Showing posts with label zombie. Show all posts
Showing posts with label zombie. Show all posts

Monday, October 28, 2019

Short Attention Span Review - 3 from Hell (2019)


Short Attention Span Review - 3 from Hell (2019)

3 from Hell is maybe the best we've seen from Rob Zombie yet. In many ways, it is a perfect representation of what he brings to the cinema. Dark, twisted, colorful, and fun in spite of vile forays into thoroughly unsettling territory, his vision is a crazy kaleidoscope of horrors and cheap thrills. Unabashedly devoted to centering his work upon the evilest denizens of his creative landscapes, he finds ways to both terrify us with these creations and make them endearing. The worst among us can be repulsive and charming in equal measures, and the same could be said for Zombie's audacious fiends. The director's love for grindhouse cinema is also something that could be seen as an amazing strength or glaring weakness. Many might decry this element of his approach as degenerative and uninspired. Others may find it to be wildly compelling, and may even argue that he conjures this sort of atmosphere as well as (if not better than) Robert Rodriguez and QT have been able to. All this aside, I will note that I'm a fan of his work. In particular, I found The Devil's Rejects to be a sinister opus that felt a bit like a horror film directed by Sam Peckinpah, and I view Lords of Salem as an intense and terrifying oddity that isn't easily forgotten.  His features are shot well (even if the choppy editing can be problematic at times), his soundtracks are superb, and he gets wonderful performances from his talent.  I fully appreciate his catalog.  3 from Hell is another superior effort-- as I said at the onset, it may just be his best, though that is surely debatable. What isn't debatable is the sheer impact and the wicked buffet of awful delights that this one is guaranteed to provide for those willing to dip their toes in this ghastly pond. 

Final Grade: A


While Zombie gives Spaulding the best send-off he could under the circumstances, his presence is surely missed throughout an otherwise exemplary sample of the director's divisive fare.

Sunday, October 14, 2018

Short Attention Span Review: The House by the Cemetery (1981)


Short Attention Span Review: House by the Cemetery (1981)

While commonly regarded as one of Italian gore maestro Lucio Fulci's best efforts, House by the Cemetery is likely his most-maligned fan favorite.  This criticism isn't unwarranted, as in many ways the picture is a bit of a mess.  The English dub is an abomination, mostly due to the horrible job they did with young Bob's dialogue, which is truly wretched.  Also, either the picture lost a lot in terms of editing and that sub-par dub, or the script was a mess.  The film is littered with plot holes and boasts some of the most questionable character logic you'll ever see.  This may work in its favor, however, as House by the Cemetery functions largely as a surreal nightmare.  It is also so derivative that it becomes its own unique absurdity, if such a thing is possible, riffing on a gruesome host of beloved horror tropes.  These elements include everything from haunted houses, mad scientists, ghouls, spooky kids, ghastly premonitions, housewives going mad, driven dads who may just be lunatics, to good old-fashioned slasher flicks.  On the positive side of the coin, the cinematography is astounding, the score is mesmerizing, and Fulci brings his trademark gory gloom and doom to a full boil.  He really finds his stride in the last reel, which is utterly horrific, and the director's undying love for downer endings gives this climax some added impact.  Reasonable viewers may well find themselves talking to the screen as things spiral out of control in that final reel.  I watched this one last night, and I said "Nope" a great many times and offered up some iteration of "Don't go in the basement!" at least a dozen times or more.  Unlike The Beyond, Zombi, or City of the Living Dead, Fulci doesn't quite nail the parting shot, which I'm not quite sure I can make heads or tails of.  The verdict is clear, however; House by the Cemetery falls well short of Lucio Fulci's best output, but probably warrants a spot in his Top 5.  It is more than a little problematic, but the creepy factor is high, and the final act is relentless and terrifying in equal measures.

Final Grade: B-


It's a bit of a mess, but it still works, and the scares come fast and furious as House by the Cemetery  nears its grim conclusion.

