Showing posts with label creature. Show all posts
Showing posts with label creature. Show all posts

Thursday, January 16, 2020

Short Attention Span Review - Split Second (1992)


Short Attention Span Review - Split Second (1992)

I recently sat down and rewatched this cult classic from 1992 for the first time in decades.  While it made only a minimal impact on cable and in the rental industry, I recalled it fondly.  Truth be told, it still holds up pretty well.  Star Rutger Hauer makes the most of a brazen part, throwing himself into the role of Harley Stone, a true loose cannon.  We often hear cops billed as such in films, but seldom see them behave like Hauer's Stone.  This guy constantly disobeys orders, chokes fellow officers who dare contradict him (with his captain looking on, no less), raids the armory, and essentially operates as a revenge-obsessed vigilante with a badge.  Alastair Duncan matches Hauer's intensity in the role of a timid sidekick who has also become a raging lunatic by the end of the movie.  Duncan's "big fucking guns" bit is the highlight of the picture.  What will ultimately make Split Second worthwhile for some and a disappointment to others is the kooky nature of this feature.  Split Second is equal parts brooding science fiction, guns-blazing action, and bloody horror.  The movie revolves around the pursuit of a fearsome killer who is ultimately revealed to be a gruesome hybrid of Venom and a Xenomorph.  Little to no explanation is given for this exciting but rather inexplicable development, and it certainly calls into question several aspects of the plot.  Like, the thing is ten feet tall and decidedly inhuman--how is it preying on people in bars without being seen, and why does it care about astrology and other human interests?  What's the deal with its psychic connection to a particular renegade cop?  Why does it toy with him while slaughtering everyone else?  In the end, it doesn't really matter, at least not to these filmmakers.  The effects are okay, the score is quality, the sets are good enough that one wishes more was made of the unique "futuristic London under water" environment, and the performances are remarkable.  Split Second is a B grade creature feature at heart, no doubt about it, but exceptional talent before the camera makes it stand apart from the pack.

Final Grade: B-


Hauer is totally unhinged in the lead role, and his presence is ultimately what makes Split Second memorable.

Friday, January 10, 2020

Short Attention Span Review - Underwater (2020)


Short Attention Span Review - Underwater (2020)

I'm a sucker for monster movies set in the depths of the ocean, and I readily admit that most of these films aren't very good.  With that in mind, it is safe to say that Underwater follows in their footsteps.  While better than Deepstar Six and pretty much on the same level as Leviathan, it falls well short of the high water mark for such fare, Deep Rising.  However, it does have many things going for it.  I really liked the design elements, to include the sets and the creepy-crawlies.  The frantic pace seemed like a good idea, particularly during a rousing opening.  After that, however, the movie got lost and floundered before finding its way back for an explosive conclusion with some potent emotional heft thrown in for good measure.  Though they were painted in the broadest of strokes, I did enjoy the characters, and the performances were far better than what we often see in such a run-of-the-mill creature feature.  I did find Kristen Stewart to be particularly effective, and she certainly gave it her all.  However, it did seem a bit odd that she had to spend so much of the picture running around in her underwear.  At one point, they noted that the temperature had risen ten degrees because of an incident, but at seven miles below the surface, I doubt that turns the ocean into a liquid sauna.  And they also pointed out that the dive suits they frequently lumbered around in were too tight to accommodate regular clothing,  but since wetsuits and form-fitting clothing are actual things, this too felt like a lame excuse.  Like, no bullshit, there are probably women in prison flicks where the ladies aren't exploited quite as much.  My biggest complaint would be what could have been a total lack of competency, though I think it was actually a desire to provide an immersive effect geared toward exploring claustrophobia and disorientation.  Translation: for much of the picture, I had no idea what was happening.  There were several key moments (to include two pivotal deaths) that will forever remain mysteries to me, despite what were no doubt highly expensive displays of Grade A shaky cam magic.  In the dark.  Key dialogue was muffled by heavy breathing and distorted transmissions.  Entire setpieces were lost to a fog of paranoia and jarring visuals, punctuated by quick glimpses of darkness and more darkness.  Maybe this sounded good in concept, but when a character you enjoy perishes and you have no idea what went down, it's a bit of a bummer.  When it happens more than once, it becomes flat out frustrating.  That's how I would ultimately describe Underwater: frustrating.  Everything necessary for a groovy chiller is on hand, but the ingredients are misused, and the resulting dish is a little bland, a little messy, and very forgettable despite a couple of exciting flourishes.

Final Grade: C-


Kristen Stewart is pictured here in more than just her undergarments.  She bares her soul in a fine lead performance that also requires her to bare everything else far too often.

