Showing posts with label romero. Show all posts
Showing posts with label romero. Show all posts

Wednesday, October 28, 2015

Top 20 Horror Movies - #4) Dawn of the Dead (1978)


One of the things that I'm doing this month as I celebrate Halloween here in the Land of Way is taking the time to rank my Top 20 Horror Movies and my Top 20 Horror Novels.

Note:
I want to be clear that I'm basing these choices on my own humble opinion.  I'm not trying to rank these movies in accordance with their place in pop culture, but I'm offering up my take on the best horror films that I have ever watched and enjoyed.  There are some familiar candidates that I consider to be great pictures that didn't make the cut because there wasn't room, and there are some films that are widely regarded as great pictures that didn't make the cut because I feel that they are overrated.  There are also a few instances where it was difficult to determine whether or not a movie belonged to the horror genre (I said "no" to Aliens but "yes" to Jaws), and it may also be worth noting that this is largely a modern list (as long as you're okay with my classification of modern as anything after 1960) that only features one lonely creature from the so-called "Classic Monsters" films produced by Universal Studios.

Thus far, the list includes:

#20) The Fly (1986) 
#19) The Howling (1981)
#18) Night of the Living Dead (1968)
#17) Alien (1979) 
#16) Invasion of the Body Snatchers (1978)
#15) Suspiria (1977) 
#14) Phantasm (1979)
#13) Evil Dead 2 (1985)
#12) Creature from the Black Lagoon (1954) 
#11) The Descent (2005)
#10) Fright Night (1985)
#9) Halloween (1978)
#8) Return of the Living Dead (1985) 
#7) An American Werewolf in London (1981)
#6) Deep Red (1975)
#5) The Shining (1980) 

Two zombie movies have made the list thus far, and now it's time for the third and final entry from that particular sub-genre to rise from the dead.


Top 20 Horror Movies - #4) Dawn of the Dead (1978)

George Romero invented the zombie genre as we know it with Night of the Living Dead, and he perfected this ever-popular sub-genre with his insightful and provocative follow-up.  Seldom has social commentary been so entertaining, and few horror films offer as much in the way of a character study.  Some may complain about the lengthy running time, but Romero made great use of every minute.  Dawn of the Dead is never dull, and the bonds that we forge with the four leads only serve to enhance the emotional undercurrent running through this captivating yarn.  At times, the picture is grim and utterly terrifying, but it also contains moments that are downright hilarious.  Then there are several thrilling sequences that give way to gory mayhem on a massive scale.  Tom Savini's effects work is wicked cool, and Romero clearly got everything that he could get out of this riveting tale.  Ken Foree, Gaylen Ross, David Emge, and Scott H. Reiniger are totally invested in their roles, and each player has a nice arc that defines their character as this weary quartet struggles to survive a blood-soaked nightmare.  Dripping with gore, peppered with subversive humor, and exceptionally well-made, I think that declaring Dawn of the Dead to be the best zombie movie of all time is an easy decision.  Yes, I enjoy Return of the Living Dead a bit more, but there can be no doubt that Dawn of the Dead is a far richer movie.  

Fact: Dawn of the Dead is the best zombie movie of them all.
This is the face I make when someone asks me if I thought that the remake was better.

Friday, October 23, 2015

Top 20 Horror Movies - #8) Return of the Living Dead (1985)


One of the things that I'm doing this month as I celebrate Halloween here in the Land of Way is taking the time to rank my Top 20 Horror Movies and my Top 20 Horror Novels.

Note:
I want to be clear that I'm basing these choices on my own humble opinion.  I'm not trying to rank these movies in accordance with their place in pop culture, but I'm offering up my take on the best horror films that I have ever watched and enjoyed.  There are some familiar candidates that I consider to be great pictures that didn't make the cut because there wasn't room, and there are some films that are widely regarded as great pictures that didn't make the cut because I feel that they are overrated.  There are also a few instances where it was difficult to determine whether or not a movie belonged to the horror genre (I said "no" to Aliens but "yes" to Jaws), and it may also be worth noting that this is largely a modern list (as long as you're okay with my classification of modern as anything after 1960) that only features one lonely creature from the so-called "Classic Monsters" films produced by Universal Studios.