Tuesday, August 7, 2018

Short Attention Span Review: Halloween II (2009 - Rob Zombie version)


Short Attention Span Review: Halloween II (2009 - Rob Zombie version)

DISCLAIMER:  There are two things that I should point out before we go any further.  First, I am a big fan of Rob Zombie's movies, and I understand that these are polarizing ventures.  His style isn't for everyone, but I dig it in a big way.  Hell, John Carpenter is my favorite director, and I've gone out on a limb before* and stated that I found Zombie's Halloween to be superior to the original because I loved both the additional depth and the ramped-up carnage.  Secondly, my praise here will refer ONLY to the director's cut** of Halloween II.  I saw the theatrical cut upon release and deemed it an abject failure.  After a friend nagged me for years, I finally gave the director's cut a chance and found it to be one hell of a horror film.

This is a case where you go in expecting one thing and get something else.  The opening reel makes it seem like Rob Zombie's second dance with The Shape is going to be a blistering rehash of the original sequel--and it is FREAKING AMAZING!!!  And then things take a hard left.  One of the hardest lefts you're ever going to experience while watching a beloved horror franchise, in fact.  And that may be too much for some to overcome, and it may have played a role in my disdain of the original release (though, upon comparison, there can be no doubt that it is grossly inferior to Zombie's preferred version) back in 2009.  However, those who hang on for the ride will get their money's worth--and then some.  While there are numerous departures from the source material at every turn and Zombie cross-pollinates a bloodthirsty slasher flick with the vision quest from hell, the end result is a dark and demented display of cold-blooded terror.  Eerie, vicious, and even heartbreaking at times, Halloween II covers a lot of bizarre ground.  Yet Zombie never loses his focus, and no matter how twisted things get, the center holds.  There is little relief available to viewers in this unsettling journey into madness and despair, and at times Halloween II is so bleak that it becomes extremely hard to endure.  Many feel that The Devil's Rejects is a tough watch, and I would agree, but Halloween II kinda makes that depraved grindhouse epic feel like a Spielberg movie.  Many of the beats take the story to places I didn't want it to go, but the results are impossible to ignore, and the impact of Rob's dedication to painting such a horrid picture is devastating.  There are moments of such unmistakable pain in this one that it emerges as one of the most haunting horror films I have seen, and that's just not what one typically expects from this sub-genre.  Rob Zombie's Halloween II is bold and unconventional when we want it to be familiar, and then it gets meditative and disturbingly introspective when we want it to be titillating.  I have little doubt that Zombie didn't expect fans to embrace this material with open arms, and the decision to forge ahead and challenge audiences with something so profound and terrifying is the very definition of audacious.  I salute him, and while I wouldn't make my dog watch the theatrical cut, I heartily recommend the director's cut to my fellow fright fans.  Just go in with an open mind and get ready to feel the fear.

Final Grade:  B+


Halloween II is everything you expect from a Rob Zombie film: brutal, grimy, frenzied, and profane.  It is also both the strangest thing he has ever put on film and one of the most surreal horror films you're apt to see from an American director.
*see my story When Michael met Rob - A Killer Love Story in RVA Magazine

**strange but true: I recommend the theatrical cut of Zombie's first Halloween and the director's cut of his sequel.  I don't hate the director's cut of the first one as much as I despise the theatrical cut of the second one, but it is a big step down.

Tuesday, September 15, 2015

Short Attention Span Review: City of the Living Dead (1980)


Widely celebrated as a filmmaker who greatly enjoyed showering his audience with gore, Lucio Fulci was also incredibly talented when it came to establishing mood.  His movies also benefited from quality cinematography and unique plots.  City of the Living Dead is a great example of just what Fulci was capable of.  It is incredibly disgusting at times, so disgusting, in fact, that several sequences are truly difficult to watch.  It is also incredibly creepy, and the sinister mood deepens as the kooky story progresses.  Fulci seldom had the privilege of working with a stellar cast, but City of the Living Dead features Christopher George and Catriona MacColl as a mismatched pair of strangers who set out on a spooky trip to save the world.  They shine in this demented gem, and the supporting cast does a nifty job with the gruesome material as well.  Now, Fulci was always more interested in taking audiences on a ride than maintaining plausibility, so this blood-splattered oddity does include a few plot holes and some random crazy shit like teleporting zombies, people bleeding from their eyes and then puking out their intestines, and maggot showers.  The score is ominous, accentuating a number of tense moments that make all the brutal demises sprinkled throughout the picture that much more intense when they arrive.  City of the Living Dead isn't a great horror film, but it's very effective.  It's a strange zombie film with a bit of a Lovecraft vibe and a lot of energy.  It's not Fulci's best film, but it is one of his better offerings, and those who enjoy this sort of material should definitely take a little trip to the City of the Living Dead.  Just make sure to pack a barf-bag. 

