Short Attention Span Review: Victor Frankenstein (2015)

Short Attention Span Review: Victor Frankenstein (2015)

Max Landis did something new and interesting with his script for Victor Frankenstein and director Paul McGuigan gave the picture a great look, but the two leads (James McAvoy and Daniel Radcliffe) are really what make this one click.  Narrowing the focus for this take on the classic story to Victor and Igor (with Igor taking center stage) could have been disastrous, but the witty script, the bold visuals, and a pair of quality performances make this one of the most entertaining Frankenstein pictures out there.  The film is told largely from Igor's perspective and Radcliffe is fine in this role, but it is safe to say that McAvoy's bold scientist with a hunger for forbidden fruit dominates the proceedings.  Andrew Scott also makes quite an impact as a devout detective who is determined to thwart Frankenstein's devilish dealings with science, and Charles Dance is commanding in an impressive cameo.  Also impressive in what amounts to little more than a cameo is Frankenstein's creature, and while he only appears briefly in the closing reel, the design in play and the effects that bring this monstrosity to life are both incredible to behold.  That finale was also quite a spectacle, and surely no other Frankenstein film can offer up such an action-packed conclusion.  While I can be a bit of a purist when it comes to adapting material like this, I actually found Victor Frankenstein to be one of the most rewarding spins on the timeless mythos that I have beheld, and I don't think there are many versions of this tale that I'm unfamiliar with.  It's a bit less frightening than the standard approach, but far more entertaining--and while it makes drastic alterations to Mary Shelley's story, Victor is basically the same character and the big questions regarding life and death that fuel his descent into madness are well-preserved.  Those questions are the backbone of the Frankenstein legacy, and this film stands as proof that they are still potent enough to anchor a thrilling horror opus.

Final Grade: A-

This spin on the classic tale is centered on the relationship between Victor and Igor, and stars James McAvoy and Daniel Radcliffe work hard to make this fresh approach an exciting success.

Short Attention Span Review: The Five Deadly Venoms (1978)

Short Attention Span Review: The Five Deadly Venoms (1978)

Two utterly magnificent things happened in 1978: I was born and Chang Cheh gave us The Five Deadly Venoms, which may just be the coolest martial arts film of all time.  Bruce Lee's catalog aside, this is undoubtedly the definitive karate flick, and it will also appeal to fans of the horror genre--and perhaps even fans of superhero movies.  The Shaw Brothers gave us an abundance of kung fu gems marked by great sets and even better choreography, and I think most fans will agree that The Five Deadly Venoms was their best offering.  Additionally, no one was better suited to helm these bodacious flicks than Chang Cheh, and this is surely his finest hour.  This is also the film that gave us the Venom Mob (Shen Chiang, Chien Sun, Phillip Chung-Fung Kwok, Meng Lo, Pai Wei, and Feng Lu), and while each of these considerable talents would shine in other pictures, the whole gang would never join forces again in a single picture--and I think this one may represent each performer's best work with the exception of Shen Chiang.  He is the lead here and he's absolutely terrific, but I rank his work in Crippled Avengers a little higher.  The groovy plot revolves around a master who has trained the fearsome Venoms of the title in five distinct styles, each of which comes equipped with something akin to a super power.  These warriors are the Toad, the Lizard, the Centipede, the Scorpion, and the Snake.  They train under this master (Dick Wei) in masks, and thus their identities are kept a secret.  Later, the master trains a new student, Yang Tieh (Shen Chiang), and while he is not a master of any of the five styles, he understands a little of each.  As the master nears his end, he begins to fear that his five original pupils may be too dangerous for this world, so he sends young Yang Tieh to try and figure out who the Venoms are, determine if they are good men or bad men, and eliminate any who are using their skills for nefarious purposes.  This sets the stage for a supremely badass film brimming with secret identities, desperate alliances, epic brawls, and a nifty twist or two to keep everyone on their toes.  Of course, the highlights of the movie are the bloody showdowns, but there's also an abundance of gore on display and I love the sinister mood that permeates the piece.  Finally, The Five Deadly Venoms concludes with a five star showdown where all bets are off, and this amazing setpiece showcasing all of the characters who have yet to perish is easily the most stupendous final reel in the history of martial arts cinema outside of Enter the Dragon.

Final Grade: A+

Bruce Lee's catalog aside, The Five Deadly Venoms is the ultimate karate flick.  As such, it is the best offering from the Shaw Brothers, who gave us a wealth of kung fu treachery to enjoy.

