the Land of Way is taking the time to rank my Top 20 Horror Movies and my Top 20 Horror Novels.

Note:
I want to be clear that I'm basing these choices on my own humble opinion.  I'm not trying to rank these movies in accordance with their place in pop culture, but I'm offering up my take on the best horror films that I have ever watched and enjoyed.  There are some familiar candidates that I consider to be great pictures that didn't make the cut because there wasn't room, and there are some films that are widely regarded as great pictures that didn't make the cut because I feel that they are overrated.  There are also a few instances where it was difficult to determine whether or not a movie belonged to the horror genre (I said "no" to Aliens but "yes" to Jaws), and it may also be worth noting that this is largely a modern list (as long as you're okay with my classification of modern as anything after 1960) that only features one lonely creature from the so-called "Classic Monsters" films produced by Universal Studios.

Thus far, the list includes:

#20) The Fly (1986) 
#19) The Howling (1981)
#18) Night of the Living Dead (1968)
#17) Alien (1979) 
#16) Invasion of the Body Snatchers (1978)
#15) Suspiria (1977) 
#14) Phantasm (1979)
#13) Evil Dead 2 (1985)
#12) Creature from the Black Lagoon (1954) 
#11) The Descent (2005)
#10) Fright Night (1985)
#9) Halloween (1978)
#8) Return of the Living Dead (1985) 
#7) An American Werewolf in London (1981)
#6) Deep Red (1975)
#5) The Shining (1980) 
#4) Dawn of the Dead (1978)
#3) The Thing (1982)

As we near the end of this list, it's time to break down a pair of exceptional movies based on novels that I hold near and dear to my heart.  First up, we've got my favorite movie of all time.

Top 20 Horror Movies - #2) Jaws (1975)

Steven Spielberg's efforts as a filmmaker have yielded an amazing filmography, but the thrilling motion picture that put him on the map remains his finest offering.  Working from Peter Benchley's stellar novel, Spielberg fashioned a tale of terror that continues to scare moviegoers away from the beach better than 40 years after it gave birth to the summer blockbuster.  At the end of the day, this is a horror movie that nearly matches Benchley's ability to convey the might and fury of a great white shark, driving home the terror that encountering such a creature in its natural environment would generate.  There are some brutal moments in this vibrant shocker, and yet the warmth and drama that propels the film toward a grand finale do make it seem a bit too adventurous for the genre at times.  The three leads take a fabulous script and run wild with it, with Roy Scheider and Richard Dreyfuss both doing a tremendous job while Robert Shaw dominates the screen with one of the richest performances in the history of the cinema.  The score from John Williams is as simple as it is iconic, the effects are far better than the mechanical sharks' place in film history would have you believe, and Spielberg's gifts have never been so evident.  There are big scares, big laughs, and even when things settle down, Jaws is ten times more enchanting than most movies.  This is my favorite movie, and if we were talking about movies in general, I would surely put it atop my list.  Yet I did elect to place it at #2 on my list because I cannot fathom putting anything other than the scariest movie ever made at #1.  Having said that, second place here is no small prize, and I hope I have made my affection for this grand voyage into horror on the high seas evident. 

Jaws has inspired numerous imitations, yet 40 years later it still reigns supreme.

Roy Scheider and Richard Dreyfuss shine only to be blown away by Robert Shaw as Quint.