Final Grade: C+

In City of the Living Dead, once the bleeding from the eyes begins,
watch out--things are about to get incredibly disgusting.

Friday, March 27, 2015

Cult Classics from Dimension X: The Return of the Living Dead (1985)

I'm frequently asked to name my favorite zombie film, and despite my affection for Romero (and Dawn of the Dead in particular), my answer is always the same.  It's The Return of the Living Dead, the 1985 ode to punk rock and dead people who won't stay buried that never fails to thrill or amuse me.  Not only is this Dan O'Bannon feature my favorite zombie flick, but it's one of my favorite horror movies in general.  Hell, we can take that one step further, for it's truly one of my favorite movies from any genre.  It's a fast-paced nightmare loaded with black humor and wonderful dialogue, and it benefits from the presence of a talented cast highlighted by Clu Galager, James Karen, and Thom Mathews.  They make the most of the material and the twisted frightfest that ensues is a disgusting descent into madness and terror where no one's brain is safe.

Dan O'Bannon made a nice mark in the horror genre (Alien was his idea and he contributed to a number of horror films over the years) but directing The Return of the Living Dead was surely his finest hour.  The picture moves at a frantic pace, the characters are well-drawn and the performances are top-notch, the effects are massive, the score is killer, and the movie greatly benefits from a perfect ending.  What did he do wrong?  I can't think of anything.  O'Bannon gave us a wildly different take on the zombie sub-genre that can be seen as a bit of a trendsetter in a great many ways.  Long before fast zombies became so popular, the undead were racing around in this gory delight.  Additionally, the diverse and rebellious cast of characters and the lack of a clear-cut hero or heroine are both noteworthy and admirable.  Finally, the humorous aspect of the picture is probably the biggest reason that The Return of the Living Dead is so beloved by so many, and it generates a wealth of laughter despite the fact that it takes itself seriously.  It isn't hokey or silly, it just showcases gifted performers portraying characters who come apart at the seams and rant and snarl at one another as things get progressively worse.  The picture also has a gift for irony.  I think it's a shame that O'Bannon didn't direct more movies, but he knocked this one out of the park.

These punk rock kids just want to have a good time.  Don't we all?

The acting in The Return of the Living Dead is absolutely terrific.  There are so many memorable performances and so many cool characters that it would be hard to pick a favorite.  Thom Mathews and James Karen are fabulous as Freddie and Frank, and their antics never get old.  Clu Galager is on fire as Burt and his various rants are all highlights of the picture.  Miguel Nunez may steal the show as Spider, but there's also Don Calfa as Ernie, the kooky mortician who wears a sidearm and is surprisingly quick on the draw.  The way these characters (and many more) argue with one another, cutting lines short and yelling over top of each other, is riveting and gives the piece an authentic feel that is often lacking from movies where the staging is a bit more deliberate so far as the dialogue is concerned.  There are so many classic exchanges, so many great lines, and so many big moments.  The cool thing is the lack of a singular hero makes this a true ensemble piece, meaning there are plenty of worthwhile bits to go around.  It's a big cast that works very well together, and everyone gets their moment. 

The soundtrack rules!  It's definitely in my Top 10 so far as soundtracks go.
I am such a fan of the soundtrack for this movie that I've devoted an entire blog to it.  You can read it here.  For the purposes of this piece, I just want to acknowledge how important it is to the movie.  The notion of melding a zombie film with punk rock music (and a bunch of punk rock characters) was such a cool decision and it works so well.  Additionally, while many movies have cool soundtracks but fail to make the best use of the great tracks at their disposal, the music is essential to The Return of the Living Dead.  Several of the best scenes would suffer greatly if the songs that accompany them were removed.  It's hard to think of a movie with a better soundtrack that was used to greater effect, but if such a film exists, it's probably one of QT's flicks. 