Thus far, the list includes:

#20) The Fly (1986) 
#19) The Howling (1981)
#18) Night of the Living Dead (1968)
#17) Alien (1979) 
#16) Invasion of the Body Snatchers (1978)
#15) Suspiria (1977) 
#14) Phantasm (1979)
#13) Evil Dead 2 (1985)
#12) Creature from the Black Lagoon (1954) 
#11) The Descent (2005)
#10) Fright Night (1985)
#9) Halloween (1978)

It's time to add some more zombies to the list, and their second appearance here comes via my favorite zombie flick.  Having said that, there will be a third zombie movie in this Top 20, and that one made it into the Top 5.  If you're confused, don't worry, I'll sort things out for you in just a second.


Top 20 Horror Movies - #8) Return of the Living Dead (1985)

So, this is one of these weird situations where I'm comparing things and I come to the realization that one of them is my favorite while I recognize another as being superior.  It doesn't happen often, but it does happen.  That makes sense to me, so hopefully it makes sense to you too.  Anyway, there is another zombie movie featured on this list that I find to be a better motion picture, but Return of the Living Dead makes up for any flaws it has with a major dose of entertainment value.  It is the definitive take on the subject?  No.  Is it the most enjoyable take on the subject?  Absolutely.  This movie has it all: laughs, scares, a soundtrack for the ages, and a fabulous cast.  There isn't a true star in the mix, but everyone involved makes the most of their part, and the stellar script by director Dan O'Bannon gives every character some quality material to work with.  The effects are great and there is an abundance of gore.  Most importantly, as I've stated on numerous occasions, I do not believe that there is a movie out there with better dialogue.  As shit gets real, the characters verbally spar with one another, and their exchanges are charged with energy and fear.  O'Bannon's direction is fabulous, and I give him an abundance of credit for putting together this invigorating and fresh take on a beloved sub-genre that produces a lot of really solid movies that seldom deviate from the formula.  Dan did his own thing with Return of the Living Dead, and the end result is a real asskicker of a movie that is equal parts hilarious and horrifying.

For more on Return of the Living Dead, be sure to check out this Cult Classics from Dimension X piece I wrote about it that contains a more detailed examination of the picture and some really cool trivia.  You can also check out this blog I wrote about the movie's totally gnarly punk rock soundtrack while you're at it.

ROTLD features Tarman, one of the most memorable zombies of all time.

It also boasts a terrific cast.  Clu Galager (far left) may be the biggest name, but everyone involved does an excellent job.  The movie doesn't really anoint anyone as the hero or heroine, so everyone involved gets lots of cool things to say and do.

Wednesday, October 7, 2015

Top 20 Horror Movies - #18) Night of the Living Dead (1968)


One of the things that I'm doing this month as I celebrate Halloween here in the Land of Way is taking the time to rank my Top 20 Horror Movies and my Top 20 Horror Novels.

Note:
I want to be clear that I'm basing these choices on my own humble opinion.  I'm not trying to rank these movies in accordance with their place in pop culture, but I'm offering up my take on the best horror films that I have ever watched and enjoyed.  There are some familiar candidates that I consider to be great pictures that didn't make the cut because there wasn't room, and there are some films that are widely regarded as great pictures that didn't make the cut because I feel that they are overrated.  There are also a few instances where it was difficult to determine whether or not a movie belonged to the horror genre (I said "no" to Aliens but "yes" to Jaws), and it may also be worth noting that this is largely a modern list (as long as you're okay with my classification of modern as anything after 1960) that only features one lonely creature from the so-called "Classic Monsters" films produced by Universal Studios.

Thus far, the list includes:

#20) The Fly (1986) 
#19) The Howling (1981)

Now it's time to talk about my next selection, the zombie film that started it all.  Seriously, I'm not in the mood for any of that White Zombie shit.  I love me some Bela Lugosi, but George Romero gave us the zombie sub-genre as we know it today.