Tuesday, July 31, 2018

Short Attention Span Review: Rampage (2018)


Short Attention Span Review: Rampage (2018)

As someone who played the video game this movie is based on in my youth, the news that this property was being developed into a film hit me like a ton of meh.  There wasn't much in the way of a plot so far as the game was concerned, and even after The Rock signed on to star in the picture, I just didn't see how this could be anything special.  I think I was expecting something more along the lines of Pixels, so I got a pleasant surprise when I took my son to see this one in the theater.  We revisited it on Blu-Ray this weekend with the whole fam, and my opinion hasn't changed: Rampage is a solid creature feature.  It's not quite on par with Kong: Skull Island, but it isn't too far off, and while I think the 2014 version of Godzilla is a superior movie, Rampage offers a lot more in the way of entertainment.  The effects were pretty awesome, there were some big laughs along the way, and anyone who enjoys seeing giant monsters run amok is guaranteed to enjoy the shenanigans that unfold in this nonsensical romp.  The Rock does a bang-up job in the lead role, investing a lot of heart into the picture, while most everyone else is relegated to playing a cliche aside from George, the albino gorilla/CGI spectacle who enjoys quite a bromance with our star.  Genre fans will likely enjoy the little Predator homage embedded in the first act, and the last reel is a cinematic bombardment of carnage on an epic scale.  Perhaps most impressive is the fact that the movie manages to tell an interesting tale and deliver some serious kicks while also finding a way to pay homage to the simplistic video game it is based upon.  While I'm a big fan of The Rock as a personality, I have often found his filmography to be a bit lacking, and I surely didn't expect Rampage to offer anything new and different.  In truth, it didn't, but those who enjoy my blog should know by now that I'm sucker for a creature feature, and I'm not one to throw stones at a servicable B movie.  This is both of those things, and it is also one of The Rock's most enjoyable offerings.

Final Grade: B+

Surprisingly, Rampage emerges as a solid creature feature and one of The Rock's  most entertaining movies.

Monday, July 30, 2018

Short Attention Span Review: A Quiet Place (2018)


Short Attention Span Review: A Quiet Place (2018)

For a film fanatic, there are few feelings so sublime as that sense of bliss that washes over you when you realize you are watching an instant classic.  Sometimes this can be misleading, as it isn't uncommon for an epic set-up or some incredible filmmaking to break down at some point, but occasionally the filmmakers deliver the goods from start to finish.  A Quiet Place is one of those flicks where things begin and end on a high note, with a series of high notes sprinkled in between for good measure.  The pitch is simple but intriguing and new, and the execution is flawless.  Truthfully, I can't think of anything that warrants criticism.  The acting is sensational, with everyone in the small cast doing an amazing job of bringing their characters to life.  It's hard to single anyone out, but Emily Blunt surely deserves special praise given her Oscar-worthy performance even if none of her co-stars lag too far behind her tour de force.  The script is keen and insightful; it is stripped to the bare essentials, yet it contains incredible depth and completely fleshes out its vision.  Co-star John Krasinski is a bit of a revelation as a director, and he nearly matches his wife with an invigorating performance.  Few genres depend on a good score and sound effects as much as the horror genre, and the very concept of  A Quiet Place demands an awful lot on those fronts--and the artists come through in spectacular fashion.  The creature design is a big winner, the pacing and editing are on point, . . . there's just nothing to complain about here.  There is a lot to marvel at, and viewers who journey to A Quiet Place will be swept away by a vivid sensation that will terrify and move them in equal measures. This is a fine example of the horror genre at its very best, as A Quiet Place is an amazing experience that easily stands as one of the best films we'll see this year--or any other year, for that matter.

Final Grade: A+

An inventive concept and excellent craftsmanship combine to yield an instant classic.  A Quiet Place is not just a great horror film, it's a great film in general.

Wednesday, July 25, 2018

Short Attention Span Review: Dark Was the Night (2014)


Short Attention Span Review: Dark Was the Night (2014)

Here's a little picture that slipped through the cracks for the most part and didn't seem to garner a lot of praise.  Mostly regarded as average, I was intrigued by the title and premise, but I honestly didn't expect much from Dark Was the Night.  However, it didn't take long for me to become enthralled, and I found this to be a rock solid creature feature.  I really enjoyed the old school monster movie approach with a plot that fit the "slow boil" mold to perfection and direction that yielded only a few glimpses of the creature until the rousing conclusion.  Kevin Durand and Lukas Haas put in quality work as the leads, and each character came equipped with a backstory that made them easy to root for.  I liked the way the town of Maiden Woods was depicted, and a typical assortment of stock characters made me feel right at home in no time.  Director Jack Heller did a great job of establishing suspense and creating an atmosphere of dread while fleshing out his characters, and he engineered a few big scares along the way to give this one some bite.  Some might be annoyed at the bluish tint that settles over most of the proceedings, but I thought it gave the picture a unique look and it paired nicely with some of the emotional battles playing out in the lives of our protagonists.  Finally, the big finale didn't let me down, and while the effects weren't exactly top-shelf material, they didn't miss the mark by much.  When the town of Maiden Woods gathered together to make their last stand, I found the confrontation that played out to be thrilling and satisfying, and the ending was a perfect throwback to the creature features of my youth.  Yes, those who have a similar nostalgia for the monster movies of the 70s and 80s may find more to enjoy here than modern audiences, but Dark Was the Night is a well-made horror flick that should entertain genre fans of any era.  Is it a B movie?  Absolutely, but it's a damn good B movie, and I would personally welcome a sequel with open arms.

Final Grade: B

I loved the old school creature feature feel, and Kevin Durand and Lukas Haas made for a pair of likable leads.