In closing, I can't recommend this one enough.  I love horror films (you already knew that) and the zombie sub-genre in particular (you already knew that too), and I truly believe that this is the best of the bunch so far as brain-munching shenanigans are concerned.  There's so much to love and it's so damn fresh.  It is gruesome, tense, and frightening, and yet it can be absolutely hilarious at times.  The soundtrack rocks, the direction and the editing are stellar, and the cast is wonderful.  The Return of the Living Dead is the most entertaining and the zaniest film in a long line of horror classics that will not die, the cinema of the undead. 

The Return of The Living Dead Trivia

While it is widely believed that the presence of a pair of pals named Bert and Ernie is a gag, Dan O'Bannon has stated that he was actually oblivious to the existence of the beloved muppets with the same names who reside on Sesame Street.

Ernie (played by Don Calfa) is a nazi in hiding.  His use of German, his musical preferences, the photo of Eva Braun he keeps in his morgue, and even his choice of sidearm are among the clues to his secret identity sprinkled throughout the picture.

When Trash does her striptease, you're not actually seeing full frontal nudity.  Linnea Quigley wore a plastic application for that sequence that concealed her private parts.  

Clu Galager was a last-minute addition to the cast and he apparently wasn't all that easy to get along with.  According to various reports, he was prone to temper tantrums and violent outbursts on set.  There are even claims that the effects team secretly swapped a rubber pipe for the real one he was wielding at one point during the film because his peers were afraid that he would lose his cool while armed with a lead pipe.

While John Russo (co-writer of the original Night of the Living Dead) wrote a script entitled Return of the Living Dead and receives a story credit for this picture, it is believed that very little of his material was used.  O'Bannon thought Russo's script was too serious and too closely resembled Romero's work, so it was re-written as more of a satire.

Some of the cast members portraying zombies actually chowed down on raw calf brains during filming.

Saturday, March 21, 2015

Short Attention Span Reviews: Shock Waves (1977)

I don't know why, but when it comes to cheesy horror movies I'm a modern era snob.  Try to introduce me to a low-budget horror movie from 2015 and odds are I won't care to view it.  Find me a low-budget horror movie from 1977 and I'll buy the popcorn.  Honestly, I think the old crap is a lot better than the new crap.  Yet that isn't always the case and films like Shock Waves stand as proof of that.  Now, I knew that Shock Waves was either going to be bad or "so bad that it's good" going in, but one of my fellow horror fanatics is really keen on this particular nazi zombie flick and that gave me high hopes.  He was wrong.  I was misled.  I'm sorry, Peter Cushing, but Shock Waves is a lousy movie.  Before we start discussing things that the movie didn't do well, let's talk about areas where Shock Waves managed to succeed.  Well, . . . that was a short list.  No, seriously, they cast Peter Cushing and the atmosphere was a bit charged at times, though that probably happened by accident.  The sets are cool, though the fact that the camera was apparently operated by an orangutan makes it hard to enjoy the locations.  I'm assuming the director was drunk because I want to give him the benefit of the doubt.  The editor must have gone missing long before he finished his work with the picture.  The score could only be deemed impressive if it had been provided by small children.  On a similar note, the effects could only be deemed impressive if they had been provided by small children wearing blindfolds.  If there was a movie about people having to sit down and watch Shock Waves, that movie would be far more frightening than Shock Waves.  Seriously, if you're thinking about watching Shock Waves, I implore you to take your copy of the movie and toss into the depths where it belongs.  In fact, I should have given it the Spinal Tap treatment.  Hell, it's not too late--here's my alternate review of Shock Waves: "Shit Waves."

Final Grade: F-
This is what will happen to you if you ignore my advice and watch Shock Waves.