Top 20 Horror Movies - #18) Night of the Living Dead (1968)

This is one of two zombie movies from the legendary George Romero to make my list, and while Night of the Living Dead may not be his masterpiece, it remains eerie and effective all these years after its initial release.  Yes, we had seen zombies on the screen before, but never quite like this.  The shock and dismay that this bleak low-budget affair inspired gave birth to a sub-genre that has never been more popular that it is now, some 47 years after Night of the Living Dead hit the scene.  It remains potent because it was so raw, so stark, and because the man at the helm proved to be a genius.  The horror of the undead laying siege to a remote farmhouse where a few scrappy survivors have holed up also proved to be a terrific premise for exploring serious themes.  The very presence of Duane Jones in the lead role, not to mention his serious performance and the ultimate fate of his character--all of these things speak volumes about the period when the movie was made.  In fact, many of these notions still hold a great deal of relevance in this day and age.  Besides, despite the weight of these themes, the movie never suffers.  It is entirely possible that many viewers are oblivious to the commentary, for the picture quickly descends into a grim nightmare and it never fails to function as a gruesome chiller.   I'm a big fan of the zombie sub-genre (there are three* such pictures on my list, including this black and white gem, the best zombie film of them all, and Romero's epic improvement upon the formula he created) and this tense and relentless horror film is where the zombie as we know it was born.  Beyond that, it's a fantastic flick that surely warrants a spot on my list.

*Just so we're clear, deadites are NOT zombies.  

Board up the windows!  George Romero gave the zombie sub-genre life way back in 1968.

Saturday, April 25, 2015

#JokerLeto, I'm Not Sure I Can Dig You (Alternate Title: Joker or Juggalo?)

When it comes to early looks at various elements of production design for movies, I try to be a "wait and see" kind of guy.  So many things can change and some things wind up looking a lot better on the screen than expected.  Hell, sometimes images leak or get thrown out there and shit that looks really dope comes across as totally lackluster when the movie finally arrives.  Having said all that, and with my Bat bias* thrown to the wayside, I'm not feeling it.  You know what?  I think Jack was the best, and I've got Cesar Romero higher on my list than you guys do.  Yet I'm not some crusty old dude who hates the new stuff.  I didn't hate the idea of Ledger in the role like many of you did.  I thought he would make it work.  I didn't dislike the initial images that I saw of him in character.  Can you say likewise?  But--you knew it was coming--I have to be honest here, kids, I'm not feeling this shit. 

Please let the joke be on us.  Get rid of the grill and the tats and maybe we can talk.  Until then, it's just not happening for me.  Now, I'm still buying Leto.  I think he's talented enough to make it work if they trot him out there looking like Ronald McDonald and have him rap with the Fresh Prince over the opening credits.  He'll kill it, I'm putting money on it, but the production team doesn't have to make it hard for him.  Personally, the tats just don't do it for me, but some of these are downright ridiculous.  The "J" tear?  Do what?  The smile?  The "HaHaHa" tats?  "Damaged" on his forehead?  Are you dead fucking serious right now?  He looks more like some Joker-obsessed scene-kid than the Joker himself.   

I'm seriously hoping that this is a trial run and not a finished product.  I'd rather not see the Joker covered in tats, but it might work better with tats that weren't so self-referential and dopey.  And let's drop the grill.  Come on.  I look at this, and I imagine the production team trying different things out while some dude with a lot of influence kept saying "It's getting better, but we still need more Flavor Flav."  Like I said earlier, I'm still down with Leto in the part, but I'm asking nicely: can we please avoid saddling him with a silly look? Yeah, it will generate a lot of short-term buzz, but it will probably yield a lot of long-term "we shit the character design bed" guilt as well.

*Honestly, I'm a comics guy, so it's not like I hate Batman or anything.  He's a cool character and he has a nice rogues gallery.  Some of you motherfuckers, though, wow.  The craziest and goofiest Spider-Man fan on the planet is a very normal cat when compared to roughly 40% of Batman aficionados.  Those dudes who are always ready and willing to tell you at length about how Batman could defeat _________** with enough time to prepare give the rest of us comic book lovers a bad name.