Thursday, July 19, 2018

Short Attention Span Review: The Ritual (2017)


Short Attention Span Review: The Ritual (2017)

While I felt that Hereditary stunk up the joint in a big way, I did recently scope out a truly unnerving horror film on Netflix.  Despite the fact that the plot hinges on four otherwise intelligent dudes deciding to take a shortcut through the woods (and sticking to that shortcut despite several clear warnings in the first act that would have inspired any reasonable soul to backtrack), this is a somber outing with some big scares up its sleeve.  Yes, The Ritual may suffer from a few serious lapses in character logic, but it will still scare you silly thanks to a potent atmosphere, a fine score, and some magnificent effects.  An exercise in mounting dread, it doesn't take long for this one to grab viewers, and the pace is relentless, with things getting tougher and tougher for our protagonists as the picture deftly marches toward unspeakable terror.  What awaits our largely unknown cast is a different sort of menace, and this gruesome monstrosity is brought to life in magical ways.  I think The Ritual features one of the best creature designs in recent memory, and the final reel is loaded with amazing visuals that allow the horror to take root.  There is also a lot of depth to the piece, with the characters turning on one another and struggling to come to terms with their unlikely fate in believable fashion.  It's also willing to ask some tough questions, and our response to fear and danger is probed in such a manner that will lead the viewer to ponder whether they would stand their ground or submit in extreme circumstances.  This difficult introspection is perhaps the heart and soul of the piece, and it is handled in such a way that this troubling debate gives the film incredible gravitas.  The acting is another of The Ritual's strengths, and all told, I found this one to be a grim and disturbing voyage into a wicked unknown.  I have to take a few points away for the boneheaded behavior in the opening reel, but beyond that, I have no complaints.  Most importantly, it gave me the willies.

Final Grade: B+


Let this be the last word on the matter: there is no such thing as a shortcut through the woods.

Monday, April 3, 2017

Short Attention Span Review: Kong: Skull Island (2017)


Short Attention Span Review: Kong: Skull Island (2017)

When I was a chap, Pop took me to see Godzilla 1985 and I had an absolute blast.  Last week, I got to take a couple of my wee ones to see Kong: Skull Island, and we had a blast with what is certainly a vastly superior film.  In fact, as a lifelong fan of both Godzilla and King Kong (and pretty much any other giant monster I've seen on-screen), I think it's safe to say that I don't know if there's any such venture that packs as much excitement into its run time as this 2017 thrill ride.  Now, it does suffer a little from a lack of originality (it does represent a fresh take on the material, but in many ways this is the still the Kong we all know and love) and it may not have the heart and soul that some of the more moving takes on this property have benefited from, but it is jam-packed with exhilaration and creativity.  The effects are stupendous, and a fine cast led by Tom Hiddleston, Brie Larson, and Samuel L. Jackson work very hard at not being upstaged by John C. Reilly at every turn.  Hiddleston proves to be a quality leading man, Larson's presence gives all the mayhem unfolding on screen some depth, and Jackson flirts with the Jon Voight in Anaconda approach.  It is Reilly who really steals the show, however, and while his humor is evident throughout, he also brings a lot of energy and emotion to Kong: Skull Island.  This slick motion picture is very much in the summer blockbuster mold, and those who get their kicks from creature features and 70s rock may not have a better time at the theater in 2017.  It's not a great movie, but it's a great time at the movies, and as someone who treasures this sort of material, I can't recommend Kong: Skull Island enough.

Final Grade: B+

Kong: Skull Island is an action-packed thrill ride that should delight monster movie fans across the globe.

Saturday, February 4, 2017

Short Attention Span Review: Victor Frankenstein (2015)


Short Attention Span Review: Victor Frankenstein (2015)

Max Landis did something new and interesting with his script for Victor Frankenstein and director Paul McGuigan gave the picture a great look, but the two leads (James McAvoy and Daniel Radcliffe) are really what make this one click.  Narrowing the focus for this take on the classic story to Victor and Igor (with Igor taking center stage) could have been disastrous, but the witty script, the bold visuals, and a pair of quality performances make this one of the most entertaining Frankenstein pictures out there.  The film is told largely from Igor's perspective and Radcliffe is fine in this role, but it is safe to say that McAvoy's bold scientist with a hunger for forbidden fruit dominates the proceedings.  Andrew Scott also makes quite an impact as a devout detective who is determined to thwart Frankenstein's devilish dealings with science, and Charles Dance is commanding in an impressive cameo.  Also impressive in what amounts to little more than a cameo is Frankenstein's creature, and while he only appears briefly in the closing reel, the design in play and the effects that bring this monstrosity to life are both incredible to behold.  That finale was also quite a spectacle, and surely no other Frankenstein film can offer up such an action-packed conclusion.  While I can be a bit of a purist when it comes to adapting material like this, I actually found Victor Frankenstein to be one of the most rewarding spins on the timeless mythos that I have beheld, and I don't think there are many versions of this tale that I'm unfamiliar with.  It's a bit less frightening than the standard approach, but far more entertaining--and while it makes drastic alterations to Mary Shelley's story, Victor is basically the same character and the big questions regarding life and death that fuel his descent into madness are well-preserved.  Those questions are the backbone of the Frankenstein legacy, and this film stands as proof that they are still potent enough to anchor a thrilling horror opus.

Final Grade: A-

This spin on the classic tale is centered on the relationship between Victor and Igor, and stars James McAvoy and Daniel Radcliffe work hard to make this fresh approach an exciting success.