Short Attention Span Review: Anaconda (1997)

Short Attention Span Review: Anaconda (1997)

Anaconda is a beautifully shot horror thriller that suffers from mediocre CGI effects and a plot that is laden with cliches, but the picture also comes equipped with an ace tucked away in its sleeve.  That ace is actor John Voight, whose wildly over-the-top performance consistently elevates the picture and makes it incredibly entertaining.  His send-up of Marlon Brando is far too ridiculous to be taken seriously, and yet it works flawlessly within the context of this motion picture.  Who knew that pairing a cheesy killer snake movie with a grossly exaggerated performance is actually a winning blueprint that serves up a plethora of thrills, chills, and chuckles?  Voight's Paul Serone sports a perpetual sneer, speaks in a mysterious accent, and ultimately winds up being about ten times as dangerous as the fearsome snake the picture is named after.  If it seems like I'm focusing this review almost entirely on Voight's histrionic efforts, that's because I feel that they probably should have called this one Paul Serone: The Movie.  Now, Jennifer Lopez and Ice Cube are okay, and Eric Stoltz is rock solid in a smaller role, but they are merely footnotes in this film.  I gave the cinematography of Bill Butler a nod for good reason, and I also think that Luis Llosa did a fine job with the direction--though he clearly fares better with the exciting aspects of the picture than he does with his attempts to ratchet up the suspense.  Shoddy effects aside, there is a lot to like about Anaconda, but it is Voight's show through and through.  Dude devours scenery and totally overshadows everyone* he shares the screen with, to include any giant snakes in the mix.  Is Anaconda a good movie?  Eh, probably not.  Is it fun to watch?  Absolutely, and that's largely due to the presence of one sneering madman who overloads the proceedings with menace and charisma.

*Eric Stoltz actually holds his own with Voight, but sadly his character is off screen for most of the movie.

Final Grade: C

As a film, Anaconda is average at best, but Jon Voight makes it must-see entertainment.

Short Attention Span Review: Train to Busan (2016)

Short Attention Span Review: Train to Busan (2016)

Wow!  I had heard good things about Train to Busan, so when I sat down to watch it I was expecting big things of this landmark zombie thriller from Korea.  These lofty expectations were appropriate--I can honestly say that I was totally blown away by this fast-paced rampage.  In what may or may not have been a nod to Romero, the picture was ripe with social commentary, and it was also host to some well-drawn characters with emotional arcs, but this never kept it from racing down the tracks.  Gory, exciting, intense, and moving, Train to Busan is easily one of the finest zombie movies that I have ever enjoyed, and that's one hell of a statement coming from yours truly.  Director Sang-ho Yeon did a marvelous job of keeping things popping while telling a story with an awful lot of heart to go along with all the blood and guts splattering the screen.  The cast performed flawlessly, and while there were a few cliches in the mix, everyone had a lot to do and I felt that each performer made the most of their opportunities to shine.  Leading man Yoo Gong nailed it, and young Soo-an Kim did a remarkable job in a demanding part with a lot of depth and nuance.   Yet it was Dong-seok Ma who stole the show, combining grit and warmth to tremendous effect.  Eui-sung Kim gave us a horror movie dickhead for the ages, and eagerly anticipating his demise greatly bolstered my viewing experience.  In closing, I found Train to Busan to be thoroughly effective on every level, and it is not only my favorite horror film from 2016, but I will reiterate that it has to be one of the best zombie films out there.

Final Grade: A+

While Train to Busan succeeds on many fronts, in the end it is the well-drawn characters who propel it to greatness.

Short Attention Span Review: Masked Avengers (1981)

Short Attention Span Review: Masked Avengers (1981)

This one has all the necessary ingredients for a classic Shaw Brothers exercise in Kung Fu Treachery: Chang Cheh in the director's chair, key members of the Venom Mob in the cast, a sinister mood, and an abundance of gore.  Of course, it should go without saying that Masked Avengers is also enhanced by the colorful costumes and sets and the breathtaking choreography that make the Shaw Brothers library so worthwhile for connoisseurs like yours truly.  I would rank this among their more frightening offerings, and I think that the fact that the masked killers terrorizing the countryside in Masked Avengers are armed with tridents gives this one an advantage.  While Shaw Brothers movies are revered for their fight scenes, to include big brawls with multiple cast members and stellar weapons choreography, the use of tridents makes Masked Avengers rather unique.  The picture hits several familiar beats for fans of Chang Cheh's work, to include secret identities, deadly alliances, and characters whose motives remain murky until they finally pick a side in the grand finale.  Speaking of which, the big showdown that marks the conclusion of Masked Avengers has to rank among the studio's very best.  It's a real showstopper, and those who enjoy such fare will definitely be thrilled by this sadistic climax pitting terrifying villains against valiant heroes in a bloody battle that is thrilling and creative in equal measures. 