**Just fill in the blank.  It could be another comic book character.  It could be Godzilla.  It could be a black hole, an earthquake, . . . it doesn't matter.  These people and their Batman worship will never bow to reason.

"Jimmy's right, I did it better--and I didn't even shave my moustache!"

Friday, March 27, 2015

Cult Classics from Dimension X: The Return of the Living Dead (1985)

I'm frequently asked to name my favorite zombie film, and despite my affection for Romero (and Dawn of the Dead in particular), my answer is always the same.  It's The Return of the Living Dead, the 1985 ode to punk rock and dead people who won't stay buried that never fails to thrill or amuse me.  Not only is this Dan O'Bannon feature my favorite zombie flick, but it's one of my favorite horror movies in general.  Hell, we can take that one step further, for it's truly one of my favorite movies from any genre.  It's a fast-paced nightmare loaded with black humor and wonderful dialogue, and it benefits from the presence of a talented cast highlighted by Clu Galager, James Karen, and Thom Mathews.  They make the most of the material and the twisted frightfest that ensues is a disgusting descent into madness and terror where no one's brain is safe.

Dan O'Bannon made a nice mark in the horror genre (Alien was his idea and he contributed to a number of horror films over the years) but directing The Return of the Living Dead was surely his finest hour.  The picture moves at a frantic pace, the characters are well-drawn and the performances are top-notch, the effects are massive, the score is killer, and the movie greatly benefits from a perfect ending.  What did he do wrong?  I can't think of anything.  O'Bannon gave us a wildly different take on the zombie sub-genre that can be seen as a bit of a trendsetter in a great many ways.  Long before fast zombies became so popular, the undead were racing around in this gory delight.  Additionally, the diverse and rebellious cast of characters and the lack of a clear-cut hero or heroine are both noteworthy and admirable.  Finally, the humorous aspect of the picture is probably the biggest reason that The Return of the Living Dead is so beloved by so many, and it generates a wealth of laughter despite the fact that it takes itself seriously.  It isn't hokey or silly, it just showcases gifted performers portraying characters who come apart at the seams and rant and snarl at one another as things get progressively worse.  The picture also has a gift for irony.  I think it's a shame that O'Bannon didn't direct more movies, but he knocked this one out of the park.

These punk rock kids just want to have a good time.  Don't we all?

The acting in The Return of the Living Dead is absolutely terrific.  There are so many memorable performances and so many cool characters that it would be hard to pick a favorite.  Thom Mathews and James Karen are fabulous as Freddie and Frank, and their antics never get old.  Clu Galager is on fire as Burt and his various rants are all highlights of the picture.  Miguel Nunez may steal the show as Spider, but there's also Don Calfa as Ernie, the kooky mortician who wears a sidearm and is surprisingly quick on the draw.  The way these characters (and many more) argue with one another, cutting lines short and yelling over top of each other, is riveting and gives the piece an authentic feel that is often lacking from movies where the staging is a bit more deliberate so far as the dialogue is concerned.  There are so many classic exchanges, so many great lines, and so many big moments.  The cool thing is the lack of a singular hero makes this a true ensemble piece, meaning there are plenty of worthwhile bits to go around.  It's a big cast that works very well together, and everyone gets their moment. 

The soundtrack rules!  It's definitely in my Top 10 so far as soundtracks go.
I am such a fan of the soundtrack for this movie that I've devoted an entire blog to it.  You can read it here.  For the purposes of this piece, I just want to acknowledge how important it is to the movie.  The notion of melding a zombie film with punk rock music (and a bunch of punk rock characters) was such a cool decision and it works so well.  Additionally, while many movies have cool soundtracks but fail to make the best use of the great tracks at their disposal, the music is essential to The Return of the Living Dead.  Several of the best scenes would suffer greatly if the songs that accompany them were removed.  It's hard to think of a movie with a better soundtrack that was used to greater effect, but if such a film exists, it's probably one of QT's flicks. 