Monday, July 18, 2016

Short Attention Span Review: Stranger Things (2016)


Short Attention Span Review: Stranger Things (2015)

Netflix's latest killer series borrows heavily from the cinematic landscape of the 80s (and the 80s themselves, as the series is set in 1983 and a powerful nostalgia vibe is one of its biggest selling points), but it remains fresh and viable nonetheless.  This is surely somewhat due to the wide variety of genres and titles that it pays homage to and partly due to a plethora of original flourishes, but either way the recycling on display in this riveting series is rather charming and never feels derivative.  There are great performances to spare and while some viewers have lamented the effects, I found them to be just as impressive.  The score is invigorating and the pacing is on point--this is an ideal program for binge-watching as the story progresses quickly and each episode ends with a cliffhanger that will have you itching to cue up the next chapter.  The less you know about the plot going in the better, but suffice it to say that a little midwest town becomes the setting for a wild yarn that includes a terrifying creature, shady government officials and their top secret lab, gateways to other dimensions, and even super powers.  The events unfold in the wake of a young boy's disappearance, and his tough but bewildered mother will join forces with a determined lawman with a tragic past to try and get to the bottom of the sinister goings-on.  Their biggest allies will be a band of teenage misfits who love Dungeons & Dragons and science, and their search for answers is packed with chills, thrills, and loving nods to the 80s.  The characters have so much depth and such tremendous arcs that I frequently felt like I was reading a book while watching this one, and there was just so much talent on display throughout.  It's hard to imagine any fan of things that go bump in the night failing to fall head over heels for the wholly engaging and highly entertaining Stranger Things

Final Grade: A+

Stranger Things is positively brimming with wonderful performances, but the strongest comes courtesy of Winona Ryder.  The long lost starlet is sheer perfection here as a crazed mother who will do anything to save her child from a diabolical supernatural menace.

Friday, October 30, 2015

Top 20 Horror Movies - #3) The Thing (1982)


One of the things that I'm doing this month as I celebrate Halloween here in the Land of Way is taking the time to rank my Top 20 Horror Movies and my Top 20 Horror Novels.

Note:
I want to be clear that I'm basing these choices on my own humble opinion.  I'm not trying to rank these movies in accordance with their place in pop culture, but I'm offering up my take on the best horror films that I have ever watched and enjoyed.  There are some familiar candidates that I consider to be great pictures that didn't make the cut because there wasn't room, and there are some films that are widely regarded as great pictures that didn't make the cut because I feel that they are overrated.  There are also a few instances where it was difficult to determine whether or not a movie belonged to the horror genre (I said "no" to Aliens but "yes" to Jaws), and it may also be worth noting that this is largely a modern list (as long as you're okay with my classification of modern as anything after 1960) that only features one lonely creature from the so-called "Classic Monsters" films produced by Universal Studios.

Thus far, the list includes:

#20) The Fly (1986) 
#19) The Howling (1981)
#18) Night of the Living Dead (1968)
#17) Alien (1979) 
#16) Invasion of the Body Snatchers (1978)
#15) Suspiria (1977) 
#14) Phantasm (1979)
#13) Evil Dead 2 (1985)
#12) Creature from the Black Lagoon (1954) 
#11) The Descent (2005)
#10) Fright Night (1985)
#9) Halloween (1978)
#8) Return of the Living Dead (1985) 
#7) An American Werewolf in London (1981)
#6) Deep Red (1975)
#5) The Shining (1980) 
#4) Dawn of the Dead (1978)

My favorite director strikes again!  That's right, John Carpenter's back in the mix with his best horror flick, a picture that was savaged by critics and labelled a failure after it struck out at the box office.
  

Top 20 Horror Movies - #3) The Thing (1982)

John Carpenter is directly responsible for so many awesome movies.  Many were major hits, but he has also produced his fair share of cult classics.  That's why it should probably come as no surprise that his best horror film was so poorly regarded upon its initial release.  Arriving hot on the heels of E.T., this grim and gory monster movie was too dark for mainstream success in 1982, but over time more and more people have warmed up to it.  Kurt Russell is the star, and though this part is far more somber than the roles he played in his other pairings with Carpenter, he delivers another riveting performance.  The effects courtesy of Rob Bottin are outrageous and the main theme from Ennio Morricone (this is the rare instance where Carpenter passed the baton on that front) is a truly magnificent symphony of doom.  The locations give the movie the stark realism that it needs to draw audiences into a tense and horrific struggle that leads to a bleak conclusion with apocalyptic implications.  Carpenter's shot selection is superb and his dynamic vision yields a fantastic vision of isolation and desperation unlike any other.  Technically a remake, this epic creature greatly improves upon The Thing From Another World, a nifty gem from 1951.  Despite the downer nature of the piece, it remains one of my favorite horror films to watch.  The movie I have at #1 on this list is so damn disturbing that I rarely view it, but The Thing is a great movie to revisit whenever you want to see Kurt Russell rock cinema's gnarliest beard in John Carpenter's mindbending trip to Antarctica.  It's an immersive experience that slowly draws the viewer into a paranoia-fueled nightmare where brave men battle a wretched invader from beyond the stars.  It's The Thing, the biggest and baddest monster movie of them all, and I'm thrilled to include it here.