Final Grade: B+

Venom Mob + Chang Cheh + Gore + Superb Choreagraphy = Grade A Kung Fu Treachery

If you enjoy these pictures as much as I do, check out my reviews of other top shelf martial arts flicks from the Shaw Brothers:

Short Attention Span Review: Blood Brothers (1973)

Short Attention Span Review: Five Shaolin Masters (1974)

Short Attention Span Review: Crippled Avengers (1978)

Note: I didn't realize until I was digging up these links that I've apparently never reviewed the one Shaw Brothers classic that rules them all: The Five Deadly Venoms.  I promise my faithful readers that I will remedy this situation shortly.

Short Attention Span Review: The Fighter (2010)

Short Attention Span Review: The Fighter (2010)

First off, the thing with rating boxing movies is the depth of the field.  If you set out to make a great volleyball film, the world is yours.  If you set out to go toe to toe with Rocky or Raging Bull, . . . well, things could get ugly.  Thankfully, while The Fighter is vastly inferior to the great boxing flicks of yesteryear, it mostly stands as a drama with a landmark performance anchoring it.  Unfortunately, those great boxing flicks of yesteryear may have been more reliant on boxing, but they were also heavy on the drama, and with The Fighter that landmark performance doesn't belong to the leading man.  The end result is a bit off as a result, though the movie is surely entertaining and crafty.  The soundtrack is great and the dysfunctional family that the story revolves around offer up a steady stream of memorable moments.  The entire cast is game, and de facto star Mark Wahlberg is solid as "Irish" Mickey Ward.  This humble underdog's rise to fame is the backbone for David O'Russell's fast-paced chronicle of the pugilist brothers who put Lowell, Massachusetts on the map.  The other brother in this equation is Dicky Eklund, played to sheer perfection here by Christian Bale.  Yes, Ward is the up-and-comer whose quest for glory is on center stage, but it is Eklund the drug-addicted has-been who makes The Fighter worth watching.  Bale disappears into his role (as he frequently does) and his startlingly authentic portrayal of Eklund is tragic, wildly entertaining, and ultimately incredibly uplifting.  Wahlberg never falters in a less interesting role, but while watching The Fighter I couldn't help but think that it would have soared far higher if it was centered on Bale's Dicky Eklund instead.  As for the boxing bits--well, they're not bad, but we've seen far better.  In the end, we're supposed to be thoroughly impressed when Mickey's hand is finally raised, but Dicky's antics and his gut-wrenching battle with addiction are far more gripping.

Final Grade: B-

Mark Wahlberg may get top billing, but this is Christian Bale's show from start to finish.

Short Attention Span Review: Bring Me The Head of Alfredo Garcia

Short Attention Span Review: Bring Me the Head of Alfredo Garcia (1974)

For me, there is little doubt that The Wild Bunch was Sam Peckinpah's best picture, but it isn't my favorite movie that he made.  No, my personal fave from this legendary director is a curious ode to tequila, violence, and greed.  That's the best way I can describe Bring Me the Head of Alfredo Garcia, though I should note that while paying tribute to these vices, it also serves up a gruesome example of the ultimate price one might pay for embarking on a quest to satisfy such wicked cravings.  Warren Oates was a gifted performer who was totally at home in many potent roles in an abundance of finer films, but I don't know that he was ever given a better part than the lead in this blood-soaked gem.  Sleazy but endearing, he owns the screen, blazing a path of destruction within and without as he first succumbs to his wretched desires and then rises above them.  In the end, a valiant moment of defiance and a hail of lead closes the picture out on a downbeat note in true 70s fashion.  Uneven and difficult to watch at times, there are also wacky moments that are strangely compelling--with many of these centering upon the main character's budding friendship with a rotting head in a burlap sack.  It's that kind of movie, and while it's far from perfect, it surely benefits from a terrific performance courtesy of Oates and Peckinpah's trademark flair for gunfights and machismo. 

Final Grade: B

Warren Oates drinks tequila, kills bad guys, and befriends a severed head in Bring Me the Head of Alfredo Garcia.