In closing, I can't recommend this one enough.  I love horror films (you already knew that) and the zombie sub-genre in particular (you already knew that too), and I truly believe that this is the best of the bunch so far as brain-munching shenanigans are concerned.  There's so much to love and it's so damn fresh.  It is gruesome, tense, and frightening, and yet it can be absolutely hilarious at times.  The soundtrack rocks, the direction and the editing are stellar, and the cast is wonderful.  The Return of the Living Dead is the most entertaining and the zaniest film in a long line of horror classics that will not die, the cinema of the undead. 

The Return of The Living Dead Trivia

While it is widely believed that the presence of a pair of pals named Bert and Ernie is a gag, Dan O'Bannon has stated that he was actually oblivious to the existence of the beloved muppets with the same names who reside on Sesame Street.

Ernie (played by Don Calfa) is a nazi in hiding.  His use of German, his musical preferences, the photo of Eva Braun he keeps in his morgue, and even his choice of sidearm are among the clues to his secret identity sprinkled throughout the picture.

When Trash does her striptease, you're not actually seeing full frontal nudity.  Linnea Quigley wore a plastic application for that sequence that concealed her private parts.  

Clu Galager was a last-minute addition to the cast and he apparently wasn't all that easy to get along with.  According to various reports, he was prone to temper tantrums and violent outbursts on set.  There are even claims that the effects team secretly swapped a rubber pipe for the real one he was wielding at one point during the film because his peers were afraid that he would lose his cool while armed with a lead pipe.

While John Russo (co-writer of the original Night of the Living Dead) wrote a script entitled Return of the Living Dead and receives a story credit for this picture, it is believed that very little of his material was used.  O'Bannon thought Russo's script was too serious and too closely resembled Romero's work, so it was re-written as more of a satire.

Some of the cast members portraying zombies actually chowed down on raw calf brains during filming.

Tuesday, March 17, 2015

Short Attention Span Review: Night of the Living Dead (1990)

As is so often the case, this remake is inferior to the original, but that doesn't mean that it isn't a worthwhile zombie flick.  In spite of what you may have heard about Tom Savini's version of the George Romero classic that started it all, I rather enjoy it.  It's not groundbreaking and it doesn't bring anything new and inventive to this particular sub-genre, but that's okay.  It is a solid update with nifty effects and a good cast.  The score works for me, the mood is suitably grim, and I do enjoy it a lot.  In a rare role as the hero of a horror flick, Tony Todd is absolutely terrific, and Patricia Tallman also shows a great deal of range with her performance.  Most importantly, I thought Tom Towles was a bit of a revelation as the dick.  Most good horror movies have a dick and this Night of the Living Dead has one of the most irritating dicks you'll ever encounter.  Ideally, you don't spend a lot of time with irritating dicks to begin with, but you know what I'm saying.  Towles seldom fails to piss me off with his performance, yet there are a handful of occasions (most notably his "options" speech) that greatly amuse me.  The fact that Tony Todd has to deal with this dude makes him as much of a hero as his zombie-bashing exploits in this picture.  Additionally, I think Tom Savinia did a good job as the director.  There are no major shortcomings to complain about and his Night of the Living Dead doesn't deserve the bad reviews some have given it.  Now, if I make a list of the best zombie movies ever (been there, done that: link) you won't find this 1990 effort on the list, but I'm still going to recommend it.  It is not as shocking as the original and it isn't as wild or creative as many of the zombie movies that Romero's 1968 surprise hit has spawned, but it is an entertaining and well-made horror movie.

Final Grade: C+
Drinking Game: take a shot every time you want to punch this guy in the mouth.

Thursday, April 4, 2013

Top 5 Zombie Films

Well, the third season of The Walking Dead has drawn to a close, but that doesn't mean that we can't find time to celebrate our favorite films featuring zombies.  In fact, it might just get the bitter taste out of our mouths after sitting through that lackluster season finale.