According to John Carpenter, Rob Bottin got the job on the basis of his kooky storyboards.  Once they got on set, John asked him how he was going to pull all this crazy stuff off and Rob basically said, "Shit, man.  I don't know."  In the end, he delivered in a big way, and his effects are a big reason why fans continue to flip out over The Thing.
Obviously, I've got mad love for Carpenter, and I'm also a huge Kurt Russell fan, so I should note that their work together may represent the best that each of these supremely talented individuals had to offer.

Wednesday, October 14, 2015

Halloween in the Land of Way - Short Fiction - Here There Be Monsters



I'm not just ranking my Top 20 Horror Movies and my Top 20 Horror Novels for you as I celebrate Halloween all month long here in the Land of Way.  I'm also going to share some short fiction with you.

This is a story that is near and dear to me because while there are many things that I excel at in this life, fishing simply isn't one of them.  I like fishing, so my shortcomings in this arena are difficult to shrug off.  Maybe that's why I chose to write this tale, to convince myself that it could be worse.  No, if I'm going to be completely honest with you, this is one of those short stories that was inspired by a particularly vivid nightmare.  I imagine that many of my fellow writers who toil within the horror genre have translated bad dreams into grim yarns.  Hopefully you guys will enjoy my attempt to do just that as much as I enjoy fishing.