Short Attention Span Review - Avengers: Age of Ultron (2015)

Marvel continues to kick DC's ass on the big screen with Avengers: Age of Ultron, a massive spectacle that is thoroughly entertaining from start to finish.  I'm more of a Marvel guy than a DC guy, but I'm also a comic book fanboy at large, so I'm excited when any superhero makes an appearance in theaters.  I liked Man of Steel and Nolan's Batman trilogy was damn impressive.  Yet Marvel annihilated DC's best film adaptations with the first Avengers movie, and they have somehow managed to produce a sequel that is even bigger and better.  First off, I love Loki and Tom Hiddleston has been one of the Marvel cinematic universe's coolest discoveries.  Yet Loki is a trickster and he has never been the supreme badass that Ultron is.  In truth, it is quite possible that Ultron has been the most daunting villain that the Avengers have ever faced in the comics, and they've squared off against Galactus, Thanos, Dr. Doom, and any other Marvel villain worthy of a showdown with the Earth's mightiest heroes.  Accordingly, though the movie version of Ultron is a CGI creation, he towers over most villains of the cinema, largely due to James Spader's fantastic voice work.  I remember thinking that nabbing Spader for such a gig was a good thing when I first heard about it, but it's better than that, it's a great thing.  It's a perfect thing.  Spader kills it and the story allows Ultron to be as menacing and as intriguing as he should be.  Of course, everyone fares well in this picture and that's a tremendous credit to Joss Whedon's screenplay and his fantastic work at the helm.  It must be supremely difficult to take so many significant characters and try and come up with an arc for each of them and ensure that everyone gets to shine when it's time for the good guys and the bad guys to throw down.  That's exactly what Whedon has managed to do, however, as I found myself thoroughly invested in everyone's story and utterly thrilled at all the marvelous action taking place.  This truly is an Avengers movie; it's a team effort where every hero and villain is integral to the epic story which unfolds in remarkable fashion.  Maybe Iron Man plays a bigger role than anyone else, or maybe it's actually Hawkeye who benefits the most from the fantastic script.  Of course, it could be the Black Widow, or the Hulk, or Cap, or--you get the point, right?  Oh, and then there's Iron Man donning his Hulkbuster armor to go mano a mano with the big green guy.  Wow.  And the big finale?  Double wow.  Avengers: Age of Ultron is just a marvelous movie with a magnificent cast, a great director, sensational effects, and a wonderful villain squaring off against the greatest band of comic book heroes we'll ever see together on the big screen.  Go see this one as soon as you possibly can.

Final Grade: A+

Ultron is the supreme badass that he should be and it is amazing that
James Spader was able to do so much for the part with his voice.

Short Attention Span Review: RoboCop (2014)

The original RoboCop from 1987 is a classic.  Incredibly violent, incredibly funny, and incredibly distinct, its enduring popularity made it ripe for a reboot.  So now we have the 2014 version of RoboCop, which is a decent action movie.  In a way, it's a bit of a shame, because if I had sit down to watch this movie without ever having seen the original, maybe I would have been a bit more impressed.  As it is, this loose interpretation of the Paul Verhoeven blockbuster hits a lot of the same beats, sports an impressive cast, benefits from stellar effects work, and still manages to fall a bit flat.  It doesn't have the same heart and it doesn't have the same acidic wit--though it tries really hard on both counts.  Now, to be fair, the lack of an R-rating probably makes it damn near impossible to compete with a legendary picture that is as violent and as gory an action film as you're apt to see.  There are certainly times when this 2014 RoboCop feels more than a little watered-down, and some of the performers involved could have made a lot more noise if they had been working without boundaries.  Yet it emerges as a serviceable thrill ride and the original was built on a strong enough concept that even a RoboCop Lite packs a bit of a punch.  In the end, I was entertained by this one, but I wasn't as moved by it and I certainly didn't feel like I had just watched something fresh and exciting--though, to be fair, I don't know if that's even possible with these reboots that are so en vogue.  Would I recommend it?  I guess, but I would certainly recommend the original first.

Final Grade: C

The new RoboCop certainly looks cool.