Yes, seeing legions of the undead advance on the living has seldom been so en vogue, but this sub-genre has offered up a great many quality films over the years.  Many of them rank among my personal favorites, and I would be lying if I didn't say that I consider myself to be an expert of sorts on the subject.  So then, let's get this party started.  I hope you will share your thoughts, and I hope you enjoy this as much as I did.

Top 5 Zombie Films

1) Return of the Living Dead - 1985

Look, sometimes the pedigree isn't there, yet the end result can still turn out to be a masterpiece.  There aren't enough people out there who cherish Dan O'Bannon and actors like Clu Galager and James Karen were never household names, but it doesn't matter.  Return of the Living Dead is an absolute blast, an insane riff on zombie movies that winds up improving upon the very pictures that it was inspired by and set out to rib.  This surprising outcome isn't necessarily tied to the steady direction or the the terrific performances, and it can't be attributed directly to the rollicking punk score or the quality effects either.  No, Return of the Living Dead works as well as it does because it is a sum of its parts, and they fit together perfectly.

Every role is given the same weight, and that is one of the keys to the movie's power.  Every second matters, and time is running out.  Every scene counts.  Every death is striking.  This is no horror film fueled by senseless nudity and a body count, but it isn't going to disappoint anyone looking for such cheap thrills either.  At the end of the day, everyone should be happy.

This is a fast-moving story with incredible momentum and some of the finest dialogue ever scripted.  It boasts fast zombies and it was made long before recent trends made that the norm.  ROTLD marries itself to the punk rock scene to terrific effect, to include a morbidly charming band of teenage rogues at the forefront, and that superb soundtrack.  There are songs from The Cramps and The Damned and the music really adds a lot to the movie.  The script is wildly inventive, the pace is relentless, and the special effects are totally convincing.

Most of all, though, it's that acidic dialogue that really makes this one work.  As the shit hits the fan and stress levels rise, the characters gripe, plead, sob, taunt, and snarl at one another in a most realistic fashion.  Sometimes they're all talking at once, and the tension is palpable as they face off in verbal duels that resonate.  Exchanges like this one make ROTLD a genuine pleasure:

Chuck: Hey, Casey, do you like sex with death?
Casey: Yeah, so fuck off and die.

Or this one:

Suicide: How come you guys only come around when you need a ride someplace?
Spider: 'Cause you're one spooky motherfucker.

Here's another of my faves:

Frank: What are we gonna do, Burt?
Burt: I'll tell you what I'm going to do.  I'm going to be sued by the Darrow Chemical Company.  I might even be investigated by the government.  I might become very famous.  I might even lose my business.  I might even go to jail, goddamit!  That's what I'm going to do!

And, of course:

Frank: Watch your tongue, boy, if you like this job!
Freddy: Like this job!?!

Return of the Living Dead is volatile, it's scary, it's disgusting, it's lean, and it's just a hell of a good time.  It has to be one of my favorite movies over all, and I'm officially pegging it as my top zombie flick.  It's a quick and bumpy ride that is packed with thrills and laughs, and it remains a fresh take on a beloved sub-genre long after it should have grown stale.  In fact, I think the opposite is true, and as horror features that generate as many chuckles all too often veer into parody, this dazzling blend of terror and humor is becoming more and more potent.  Yes, it's a wild ride, but it also has some serious bite.  This one has it all, and though it may be a strange pick for the top spot on this list, I think it is ferocious enough to warrant it.

2) Dawn of the Dead (original) - 1978

No one says: "Screw the MPAA, we'll release the damn thing unrated."  No one.  Well, no one except George Romero, who landed a major hit in the process.  No one else could capture the goriest satire ever and perhaps one of the most profound statements on commercialism we'll ever see on film.  No one else would have been able to dig so deeply into the premise, lovingly mining each character and the fragile relationships this nightmarish scenario gives birth to.  No one else could have brought us the sheer heartbreak that comes as a result of watching these determined survivors struggle, facing off with both the undead and their futile attempts to pretend that things really aren't all that different when there aren't zombies trying to knock down the door.