Here There Be Monsters
by James Wayland



The pole was heavy in his hands.  A salty breeze washed over him, threatening to dislodge his cap.  It was chilly, but he was comfortable despite the fact that he was wearing nothing but a pair of cutoffs and a ragged tee shirt.  He had kicked off his sandals earlier and the cold sand felt good beneath his feet.
Still, Barrett was starting to think that he was wasting his time.  He reeled in the piece of squid he was using for bait and cast it out again.  Despite all the weight he had added to his line, he still couldn’t get it as far out as he wanted it.  The night sky was dark and the moon was presently concealed behind a rolling grey mass of clouds, but it was easy enough to spot the white slashes of foam where the waves were breaking.  He wanted to loft his little clump of squid ten to twenty feet beyond those telltale flashes of white, but he kept coming up short.  The long pole just wasn’t flexible enough to allow him to cast like he wanted to, no matter how many sinkers he used. 
The big man grimaced, wondering if he should just call it a night.  This seemed to be a waste of time.  There was no one else fishing along the shore, at least not in this vicinity, though there was a lot of activity down at the pier.  It was so far away that he could make out little more than lights and movement, but he was fairly certain that there was more action to be had there.  He didn’t want to stand elbow to elbow with a bunch of fisherman, though.  He wanted solitude.
Of course, if things had gone according to plan, he would have spent this night on a boat, fishing the deep waters of the Atlantic.  Perhaps he would have taken a twelve hour trip, and that might have allowed enough time for the captain to guide the vessel into the gulf.  Yet things had not gone according to plan and there would be no deep sea fishing this weekend.  With that in mind, Barrett wanted to be alone.  He wasn’t sulking, but he just wasn’t in the mood for company either.
Nestling the rod in the crook of his arm, Barrett eased his flask out of his hip pocket and took a pull.  The searing heat in his chest was a welcome diversion, so he took another pull before putting the flask away.  “Come on,” he said aloud, “Something has to be cruising along the shore.  Have a bite to eat, why don’t you?”
He shook his head.  It was a waste of time.  An angler who did most of his fishing on various riverbanks, he was totally out of his element here.  Charter fishing from a boat was one thing, but this shore fishing business wasn't working for him.  He had spent a small fortune on this giant pole and the tackle that he needed to outfit it, but trying to fish the ocean from the beach was a far cry from booking a boat or working to land a mudcat or a rainbow trout from a riverbank.  
No, Barrett didn’t know what he was doing, but he was pretty sure that he was doing it wrong.   Hell, he wasn’t able to cast his bait out more than thirty feet or so, and the tide was sending it back to him in a matter of minutes despite all those massive sinkers and the weight they provided.
This was idiotic, and while he didn’t want to visit the ocean without doing a little fishing, this felt more like a misguided attempt than actual sport.  Next time, he wouldn't let anyone spoil his plans.  Next time, he would be out there in a boat, having fun while the captain and his mates did all the fretting.  Cursing, the big man returned the pole to the crook of his arm and dug the flask out of his pocket once more.  He took another deep pull.  He followed this with another, and then another, draining it. 
Well, shore fishing was a losing effort, but he was going to succeed at getting drunk.  The scotch was already making him feel a bit too warm and fuzzy for his own good.  Of course, Barrett was a man who could hold his liquor, and catching a little buzz while he fished was nothing new.  In truth, the big man felt that fishing and drinking went hand in hand. 
Feeling a little better now that a familiar fire was at work in his chest, Barrett let himself enjoy the view.  The black water crashing into the sand was an awesome spectacle, an endless expanse of darkness that rose and fell, pounding the beach and then slithering backward before unleashing another attack.  It was massive and hypnotic, timeless and fearsome, a sight that should make any man feel utterly slight by comparison.  It was the sea, and on this cloudy night, it was one giant mass of darkness, thrashing against the beach and daring any man who stood beneath that starless sky to enter its warm embrace.  Yes, it was an amazing sight, but there was something spooky about that black water thrashing at his feet.  Barrett shivered, wishing there was more scotch in his flask.
At once, the massive rod in his hand bowed over.  The big man stumbled toward the water, stunned.  There came another fierce tug and he tried to reel.  “Damn,” he muttered, sweat popping up on his brow.  He pulled back on the pole, working the reel for all he was worth, but it was slow going.  “Got something big,” Barrett exclaimed.  “Got something very big!”  He looked around, wondering if there was anyone approaching who could appreciate this stroke of luck, but he was still alone.
He tried to take a step back, but there was another tug, and this was one was hard enough to drag him forward.  Instead of a step backward, Barrett took two big steps forward, stumbled, and fell to his knees.  He nearly lost the rod, but somehow he maintained his grip and fought his way back to his feet.  “Son of a whore,” he cried.  There came another stiff breeze and this time he did lose his cap, but he was too involved in his struggle with whatever he had hooked to care.  He continued to crank the reel, but the line was screaming and he knew that he was paying out more than he was managing to haul in.
Barrett tightened the drag and continued to fight, leaning back with the rod and digging his heels into the cold sand.  Yet he was still giving ground, and soon that rolling black water was splashing against his ankles.  “Come on, you,” he shouted angrily, working the reel.  There could be no doubt that he had hooked something huge, something far larger than anything he had landed before, to include the monster catfish that he had pulled out of the James River when he was in his teens.  He was practically a pup then, and the years had been kind.  Barrett was much bigger and much stronger now, but he was still losing this battle.  It felt like he was trying to reel in a Buick.
The pole was doubled over, but it hadn’t snapped, at least not yet it hadn’t, so maybe it was worth what he had paid for it.  Yet despite all his strength, he wasn’t getting anywhere with this son of a bitch.  He was still swearing and cranking the reel for all he was worth, but he was getting nowhere.  Barrett was forced to take another big step forward and now the ocean was washing against his shins.  The water was warm, much warmer than he had anticipated.
The wet sand gave him little purchase, and before he knew it he was taking another big step forward.  The next wave to fall upon the shore struck him in the knees.  A vicious yank nearly tore the pole from his grasp, but Barrett gritted his teeth and held fast, grunting as he pulled the pole toward his chest. 
This was incredible!  He was willing to bet that no one over at that pier had hooked anything like this tonight, but could he bring the damn thing ashore?  Furthermore, did he want to?  He had no way of knowing just what he had hooked, but even as he was pulled forward again, finding himself waist-deep in that monstrous black sea, he knew that he couldn’t let go. 
“You’re coming to land, you bastard,” he howled, finally managing a step backward.  He reeled furiously, and fought his way back, willing himself toward the beach.  The next wave merely slammed into his knees whereas he had been standing in waist-deep water seconds before.  The big man chuckled even as a big drop of sweat fell from his nose.  “Getting tired now, are you?  Well, there’ll be no rest for you!” 
In response, there was a rumble in the distance that may have been thunder and a powerful splash from somewhere nearby.  It may have been his fish breaking the surface, but he didn’t see anything.  Still, he was encouraged, and he continued to reel like a madman, working furiously to bring the fish in.  Perhaps it was merely wishful thinking, but he thought there was less protest from his reel as he toiled.  Maybe the big bastard was wearing itself out, and surely he was making some serious progress as he labored.  The muscles in his shoulders and back were beginning to ache and he was perspiring freely. 
There was another splash, this one closer than the first, and he thought he saw the rolling black water offer up a plume of white foam some twenty-five feet ahead.  “Yes,” he shouted.  “Come on, damn you.”  He pulled back on the pole again, feeling the line jerk to and fro as his catch thrashed in the surf.  He was grinning now, eager to see just what he was working against. 
Suddenly there was another mighty pull, as though the big fish was making one last attempt to escape his clutches.  Barrett had allowed himself to relax just a little bit, and the wet rod slipped from his grasp.  “No,” he shouted, lunging forward even as his pole hit the water.  He was hefty, but he was also quick, and as he dove forward he found the reel with his right hand.  Even as he submerged, closing his eyes to avoid the sting of the saltwater, he clutched his pole against his chest.  The water receded as he struggled to his knees, leaving him in maybe two and a half feet of water.  Undeterred, he was starting to reel again even as another wave slammed into him. 
Barrett went to his back, refusing to release his grip on the pole.  First, he was knocked toward the shore by that black ocean.  Then, even as he fought to get his feet under him without sacrificing his grip on the rod, he was yanked away from the beach by the tide.  He slipped beneath the surface again, clinging to the pole with all of his considerable might with his right hand while he clawed at the sand beneath him with his left, fighting desperately to right himself.  Finally he managed to get his big feet under him, digging into the bottom with his toes as he stood. 
He took a deep breath, his wet skin breaking into gooseflesh as a stout gust of wind assailed him.  Now the water was nearly up to his chest, but he didn’t bother with trying to back up.  He was too busy working the reel, raising it nearly even with his broad shoulders and trying desperately to regain any ground he had lost with his big catch.  He had been through far too much now to lose it.
His beefy chest heaving, his muscles burning from exertion, Barrett fought.  He cursed some more and he reeled even harder, his bloodshot eyes narrowing into vicious slants.  Nothing mattered but reeling, so reel he did. 
Soon he was rewarded with a splash some ten to fifteen feet directly in front of him.  He caught a glimpse of a massive fish rolling on the surface.  He was too tired to shout, but a triumphant laugh escaped him, and he did take a big step back then.  He pulled the pole tight against his chest and took another big step backward, moving closer to the shore.  Now he was standing waist-deep in that black water, fighting to land something huge that was getting closer and closer to the shore.  Yes, the fish was big and the ocean was fierce, but victory was almost his. 
This had Barrett thinking that shore fishing wasn’t such a bad idea after all.  Whatever he had hooked, he didn’t doubt that it would be far larger than that enormous catfish he had caught in the James River.  He had waited a long time to top that one, but he had a feeling that tonight he was reeling in something that could take a big bite out of that fish.  He didn’t know what it was, and, in truth, while he was rather adept at inland fishing and could readily identify any freshwater catch, he wasn’t even sure that he would know what this thing was once he managed to bring it in.  It didn’t matter.  He was having a hell of a war out here beneath the night sky, and he had the biggest fish that he had ever hooked on the end of his line.  He would find out what it was later.  This would be a story that he would tell his grandchildren one day, and this would be a struggle that he would remember for the rest of his life. 
He was tired, he was sweaty, and he was standing in the warmth of the ocean, but the smile on Barrett’s face was a testament to his current joy.  He cursed merrily, cranking on the reel and watching as the fish broke the surface once again.  Oh, what a catch, and now that big mother was hardly ten feet away. 
The big man managed another step back even as the ocean receded and now the black water was even with his thighs.  His nervous system came alive then, screaming of some eminent danger that he had yet to beholdPuzzled, Barrett ignored this powerful sense of dread and continued to work the reel.  The fear grew stronger and the big man tried to swallow only to find that his mouth had gone dry.  That's when a massive black shape shattered the surface of that black sea right where his catch had broken the surface mere seconds before, little more than a dozen feet before him.  This creature born of darkness made Barrett’s catch appear to be woefully insignificant.  It was true, the big man knew little about the fish of the ocean, but that huge dorsal fin and that conical snout were unmistakable. 
Even as the strongest wave that he had encountered thus far plowed into him, Barrett’s rod was ripped from his steely grip.  The shark had taken his fish, but that was of little consequence now.  The wave had toppled him and a raw terror the likes of which he had never known was now hell-bent on consuming him.  Barrett fought against the current and his raging nerves, digging his fingers into the bottom and trying to right himself.  There was no use, he was knocked forward, his face pressing against the sand, and then he was dragged backward as the wave receded.  His need to flee had never been greater, but the ocean was a cruel mistress and she had no intention of releasing him. 
Finally, Barrett fought his way to the surface, laboring for breath amid that dreadful current.  It was as if that black ocean was trying to pull him to his doom.  Now the water was up to his chin, and he wasted no time in turning his bulk toward the shore.  He had seen the shark for but a second and he didn’t know what kind it was or just how big it was.  He only knew that it was incredibly large, several times as big as whatever it was he had been trying to reel in.  Was it a man-eater?  Was it ten feet long?  Fifteen?  Longer?  He had no way of knowing and he didn’t care to find out.
As he tried to fight his way toward the shore, he felt a surge in the ocean.  A swell lifted him upward, his feet dangling in the black water.  He wanted to turn and look to see if the monster was upon him, but he was too scared to do so.  He thrashed against the sea instead, screaming as something that felt like sandpaper brushed against his leg and another swell in the water forced him to his left.  Barrett beat at the surface, trying to yank himself forward.  Another wave pushed him toward the beach and he did his best to ride it, spreading his arms and raising his feet behind him.  He glided through the water, gaining precious ground, but an instant later the current was hauling him backward. 
“No,” he wailed, “No, damn you!”  Then he was coughing as his chin dipped beneath the surface and he gulped down a mouthful of saltwater.  He slipped under and the awful tide yanked him farther from the shore.  He was beneath the water for so long that he became convinced that he was going to drown, but somehow he fought his way back to the surface, refusing to give up.  He was a little drunk, but he was also a strong swimmer.  He took a quick look ahead and saw that the beach had become little more than a band of white that was receding in the distance.  He thought he saw his sandals, but he wasn’t sure.  It didn’t matter, he would never wear them again.  The icy terror that gripped him had blossomed into something much worse.  A terrible certainty had ensnared him, dousing his horror with anguish.
Now he did look over his shoulder, and somehow his eyes were able to discern the monster even though it was little more than a dark silhouette framed against a merciless sky and all that angry black water.  The shark seemed to rise up behind him, appearing to tower over him, that horrible mouth stretching into a jagged grin as the darkness that surrounded Barrett finally enveloped him.