Tuesday, March 17, 2015

Short Attention Span Review: Night of the Living Dead (1990)

As is so often the case, this remake is inferior to the original, but that doesn't mean that it isn't a worthwhile zombie flick.  In spite of what you may have heard about Tom Savini's version of the George Romero classic that started it all, I rather enjoy it.  It's not groundbreaking and it doesn't bring anything new and inventive to this particular sub-genre, but that's okay.  It is a solid update with nifty effects and a good cast.  The score works for me, the mood is suitably grim, and I do enjoy it a lot.  In a rare role as the hero of a horror flick, Tony Todd is absolutely terrific, and Patricia Tallman also shows a great deal of range with her performance.  Most importantly, I thought Tom Towles was a bit of a revelation as the dick.  Most good horror movies have a dick and this Night of the Living Dead has one of the most irritating dicks you'll ever encounter.  Ideally, you don't spend a lot of time with irritating dicks to begin with, but you know what I'm saying.  Towles seldom fails to piss me off with his performance, yet there are a handful of occasions (most notably his "options" speech) that greatly amuse me.  The fact that Tony Todd has to deal with this dude makes him as much of a hero as his zombie-bashing exploits in this picture.  Additionally, I think Tom Savinia did a good job as the director.  There are no major shortcomings to complain about and his Night of the Living Dead doesn't deserve the bad reviews some have given it.  Now, if I make a list of the best zombie movies ever (been there, done that: link) you won't find this 1990 effort on the list, but I'm still going to recommend it.  It is not as shocking as the original and it isn't as wild or creative as many of the zombie movies that Romero's 1968 surprise hit has spawned, but it is an entertaining and well-made horror movie.

Final Grade: C+
Drinking Game: take a shot every time you want to punch this guy in the mouth.

Sunday, March 15, 2015

Short Attention Span Review: Mutant (1984)

I'm pretty sure that Mutant (a.k.a. Night Shadows) is a bad movie.  It may even be a terrible movie.  I'm also going to give it a decent grade here because I believe that it is very entertaining.  Honestly, it may actually be a good movie--fairly good anyway.  Forgive me, sometimes it's hard to tell with these schlocky horror flicks.  I am sure of this: if it is good, it's not very good, and if it is bad, it's of the "so bad that it's good" variety.  The leads are Wings Hauser and Bo Hopkins, so that definitely earns the picture some credit in my book.  I'm a big fan of Wings and I feel that his B-movie legacy is the stuff of legend.  He has also appeared in some major films, to include his amazing performance in Vice Squad, a personal favorite of mine.  Bo Hopkins was a charismatic and likable performer who always did a great job of playing Bo Hopkins.  Not surprisingly, he plays Bo Hopkins well in Mutant.  Together, Wings and Bo hold this creative shocker together despite some flaws, most of which pertain to the lackluster creature effects and make-up.  Yet there are some decent scares and the plot sprinkles a few surprises in the mix to keep us on our toes throughout.  There are a host of maniacal hillbillies that our heroes must deal with when they aren't on the run from a new breed of zombie/vampire/mutant/I'm-not-really-sure-exactly-what-the-hell-these-things-are.  These shambling mystery monsters are the result of the reckless disposal of volatile waste, making Mutant another of those "Man fucks with the ecosystem, man gets eaten" stories they taught us about in high school.  Only man doesn't get eaten this time out--it's a twist!  These things that resemble sick people wearing Alice Cooper make-up have slits on their palms that ooze acidic slime.  If they touch you and get this perilous slime on you, you get to join the club.  Hey, it's different, and it ramps up the tension considerably during the rollicking finale.  With zombies, you can fight them off so long as they don't sink their teeth into you, but with these things you're toast if they manage to touch you.  The direction from John "Bud" Cardos (the man responsible for Kingdom of the Spiders) is solid and the film zips along.  For whatever reason, I'm actually really fond of Mutant, and while some will surely view it as a failure, I'm definitely going to give it a passing grade.

Final Grade: C
I'm pretty sure that I've hung out with this crowd at a party before.

Monday, February 2, 2015

Short Attention Span Review: Dead Heat (1988)

Last night, I watched Dead Heat for the first time in a while.  This silly zombie/buddy cop feature has always been one of my personal favorites, and I'm pleased to report that it is aging well.  The effects still rock and the nifty mix of laughs and thrills continues to work.  Of course, the best thing about the movie are the actors in the lead roles.  Treat Williams and Joe Piscopo, two more-than-capable performers who never truly got their due, work extremely well together here.  Neither part represents an easy gig, but both men are spot-on, nailing both the action bits and the comedy.  The movie races along, running a brisk 86 minutes, and the ending is a nice touch.  Seriously, it's hard to go out on a positive note after you've killed all of your main characters, but that's precisely what happens here.  If you have never seen Dead Heat and you dig zombies or buddy cop pictures, do check this one out.