Short Attention Span Review: Falcon Rising (2014)

There was a time when people used to go rent movies at places like Blockbuster and various other rental chains, places where the walls were lined with titles and you could buy candy at absurd prices.  The heyday for this particular era may have been the 90s, and during that time there were entire sections devoted to martial arts movies.  Here, roughly a dozen gifted warriors of the cinema were vying for kung fu supremacy.  You could chose from legit stars like Jean-Claude or Segal, or you could go for the talent hanging out on the lower shelves, people like Don "The Dragon" Wilson, Cynthia Rothrock, or my personal favorite, Gary Daniels.  It was like Billy Bob's Kung-Fu Theatre for my generation.  Now, VHS tapes are fossils, the rental industry is all but dead (Redbox is an entirely different animal), and the martial arts sub-genre isn't exactly flourishing--but we have Michael Jai White!  Yes, good people, Black Dynamite is here to save the day.  You'll have to understand if I can't help but give Black Dynamite lots of props here--it's one of my favorite movies and if you haven't seen it, please stop reading this blog and go watch it RIGHT THIS VERY MINUTE.  I typed that in all caps because I mean it.  Those of you who have seen Black Dynamite and are therefore still enjoying this review can go ahead and lower your expectations, but you already knew that Falcon Rising would be no Black Dynamite.  Honestly, it's a far cry from Blood and Bone, but it's still worth watching--particularly if you miss that old school kung-fu glory as much as I do.  Of course Michael Jai White delivers the goods, he's an absolute beast.  I think he's a good actor and his martial arts prowess is second to none in this day and age.  The plot for Falcon Rising is a simple exercise in the time-honored "noble hero encounters kung fu treachery and kicks a lot of ass" vein, but I thought Ernie Barbarash's direction was exciting and the score from Charlie Lin was pretty nifty too.  There were decent opponents for Michael Jai White to combat and underrated vet Neil McDonough showed up just long enough to earn a paycheck.  Bonus points: I had never seen Thiago Santo in a movie before and he caught my attention as crooked cop with a bit of a conscience.  All things concerned, this was an entertaining little romp that probably deserves a C, but I'm going to give it a C+.  Why?  Black Dynamite, that's why!

Final Grade: C+

Michael Jai White doing what he does: kicking ass.

Haven't seen Black Dynamite?  Go watch it.  I'm serious.  Scram, you jive turkeys!

Short Attention Span Review: Grizzly (1976)

Gee, I wonder if this was inspired by Jaws?  Arriving in cinemas a year after that 1975 smash hit, this contrived man vs. nature flick from executive producer Edward L. Montoro trades a big shark for a big bear and subs in Christopher George, Richard Jaeckel, and Andrew Prine for Roy Scheider, Richard Dreyfuss, and Robert Shaw.  Advantage: Jaws.  Yes, Grizzly is inferior to Spielberg's masterpiece in every way possible, but that doesn't mean that it's a bad movie.  It's not a good movie either, it's just an average film that does manage to provide the viewer with a few thrills and an abundance of gorgeous scenery.  There are a multitude of shots from the bear's POV and a lot of genuine bear footage to go along with a fair amount of gore, though the film suffers whenever a shot requires someone to interact with the titular menace.  The amount of suspense the picture is able to generate is surprising, and Grizzly somehow succeeds despite an abundance of cliches and a lack of originality.  Seriously, you could put this movie on and engage in a drinking game where you take a shot every time something happens in Grizzly that is a blatant rip-off of something that happened in Jaws, but you would probably succumb to alcohol poisoning.  That aside, the picture has its merits.  The direction courtesy of William Girdler is okay and the acting is good; George, Jaeckel, and Prine all do a fine job with the material.  Of the three, George was the clear choice to serve as the lead, and each of these actors enjoyed worthwhile careers in film and television.  I personally feel that each of these talented performers was vastly underrated, but the horror genre that I'm so enamored with benefited greatly from the lack of mainstream respect that they received.  The plot is pretty much what you would expect: a scenic park is the setting for a grisly grizzly rampage and the bear in question is a massive specimen.  Despite the presence of a smug and greedy authority figure (Joe Dorsey doing his best Murray Hamilton), the good guys embark on a quest to save the day, though only of one of them will live to the see the job finished. 

Final Grade: C