Friday, July 24, 2015

Short Attention Span Review: The Relic (1996)

It's an old story: a great book goes to Hollywood and becomes the basis for a lesser movie.  What can I say?  The best stories are told on paper and they can't always be transferred to the big screen without losing a little something along the way.  Sometimes they lose a lot.  Yet there are cases--like The Relic--where the book is so incredible that even a lukewarm adaptation makes for an entertaining show.  While it is surely a far cry from the book, to include the absence of the novel's main character and a far less impressive conclusion, The Relic still works in a variety of ways.  The mood and the sets are top-notch and the very idea of setting a creature feature in a museum (which is poised to debut a new exhibit entitled "Superstition") gives the picture a slick and creepy vibe.  The cast (Penelope Ann Miller and Tom Sizemore are the stars, and the wonderful Linda Hunt makes the most of her role) is on point and the direction c/o Peter Hyams is equal parts ominous and exciting.  Stan Winston provided a stellar design for the monster and most of the effects are solid.  The Relic also benefits from holding off on showing us the beast that roams the halls of the museum until the closing reel, generating a lot of suspense on the way to the grand finale.  Unfortunately, the biggest failing from the effects team comes during the climax of the picture, . . . and that's a real bummer.  Honestly, if there were no book to compare this film to and the final confrontation with the fearsome creature that causes so much havoc along the way wasn't bungled, this would be classic horror fare.  As it is, it's well worth a watch in spite of its flaws, and viewers who dig horror should be able to sink their teeth into this one.  It's not the horror movie equivalent of a good steak, but a decent burger will do in a pinch.