Final Grade: A-

Thursday, April 4, 2013

Top 5 Zombie Films

Well, the third season of The Walking Dead has drawn to a close, but that doesn't mean that we can't find time to celebrate our favorite films featuring zombies.  In fact, it might just get the bitter taste out of our mouths after sitting through that lackluster season finale.

Yes, seeing legions of the undead advance on the living has seldom been so en vogue, but this sub-genre has offered up a great many quality films over the years.  Many of them rank among my personal favorites, and I would be lying if I didn't say that I consider myself to be an expert of sorts on the subject.  So then, let's get this party started.  I hope you will share your thoughts, and I hope you enjoy this as much as I did.

Top 5 Zombie Films

1) Return of the Living Dead - 1985

Look, sometimes the pedigree isn't there, yet the end result can still turn out to be a masterpiece.  There aren't enough people out there who cherish Dan O'Bannon and actors like Clu Galager and James Karen were never household names, but it doesn't matter.  Return of the Living Dead is an absolute blast, an insane riff on zombie movies that winds up improving upon the very pictures that it was inspired by and set out to rib.  This surprising outcome isn't necessarily tied to the steady direction or the the terrific performances, and it can't be attributed directly to the rollicking punk score or the quality effects either.  No, Return of the Living Dead works as well as it does because it is a sum of its parts, and they fit together perfectly.

Every role is given the same weight, and that is one of the keys to the movie's power.  Every second matters, and time is running out.  Every scene counts.  Every death is striking.  This is no horror film fueled by senseless nudity and a body count, but it isn't going to disappoint anyone looking for such cheap thrills either.  At the end of the day, everyone should be happy.

This is a fast-moving story with incredible momentum and some of the finest dialogue ever scripted.  It boasts fast zombies and it was made long before recent trends made that the norm.  ROTLD marries itself to the punk rock scene to terrific effect, to include a morbidly charming band of teenage rogues at the forefront, and that superb soundtrack.  There are songs from The Cramps and The Damned and the music really adds a lot to the movie.  The script is wildly inventive, the pace is relentless, and the special effects are totally convincing.

Most of all, though, it's that acidic dialogue that really makes this one work.  As the shit hits the fan and stress levels rise, the characters gripe, plead, sob, taunt, and snarl at one another in a most realistic fashion.  Sometimes they're all talking at once, and the tension is palpable as they face off in verbal duels that resonate.  Exchanges like this one make ROTLD a genuine pleasure:

Chuck: Hey, Casey, do you like sex with death?
Casey: Yeah, so fuck off and die.

Or this one:

Suicide: How come you guys only come around when you need a ride someplace?
Spider: 'Cause you're one spooky motherfucker.

Here's another of my faves:

Frank: What are we gonna do, Burt?
Burt: I'll tell you what I'm going to do.  I'm going to be sued by the Darrow Chemical Company.  I might even be investigated by the government.  I might become very famous.  I might even lose my business.  I might even go to jail, goddamit!  That's what I'm going to do!

And, of course:

Frank: Watch your tongue, boy, if you like this job!
Freddy: Like this job!?!

Return of the Living Dead is volatile, it's scary, it's disgusting, it's lean, and it's just a hell of a good time.  It has to be one of my favorite movies over all, and I'm officially pegging it as my top zombie flick.  It's a quick and bumpy ride that is packed with thrills and laughs, and it remains a fresh take on a beloved sub-genre long after it should have grown stale.  In fact, I think the opposite is true, and as horror features that generate as many chuckles all too often veer into parody, this dazzling blend of terror and humor is becoming more and more potent.  Yes, it's a wild ride, but it also has some serious bite.  This one has it all, and though it may be a strange pick for the top spot on this list, I think it is ferocious enough to warrant it.

2) Dawn of the Dead (original) - 1978

No one says: "Screw the MPAA, we'll release the damn thing unrated."  No one.  Well, no one except George Romero, who landed a major hit in the process.  No one else could capture the goriest satire ever and perhaps one of the most profound statements on commercialism we'll ever see on film.  No one else would have been able to dig so deeply into the premise, lovingly mining each character and the fragile relationships this nightmarish scenario gives birth to.  No one else could have brought us the sheer heartbreak that comes as a result of watching these determined survivors struggle, facing off with both the undead and their futile attempts to pretend that things really aren't all that different when there aren't zombies trying to knock down the door.