Dawn of the Dead follows four survivors trying to find their way in a zombie apocalypse.  They set up shop in a mall and make an attempt to find some sort of solace.  They find some measure of peace, but it isn't long before a marauding band of bikers/looters come barreling through.  It's a tragedy, really, but there are thrills, and there's a lot of humor, and somehow this one doesn't wind up feeling like the downer it truly is.  While the viewer must pay an emotional toll, there is a lot of fun to be had along the way.  This film has a little bit of everything, to include terror, drama, suspense, and comedy, and it strives to be a character study of the highest order.

It should be noted that none of the leads were established stars, but that doesn't stop these thespians from putting on a hell of show.  The four lead roles are all rather complex, but all of the performers involved deliver.  Tom Savini shines in a small but crucial part, and his effects work is still impressive to behold.  That man was a wizard, and his importance to the horror genre can't be overstated.  I believe this was his finest hour and his strongest contribution to the industry.

Dawn of the Dead is certainly Romero's best movie, and it may just be the richest zombie film of all time.  I enjoyed the remake, but it lacked the depth and the scope of the original.  In truth, this is the biggest and most remarkable zombie picture of them all, and it is amazing to think that George set his sights so high and delivered such a rousing feature.  Dawn of the Dead is a true juggernaut, a massive film that continues to shock and entertain.  Many will argue that it should hold the top spot on this list, and, in fact, it did when I last sat down to rank the best of the zombie films.  I have the utmost respect for this film, and I can appreciate the argument that it should be king of the mountain.  I just chose to go in a different direction this time.

3)  Night of the Living Dead (original) - 1968

The little picture that started it all is still a potent horror film; it remains genuinely disturbing and continues to inspire conversation some 45 years after its release.  Throughout this lean descent into terror, Romero offers up one deft observation after another.  Despite the presence of the undead fiends who have risen from the grave, it is George's ability to stage conflict amongst the living that makes NOTLD so worthwhile.  This is a theme that he would explore in greater detail throughout his career, but this is Romero at his most bloodthirsty, and the end result is damn impressive.

This is a scary yarn, a grim voyage that concludes on a sour note, and certainly much of the reverence the film receives is due to its ability to scare audiences decades after its original release.  Additionally, people often think that this film is lacking in gore, but I would argue that it merely seems that way because it was shot in black-and-white.  The gore is there, make no mistake about it, it's just that it isn't bright red.  There is a lot of gut-munching, and if there is more gore in George's later efforts, that might have a lot to do with longer running times.

This is a true ensemble piece, following a group of survivors who are immediately thrust into a world gone mad, a world where the dead eat the living.  They take refuge in a desolate farmhouse, and it isn't long before they begin to turn on one another.  This "family" under duress doesn't co-exist well and the tension is almost unbearable at times.  Yes, it's a simple premise, but it serves as the foundation for a rewarding picture that has garnered legions of fans.  The movie works, and the bare-bones premise yields a lot of wit, a lot of insight, and a wealth of scares.

10 years before Romero directed Dawn of the Dead, his talent and his love for the genre were evident.  Though his career trajectory has represented a decline, this film announced the arrival of a genuine presence.  Romero's debut film starts with a bang and never relents, and everyone watching knew that the director of this feature was a voice to be reckoned with.  He would produce at least one more classic, a superior film entitled Dawn of the Dead, but that film has its own spot on this list.  This spot belongs to Night of the Living Dead, a movie that is one of the most significant horror films of all time for a variety of reasons.  Most importantly, NOTLD is a highly-entertaining piece of social commentary that has proven to be a timeless frightfest.


4) Braindead (a.k.a. Dead Alive) - 1992

Zombies have rarely been so much fun.  In 1992, Peter Jackson managed to make one of the sub-genre's most gleefully disgusting pictures of all time.  Braindead is a bizarre love story that is packed with laughs and oozing blood, and you're not likely to find another picture like it.  Indeed, this film goes to such extremes that it nearly becomes a spoof.  There's a kung-fu priest who kicks ass for the lord, a fiendish zombie tot who our hero takes to the park, a vicious Sumatran Rat-Monkey, and the most domineering mother of all time.  Seriously, that mother is a real piece of work.  She makes the Sumatran Rat-Monkey seem like Mickey Mouse.