Final Grade: C
Great sets are among the movie's many strengths.

Wednesday, April 22, 2015

Short Attention Span Review: Pumpkinhead (1988)

Pumpkinhead is a horror film that never really got its due.  I'm not sure that the property lends itself well to the notion of a series, so maybe it's not all that surprising that a pair of toothless sequels have probably hurt this curious monster movie's appeal.  Yet it has a fanbase; many genre aficionados treasure the fantastic creature effects c/o the legendary Stan Winston, who also directed the picture. Yes, Winston's direction wasn't quite on par with his effects wizardry, but that's not akin to saying that he mucked it up.  He did a good job as director and he was working with a nifty screenplay.  He was also given quite the assist in making a startling motion picture by his star, Lance Henriksen, who gives one of his best performances in Pumpkinhead.  Just in case there's someone reading this blog who isn't in the loop, let's tell it like it is: Lance Henriksen is awesome.  Saying that a movie features one of his best performances is a big deal coming from me.  I'm a huge fan of his work (I went to see Man's Best Friend on opening night and I quote Bishop almost as much as I quote Hicks or Hudson) and I truly appreciate the stellar job he did with this material.  I enjoy the gruesome story, but it is a bit predictable and the movie could have been rather forgettable in spite of the tremendous creature effects with a mundane performer at the wheel.  Lance elevates this one into a dark morality play that is frequently as dramatic as it is terrifying.  This fright flick is riveting from start to finish, and it doesn't waste a lot of time, packing a wealth of thrills and chills into a lean 86-minute runtime.  With Pumpkinhead, one of the best effects artists ever and one hell of an actor delivered a fierce creature feature with bite--and heart.

Final Grade: B

The effects are great, but Lance's performance is even better.

Wednesday, April 15, 2015

Short Attention Span Review: Prophecy (1979)

Billed as "The Monster Movie," Prophecy strives to be just that.  Alas, the effects don't quite live up to the hype, but this bold creature feature still manages to entertain.  This is largely due to the presence of several quality performers  and a terrific director.  Prophecy also boasts a nifty plot, so while the creature design is a bit of a disappointment, the movie itself is easy to recommend.  Besides, it's not the worst creature design ever, and there's enough fright and suspense in the mix to keep horror fans rooted to their chairs until the gruesome finale.  Now, director John Frankenheimer wasn't exactly at his peak here, but he still managed to generate a lot of intensity and dread with Prophecy.  There are also a few pertinent themes interwoven with the screaming and the bloodshed, to include ruminations on humanity's crimes against the environment and futility born of bureaucracy, but Frankenheimer doesn't let these elements get in the way of a good time.  The cast, including Talia Shire, Robert Foxworth, and Armand Assante, among others, make the most of the material.  Surprisingly enough, the three capable leads I just mentioned offer up some of their best work in a movie that requires them to square off against a dude in a rubber suit in the closing reel.  The score is perfect for a horror flick like this one and there's a lot of gore sprinkled throughout the proceedings.  True story: I have a crazy uncle (doesn't everyone?) who has dubbed Prophecy his favorite movie.  Now, I can't go nearly that far, but I do enjoy it and I'm certain that anyone else who responds to phrases like "creature feature" or "monster movie" the way that I do will have fun with this one as well.  Truthfully, if Katahdin (the beast of legend/freakish mutation that hunts our merry band of heroes) was a bit more convincing, this movie might have achieved epic status.

Final Grade: C+
Despite being a beast born of folklore, Katahdin is having a less than stellar day.

Thursday, February 5, 2015

Short Attention Span Review: DeepStar Six (1989)

I like movies set in the ocean, particularly if they are horror movies.  Add a sea creature of some sort and you are promptly awarded bonus points.  I'm also a big fan of the Friday the 13th series, so I try to give DeepStar Six the benefit of the doubt because it was directed by Sean S. Cunningham and Harry Manfredini did the score.  In the end, however, it's an okay movie that does fall a little flat.  It doesn't help matters that the superior Leviathan debuted in the same year.  DeepStar Six has a quality score and Cunnigham's direction is steady enough.  Throw in some creative death scenes, a sound performance by Miguel Ferrer, and some effective gore, and we should be good, right?  Where does the problem lie?  I'm pretty sure it's the monster.  The movie is nearly over before we see the monster, and while I'm generally okay with that approach, here I think it was probably less about style and building up to that moment than concealing DeepStar Six's greatest failing.  The monster isn't all that effective.  Having said all that, the movie is still watchable and there are surely inferior horror films, so if you're looking for a B-rate horror flick set in the ocean, you can settle for DeepStar Six.  It's not stellar, but it doesn't suck.  It just manages to stay afloat.

Final Grade: C