Dawn of the Dead follows four survivors trying to find their way in a zombie apocalypse.  They set up shop in a mall and make an attempt to find some sort of solace.  They find some measure of peace, but it isn't long before a marauding band of bikers/looters come barreling through.  It's a tragedy, really, but there are thrills, and there's a lot of humor, and somehow this one doesn't wind up feeling like the downer it truly is.  While the viewer must pay an emotional toll, there is a lot of fun to be had along the way.  This film has a little bit of everything, to include terror, drama, suspense, and comedy, and it strives to be a character study of the highest order.

It should be noted that none of the leads were established stars, but that doesn't stop these thespians from putting on a hell of show.  The four lead roles are all rather complex, but all of the performers involved deliver.  Tom Savini shines in a small but crucial part, and his effects work is still impressive to behold.  That man was a wizard, and his importance to the horror genre can't be overstated.  I believe this was his finest hour and his strongest contribution to the industry.

Dawn of the Dead is certainly Romero's best movie, and it may just be the richest zombie film of all time.  I enjoyed the remake, but it lacked the depth and the scope of the original.  In truth, this is the biggest and most remarkable zombie picture of them all, and it is amazing to think that George set his sights so high and delivered such a rousing feature.  Dawn of the Dead is a true juggernaut, a massive film that continues to shock and entertain.  Many will argue that it should hold the top spot on this list, and, in fact, it did when I last sat down to rank the best of the zombie films.  I have the utmost respect for this film, and I can appreciate the argument that it should be king of the mountain.  I just chose to go in a different direction this time.

3)  Night of the Living Dead (original) - 1968

The little picture that started it all is still a potent horror film; it remains genuinely disturbing and continues to inspire conversation some 45 years after its release.  Throughout this lean descent into terror, Romero offers up one deft observation after another.  Despite the presence of the undead fiends who have risen from the grave, it is George's ability to stage conflict amongst the living that makes NOTLD so worthwhile.  This is a theme that he would explore in greater detail throughout his career, but this is Romero at his most bloodthirsty, and the end result is damn impressive.

This is a scary yarn, a grim voyage that concludes on a sour note, and certainly much of the reverence the film receives is due to its ability to scare audiences decades after its original release.  Additionally, people often think that this film is lacking in gore, but I would argue that it merely seems that way because it was shot in black-and-white.  The gore is there, make no mistake about it, it's just that it isn't bright red.  There is a lot of gut-munching, and if there is more gore in George's later efforts, that might have a lot to do with longer running times.

This is a true ensemble piece, following a group of survivors who are immediately thrust into a world gone mad, a world where the dead eat the living.  They take refuge in a desolate farmhouse, and it isn't long before they begin to turn on one another.  This "family" under duress doesn't co-exist well and the tension is almost unbearable at times.  Yes, it's a simple premise, but it serves as the foundation for a rewarding picture that has garnered legions of fans.  The movie works, and the bare-bones premise yields a lot of wit, a lot of insight, and a wealth of scares.

10 years before Romero directed Dawn of the Dead, his talent and his love for the genre were evident.  Though his career trajectory has represented a decline, this film announced the arrival of a genuine presence.  Romero's debut film starts with a bang and never relents, and everyone watching knew that the director of this feature was a voice to be reckoned with.  He would produce at least one more classic, a superior film entitled Dawn of the Dead, but that film has its own spot on this list.  This spot belongs to Night of the Living Dead, a movie that is one of the most significant horror films of all time for a variety of reasons.  Most importantly, NOTLD is a highly-entertaining piece of social commentary that has proven to be a timeless frightfest.