Forget the plot, this isn't that kind of movie.  This is a movie that is determined to disgust you and tickle your funny-bone in equal measures, and it so far-fetched that it actually becomes quite cartoonish.  While the fright factor is rather low, the film is consistently funny and exciting.

Honestly, I can't emphasize enough just how disgusting Braindead is, but it may just be the bloodiest movie ever filmed.  Romero got an "X" when he submitted Dawn of the Dead to the ratings board in 1978, and it's hard to see how this film fared any better.  Perhaps the MPAA gave Braindead the benefit of the doubt because of the tone, but chuckles aside, this movie is incredibly gross.

There are entire scenes where our hero wages war in a crimson landscape littered with body parts.  The finale is deliriously over-the-top and positively revolting, and it presents a "rebirth" that would have made Freud loose his lunch.  Yes, I went there, and no, I don't have a fever.  Peter Jackson had a fever, and the only prescription he was interested in was more insanity.  That's how he went from Meet the Feebles and Bad Taste to perhaps the only film that could possibly make those productions seem tame, and that would be Braindead, his finest film to date.  Yes, that means I'm placing Braindead above Jackson's LOTR pictures, which are far superior films.  Yet they're rather boring in comparison to this unsettling gem that never fails to provide me with a killer case of the giggles.


5) Zombie (a.k.a. Zombi 2) – 1979

My choice for #5 on this list is the finest offering from a man hailed as the "Godfather of Gore" for good reason.  Some of the films soon to be unveiled here are loaded with quirky humor, but this one is a grueling watch from start to finish.  Yes, Lucio Fulci was known for making his audience squirm, and he was at the very top of his game here.  Some might argue that The Beyond is his best film, but I strongly disagree.  Here, Fulci is on fire, making great use of an ominous score with tribal flourishes and a spooky tropical setting.  Additionally, unlike many of his features, the plot is rather coherent this time out.  Having said that, there's still room for a truly absurd scene where a zombie duels with a shark that will have you admiring the guts (or stupidity) of a man who may just be the world's bravest stuntman.  Yet the true highlight of the picture may be the infamous "eyeball scene" that some of you may have heard about, and that bit is still guaranteed to make you cringe.  

The plot is simple enough: a gutsy reporter and a daring damsel head to a mysterious island in search of her father.  Score 10 points if you expect them to stumble into a nightmare filled with flesh-eating corpses that have somehow come back to life.  Give yourself an additional 10 points if you don't expect anyone to make it out alive.  Yet the power of Zombie has little to do with plot, and owes a great debt to the atmosphere and the horror that Fulci unleashes.   

Zombie is exceptionally gory, and I think it features the most frightening zombies ever depicted on film or television.  There is one sequence where the dead rise from an overgrown cemetery in the midst of the jungle that is positively terrifiying.  Lucio wasn't known for his finesse, and as such this one can be a bit clumsy at times, but it remains tense and frightening after all these years.  In fact, it is probably the scariest film that will be featured on this list.  It might be the most depressing as well, for the 70s were known for gut-wrenching horror flicks with downer endings, and Zombie is no exception.  Speaking of which, the ending is a classic.  Zombie remains one of the most intriguing zombie films ever put on film.  If you haven't experienced Lucio Fulci's most competent shocker, now would be a good time to let this Zombie take a big bite out of you.

. . .

Well, what do you think? 

What's your favorite zombie film? 

What movie should land at the top of the list? 


Note: I have to give a shout out to all the cool people over at RVA Magazine who have been so supportive of me and my work over the years.  I have published a great many Top 5 pieces for them, and this will be an updated version of one of them.  I would just dust off the original, but every time I sit down with one of these lists after a little time away, it changes.  Anyway, I hope you enjoy this Top 5, because you can certainly look forward to more, and if you're not familiar with RVA, do yourself a favor and check them out.