4) Braindead (a.k.a. Dead Alive) - 1992

Zombies have rarely been so much fun.  In 1992, Peter Jackson managed to make one of the sub-genre's most gleefully disgusting pictures of all time.  Braindead is a bizarre love story that is packed with laughs and oozing blood, and you're not likely to find another picture like it.  Indeed, this film goes to such extremes that it nearly becomes a spoof.  There's a kung-fu priest who kicks ass for the lord, a fiendish zombie tot who our hero takes to the park, a vicious Sumatran Rat-Monkey, and the most domineering mother of all time.  Seriously, that mother is a real piece of work.  She makes the Sumatran Rat-Monkey seem like Mickey Mouse.

Forget the plot, this isn't that kind of movie.  This is a movie that is determined to disgust you and tickle your funny-bone in equal measures, and it so far-fetched that it actually becomes quite cartoonish.  While the fright factor is rather low, the film is consistently funny and exciting.

Honestly, I can't emphasize enough just how disgusting Braindead is, but it may just be the bloodiest movie ever filmed.  Romero got an "X" when he submitted Dawn of the Dead to the ratings board in 1978, and it's hard to see how this film fared any better.  Perhaps the MPAA gave Braindead the benefit of the doubt because of the tone, but chuckles aside, this movie is incredibly gross.

There are entire scenes where our hero wages war in a crimson landscape littered with body parts.  The finale is deliriously over-the-top and positively revolting, and it presents a "rebirth" that would have made Freud loose his lunch.  Yes, I went there, and no, I don't have a fever.  Peter Jackson had a fever, and the only prescription he was interested in was more insanity.  That's how he went from Meet the Feebles and Bad Taste to perhaps the only film that could possibly make those productions seem tame, and that would be Braindead, his finest film to date.  Yes, that means I'm placing Braindead above Jackson's LOTR pictures, which are far superior films.  Yet they're rather boring in comparison to this unsettling gem that never fails to provide me with a killer case of the giggles.


5) Zombie (a.k.a. Zombi 2) – 1979

My choice for #5 on this list is the finest offering from a man hailed as the "Godfather of Gore" for good reason.  Some of the films soon to be unveiled here are loaded with quirky humor, but this one is a grueling watch from start to finish.  Yes, Lucio Fulci was known for making his audience squirm, and he was at the very top of his game here.  Some might argue that The Beyond is his best film, but I strongly disagree.  Here, Fulci is on fire, making great use of an ominous score with tribal flourishes and a spooky tropical setting.  Additionally, unlike many of his features, the plot is rather coherent this time out.  Having said that, there's still room for a truly absurd scene where a zombie duels with a shark that will have you admiring the guts (or stupidity) of a man who may just be the world's bravest stuntman.  Yet the true highlight of the picture may be the infamous "eyeball scene" that some of you may have heard about, and that bit is still guaranteed to make you cringe.  

The plot is simple enough: a gutsy reporter and a daring damsel head to a mysterious island in search of her father.  Score 10 points if you expect them to stumble into a nightmare filled with flesh-eating corpses that have somehow come back to life.  Give yourself an additional 10 points if you don't expect anyone to make it out alive.  Yet the power of Zombie has little to do with plot, and owes a great debt to the atmosphere and the horror that Fulci unleashes.   

Zombie is exceptionally gory, and I think it features the most frightening zombies ever depicted on film or television.  There is one sequence where the dead rise from an overgrown cemetery in the midst of the jungle that is positively terrifiying.  Lucio wasn't known for his finesse, and as such this one can be a bit clumsy at times, but it remains tense and frightening after all these years.  In fact, it is probably the scariest film that will be featured on this list.  It might be the most depressing as well, for the 70s were known for gut-wrenching horror flicks with downer endings, and Zombie is no exception.  Speaking of which, the ending is a classic.  Zombie remains one of the most intriguing zombie films ever put on film.  If you haven't experienced Lucio Fulci's most competent shocker, now would be a good time to let this Zombie take a big bite out of you.

. . .

Well, what do you think? 

What's your favorite zombie film? 

What movie should land at the top of the list? 


Note: I have to give a shout out to all the cool people over at RVA Magazine who have been so supportive of me and my work over the years.  I have published a great many Top 5 pieces for them, and this will be an updated version of one of them.  I would just dust off the original, but every time I sit down with one of these lists after a little time away, it changes.  Anyway, I hope you enjoy this Top 5, because you can certainly look forward to more, and if you're not familiar with RVA, do yourself a favor and check them out.